Showing posts with label work in progress. Show all posts
Showing posts with label work in progress. Show all posts

Monday, July 2, 2018

WIP – Not! #amwriting #stuck #paranormalromance




By Lisabet Sarai

Can you still call a book a “work in progress” if you haven’t actually worked on it for nearly two years?

I was slightly shocked when I went back, just now, to look at the last edit date for my unfinished paranormal ménage romance The Werewolf and the Vampire. August 7th, 2016! I’d been intending to publish it for Halloween in 2016, and again in 2017. That didn’t happen, obviously. I have a publication date reserved at Excessica in mid-October this year. Somehow I suspect I won’t make that deadline either.

I began the book full of enthusiasm, fresh from the (relative) success of my genre-busting BDSM romance The Gazillionaire and the Virgin. I thought I’d try taking another set of favorite romance tropes and twisting them almost beyond recognition. I haven’t read Twilight, though I’ve seen at least one of the films (on a trans-Pacific plane flight, out of boredom), but I know the basic outline. So instead of virginal, somewhat helpless Bella, I have snarky, street-smart Manhattanite Bianca, creator of the best-selling vampire fashion magazine in the country. As an alternative to a dark, ancient, mysterious vampire lover, Bianca has Jim — a blond, blue eyed Midwestern college guy turned by a teenaged vamp a few years ago at a frat party. Not that’s he’s without his seductive side, but he breaks almost all of what Garce likes to call “Stoker’s Rules”. Completing the triangle is shifter Zack Kane, a bushy-bearded loner who owns a pet store, whose scent turns Bella into something of an animal herself.

Of course Jim and Zack hate one another. I have plans for that. They’re already ogling each other’s cocks, even as they posture and snarl. Meanwhile, there are villains out to get Bianca, determined to use her for their own devious (and sexual) purposes...

I think you get the picture. I just reread a chapter. It’s not the best thing I’ve ever written, but I do think it has promise, if I could only move the book forward.

But I’m stuck, at 22,000 words, more or less, for a book that should be 50K minimum. I’ve been abandoned by inspiration. At the same time, I’ve been seduced by other ideas and writing projects. Since I stopped making progress on that WIP, I’ve published an average of one title a month. Not all the material is new. I’ve had books dropped by publishers that I had to re-edit and get back out on the street. At the same time, although I’ve sworn in the past that I’d never be able to write a series, I seem to have started two of them, Asian Adventures and Vegas Babes. The first is multicultural literary erotica. The second is deliciously over-the-top smut.

Maybe I’ve just gotten bored with romance as a genre, even romance that ostensibly breaks the rules.

Knowing me, I’ll probably go back to finish the book eventually. I like things neat and I hate wasting effort—or words already written. I’m not nearly as prolific as many of you. I can’t afford to just throw 22K of a decent story if I can whip it into some kind of shape and sell it it.

Right now, though, The Werewolf and the Vampire sits forlornly on my hard drive, mired in apathy, while I contemplate the next Asian Adventure (Hokkaido Holiday) and the next Vegas Babes smut-fest. And I’m embarrassed to admit that I hardly care.

Friday, June 15, 2012

Project: Me

by Kristina Wright

I working on an unusual book for me right now. It's a bit of a hybrid-- part memoir, part erotic fiction, part advice. The theme is married sex and it wasn't a book I initially wanted to do. I mean, I thought I wanted to do it-- and I put together a terrific pitch for it-- but when the contract came, I took a big gulp and said, "I don't think I can do this." I'm a fiction writer, you see. I write make believe. What do I know about marriage and relationships and real life experiences? Oh wait, quite a lot as it turns out. I've just never written about it before. 

So I walk around muttering, "I can't do this," even while I'm doing it. I'm working with a terrific group of authors who have written some wonderful stories for me and have enough collective talent (and experience) to carry the book even if my part (the nonfiction part) falls short. But they've raised the bar for me and I find myself anxious to rise to the challenge. To deliver a one-of-a-kind book that will inspire, motivate, arouse and help couples connect. That's a tall order, isn't it?

After editing seven anthologies, I find myself itching to try something new. So my next two projects include the one above as well as a short-short collection of erotic fiction called xoxo: Sweet and Sexy Erotic Romance. (Call for submissions here.) Yes, it's an erotic romance anthology, but I'll be working with at least twice the number of stories for this one, so once again I find myself skimming through submissions and muttering, "I can't do this." But I will do it. Of course I will.

The truth is, my biggest work in progress is, well, me. Pushing myself to try new things, to brainstorm new projects that are a little (or a lot) different from things I've done before, to challenge myself for the sheer glee (and terror) of it. I'm waiting for copyedits on two anthologies, am actively working on this hybrid book and the short-short collection, i have several stories I'm writing for other anthologies and two novel ideas I'm playing with, and yet, just this morning I started a new list called "New Book Ideas." New works in progress, new challenges. New terror, new glee. 

This is what I do. Fill my plate, clear a little something, add two helpings of something else. I'm an ongoing work in progress and I'll never be finished. And while I may walk around muttering, "I can't do it," I'm going to do my best to try. 


Sunday, June 10, 2012

The Pornographer's Progress

By Lisabet Sarai

There's rarely a time when I don't have a current work in progress (WIP). Unfortunately, that progress often proceeds at a snail's pace. I'm ashamed to admit that some weeks, I don't manage to add a single word to my WIP. That's primarily because the time I've allocated to my life as Lisabet Sarai gets consumed by other writing and marketing activities, which frequently have deadlines: dealing with edits of submitted manuscripts, updating my website, soliciting reviews, scrutinizing contracts, monitoring my lists and email, and yes, penning blog posts.

This weekend is a prime example. I'd intended to spend all of today working on Rajastani Moon, my current major project. The book is a light-hearted attempt to cram as many sub-genres into one story as possible. It's a steam punk-Bollywood-shape shifter-BDSM-ménage-Rubenesque erotic romance. I figure somebody's going to like it! I'm about 9K into the tale so far, but it has been languishing on my hard drive for more than two weeks as other items took priority, most especially the edits for my recently released novella Bangkok Noir and my upcoming novel Quarantine.

So I thought that maybe I'd be able to manage 2000-3000 words today in my multi-genre opus today. But I didn't get the Grip topic until late yesterday, so I couldn't write this post then. And I just realized that I need to get my newsletter out, because next month my newsletter has to be released early to promote my Quarantine blog tour, and I'd like to have close to a month between newsletters, so as not to aggravate readers. Then, yesterday I received email from one of my publishers, reminding me that I'd committed to produce a free story for them. The story's not due until the beginning of July, though, so I maybe I don't have to worry about it today. I thought I had a guest blog post due, too. However, the blog host rescheduled until August. That's a relief!

After I finish this blog, then, and my newsletter, maybe I'll still have some time for my Rajah brothers and my Victorian secret agent. Especially if I cut this short!

I usually work on only one significant WIP at a time. My notebook contains many story ideas, but for some reason I have to tackle them one at a time. I don't really know any other way to do it. I'm paralyzed enough by one WIP. More than one would drown me in guilt.

Sometimes, aside from the non-writing interruptions above, I'll break into a longer work to pen a quick short story – especially when a deadline nears. Actually I have trouble motivating myself to sit down and slog away at a longer book. My best tales are those which I write quickly, I think. When the excitement cools, it's difficult to maintain the motivation.

Is all this other activity really procrastination, then? Maybe, but if so, I suffer for it, emotionally. I'm all too aware that “real” writers add to their WIPs every single day. And I want to write, I really do. When I get into the groove, there's nothing like it – except maybe sex.

So enough of this! Off to Rajastan!

Thursday, October 13, 2011

Chapter One: Cupid's Cruel Aim

Here is part of the first chapter of The Flight of the Black Swan, my novella-in-progress.

After young Emily is betrayed in love (in Chapter One) and still suffering from heartsickness, she meets one of the Green Men (refugees from Her Majesty's Navy who want to avoid being hanged for their sexual inclinations)and agrees to run away with them in an old sailing ship renamed The Black Swan. They cross the Atlantic to intercept a blockade-runner in the American Civil War, and appropriate a precious cargo of cotton and tobacco. Along the way, Emily gets married and falls in love (not with the same person) and everything works out to her advantage.

This tale is a kind of sequel to an earlier pirate novel set in the nineteenth century, and published in 1939.

~~~~~~~~~~~~~

Almost the worst thing that can happen to a young lady is to be loved by her parents.
Consider it: attentive mothers and fathers do all in their power to protect their daughters from risk and notoriety--in short, from every experience which gives savor to life. Fortunately, I approached the age of majority with my most exciting memories of childhood intact. They kept me from dying of ennui, especially after I lost my dearest friend.

I am Emily ---, born on the island of Jamaica to English parents who placed me with my brothers and sisters on a ship bound for England when we were young. At length we arrived, of course, but not before being kidnapped (as the newspapers termed it - "waylaid" would be more accurate) by pirates.

If you have no knowledge of my history before the beginning of this narrative, please forgive me for closing the door on that chapter of my life. I prefer to begin a new acquaintance with no preconceptions on either side.

Suffice it to say that when I was restored to my Mama and Papa at age eleven, no effort was spared to give me a "normal" upbringing. My mother even tried to arrange for my presentation at Court when I would be of age. She went into contortions to show me the proper way to curtsey to the Queen, and I was to be outfitted with three feathers for my head like a horse in a procession.

Pity the fate of a well-bred daughter! I would as soon be sold at an actual slave auction in America than to be displayed to all of Society.

What of marriage? I hear you ask. Dear Reader, it was never my goal. As things turned out, however – well, read on and you shall see.

My Mama was always exclaiming over my silken brown hair, my eyes as blue as the sky, my rosy coloring and the gentle curves of my figure. She seemed intent on assuring me that my physical beauty, at least, had not been spoilt by anything which might have happened to me earlier. I was no more capable of explaining myself to my parents than if they had been ancient Picts with no knowledge of English.

Lucy, my dearest friend at school, was a lively girl who understood me better. Yet even she believed that I carried unspeakable knowledge like hidden treasure under my clothes.

I learnt this one day when we were both fourteen, as I watched her aim an arrow at a target. She had been rehearsing for a school play, and she still wore her costume, which consisted of stockings, a man’s white shirt and feathered wings attached to her back with straps. Her flair for drama was never confined to the stage. As she drew one strong, flexible arm back to give the arrow speed, I felt as if she were aiming it at my heart.

The school archery range was deserted except for us. After looking around quickly to make sure she wouldn't be overhead, Lucy spoke to me. "Emily," she told me in a low voice. "I don't care what those dreadful men did to you. They didn't steal your spirit. I hope you never marry because you’re too good for a man, and I want you all to myself. Am I horribly selfish?”

“Yes,” I whispered back. "You're not a proper lady, and I'm glad." She let her arrow fly, but turned her head to throw me a quick glance, and it pulled her trajectory to the left.

I felt absurdly proud that I could distract her so much. “Focus on what you’re doing, Lucy,” I told her, trying to sound like a schoolmistress. “We must go away together after graduation. We might have to become hunters and trappers in the wilderness, beyond the laws of civilization.”

She laughed loudly. “I doubt that, dearest! I only need to wait patiently until I’m twenty-one, when I get my inheritance.” She switched her attention to her target, released another arrow, and watched it land quivering in the center. “Whoo-oop!” she shouted.

That night, I crept into her bed when all the lights were out, and eased myself under the bedclothes. She pretended to be asleep until I wrapped her in my arms and kissed her on the lips. She couldn’t maintain her facade, and burst into giggles. Her hips moved beneath me.

“Ssh!” I told her, fearing discovery.

“Our nightgowns are in the way,” she whispered. “Move a little so we can take them off.”

When we were both naked, we admired each other as best we could in the dim light from the nearest window. Lucy grabbed both my hands and brought them to her exuberant, womanly breasts. “Emily, I want you to have me,” she whispered as urgently as she could, holding the counterpane over us to muffle the sound. “I want you to do whatever you like. We can both be fallen women together. We’ll have our own code of honor, no matter who scorns us.”

She reached beneath the mattress to bring out the candle she had hidden there. I had no doubt that she had already experimented with it alone. I was equally sure that she believed a real loss of virginity must be a two-person undertaking.

Dear Reader, the pleasures of Venus are too thrilling to be covered by a blanket of silence. Surely you knew when you embarked on my story that it would prove thoroughly candid.

I didn't know what to say, so I wrapped my arms about Lucy and gently pressed my lips to hers. For a long while, we kissed like bosom friends. Then she pushed her tongue in between my lips and my teeth, and the intrusion gave me the strangest feeling between my legs, as though she were tickling me there.

She withdrew from me to see my expression. "That's a French lover's kiss," she whispered. "It's in Mademoiselle Rosier's French book about the arts of love."

"Did she lend it to you?" I could hardly believe it.

Lucy laughed. "No, silly," she answered. "I can unlock doors without a key. I'll show you later. Do it to me now, Emmy."

She wanted to be unlocked, invaded, burgled and read from her head to her toes. I wanted to do every intimate thing described in the filthiest of French books, but I didn't want her to think I lacked finesse. I decided to proceed cautiously, by degrees.

I caressed her breasts and felt the weight of them in my two hands. I nuzzled my face between them, enjoying the sound of her sighs. The tender buds that crowned her bubbies grew hard beneath my fingers. Feeling her beneath me was the sweetest experience imaginable.

Like a flower, she had her own distinct fragrance, which grew stronger as I nuzzled her neck with my lips and left a trail of kisses ffrom her collarbone to her breasts to her waist and the soft skin of her belly. I could hear her breathing as I nudged her thighs apart and enjoyed the aroma of the dark curly hair between them. On impulse, I kissed her hairy cleft. When she squirmed, I imagined that her cunny was an animal with a mind of its own.

"Emily darling," she whispered. "Use your fingers. I want you to."

I slid an index finger into the sucking wet heat of her, and stroked her inner folds. She was like an oyster inside. I had touched myself there when I was sure no one would discover me, but discovering Lucy's inner sanctum was like exploring a new continent.

"Em!" she urged me. "Don't be afraid." She seized my hand and showed me how she wanted to be ravished. "I'll tell you if it hurts."

And so I sneaked a second finger in beside the first, and played her like a violin while she moved her hips in response.
I found a little button of flesh inside her lower lips that grew hard when I touched it, so I teased it unmercifully.
Lucy shivered violently, but didn't ask me to stop.

"Use the candle, darling," she told me, sotto voce. "You can pretend you're a pirate and I'm your captive."

"Pirates don't-" I began, but I had only had a very particular experience with them, and was hardly an expert on the whole salty tribe. I supposed that real defilement by criminals would be altogether less enchanting than Lucy seemed to imagine, but I wanted to fulfill her utmost fantasy.

"Don't scream," I threatened, making sure to growl as quietly as possible. "No one will save you, my girl. I have you now." And so I pushed the bigger end of the candle into her very wet opening, watching her closely to decide how to proceed. She clasped me with her arms and legs, urging me on with the most delicious of bounces and shimmies. I marveled at how much of the candle she could accommodate.

I lay on her belly, wrapped in her heat, feeling the rhythm of her beating heart as the increasing force of her breath stirred my hair. Knowing her this way made me realize how much more I wanted to learn about her.

"Oh!" she moaned when her crisis came. "I -- love -- you!" I withdrew my waxy love-spear one inch at a time, and felt it slippery with her juice. I had no way to tell whether I had made her bleed, but if I had, I hoped she was glad of it. What was done could not be undone.

"My love," she whispered, her breath tickling my ear, "that was the best! You'll see." She reached between my legs, but I seized her hand and held it.

"What're you doing?" demanded an accusing voice from another bed. There were shiftings and heavings in the beds around us, like the beginnings of an earthquake. I was afraid of a full-scale eruption that would leave us as shelterless as a real cataclysm.

“Nothing," I answered the accuser. I pulled Lucy back down under the bedclothes. "I’ll come back tomorrow,” I whispered in her ear. I pulled on my nightgown as well as possible, and slid out of bed as silently as I could.

(to be continued)

---------------------

Monday, October 10, 2011

The Devil's Concubine

Even the Devil should be wary of the power behind his throne.

Chapter 1, scene 1, The Devil's Concubine


As QuiTai sauntered toward the marketplace in Levapur's town square, few of her Ponongese countrymen dared to look directly at her. Even those who met her gaze cringed away as she passed them, as if the hem of her bright green sarong bore a virulent poison.

The Devil was partially to blame for that. The shadowy leader of the island's crime syndicate was feared by native Ponongese and colonial Thampurians alike. As his concubine, QuiTai had the protection of his name - not that she needed it.

She flicked her long, black braid over her shoulder and slid a hand under her kebaya blouse to scratch the trickle of sweat lurching down her spine. A tornado of gnats swirled in her face as she passed the baskets of fish that had been brought up from the harbor. Her inner eyelids lowered and clouded her vision, plunging the bright colors of the marketplace into muted tones. After swatting the gnats out of her way, she willed her eyelids to rise, revealing vertical pupils surrounded by a thin band of bright yellow.

She wove her way past Ponongese women who balanced baskets of wares on their heads. The sing-song rhythm of their voices rose above the din in a familiar chorus of, "Mangos! Roasted jikal roots!"

The scent of hot oil wafting through the air made her stomach growl as she passed a tamtuk stand. Even though the Devil had summoned her over an hour ago, she bought a fried dough ball stuffed with spiced goat and rice. As she savored the comforting flavor, she strolled toward the Thampurian government building.

The Devil would be furious that she kept him waiting. While she knew she should have immediately followed his packmates Casmir and Ivitch back to his den, something at the back of her mind gave her pause. Something was off. This close to a full moon, she and the Devil normally wouldn't meet. That in itself wasn't enough to make her wary, but when added to all the other slightly off kilter facial expressions and odd tones of voice and stiffly acted lies that played out before her, it was reason enough for caution. Besides, the breeze off the Sea of Erykoli was too refreshing to leave while the humid remains of Typhoon DirAmat hung heavily in the air. If the Devil didn't like that excuse, she would remind him that if she didn't shop for him, he'd have to rely on his pack for supplies, and they both knew that would never happen.

After swallowing the last delicious morsel of the tamtuk, she went to the jellylantern merchant's stall. The jellylanterns in the Devil's den had grown so dim in the past few weeks that she could barely see inside, which was more of a blessing than a curse.

She lifted one of the jellylanterns to inspect the tiny bioluminescent medusozoa floating in the glass tube. She turned it to the light and gave the tube a gentle flick. A few dead ones settled to the bottom of the tube. The delicate, transparent bodies of the live ones glowed faint green.

Her focus went beyond the tube to scan the crowd. It seemed that Casmir and Ivitch hadn't grown impatient enough to come after her yet, leaving her precious time to think and enjoy the afternoon. Her contented grin disappeared the moment she glimpsed the Thampurian spy Kyam Zul standing between the wide, spreading limbs of the banyan tree across the town square. His broad shoulders and height set him a head higher than most Ponongese, and yet, he seemed to be trying to hide.

Of course Kyam had to ruin her afternoon. He was always the mosquito in the dark room.

As usual, he was between shaves, and his shiny straight black hair fell into his eyes. From the distance, his thigh length shewani jacket and tight trousers seemed impeccable, although she knew up close that she'd see frayed hems and missing buttons. None of that diminished his looks, something that only added to his ability to irritate her.

Kyam stopped a boy playing tag around the banyan tree and whispered urgently to the squirming child. His gaze met QuiTai's before he looked away.

The jellylantern merchant cleared his throat. She turned back to him.

"The price went up again?" she asked.

"It's typhoon season. Shipping rates always go up this time of year."

"Ridiculous, considering we raise the medusozoa right here on Ponong."

The merchant said nothing. He'd probably had this argument with too many customers. It wasn't his fault that the Thampurian government made it illegal to sell the harvest to anyone but the Thampurian-owned medusozoa monopoly. It wasn't his fault that half the harvest died on the long ocean voyage back to Thampur where the jellylanterns were manufactured, or that the people of Ponong had to pay shipping both to and from Thampur. It was the price they paid for being a colony. And paid. And paid. In land, in coin, in justice.

"How much for the blue light ones?"

He named a staggering price.

QuiTai carefully stacked tubes of expired jellylanterns on his counter with a rueful shake of her head. Yelling at the merchant wouldn't solve anything even if it would make her feel better. "What are you giving for the old ones?"

"Same as always."

She clenched her jaw. "At least give me the fresh one. There are too many sinkers in these."

If she would have been any other customer, he would have told her where she could take her business in florid language. Instead, he opened a crate in the back of his stall and put twelve strong green jellylanterns on the counter. Being the Devil's concubine had its perks. She counted out the coins and gently placed the jellylanterns into her basket.

A sweaty little hand pressed something scratchy into her palm then tugged on her sarong. She looked down into the yellow-ringed eyes of the boy she'd seen with Kyam.

"Piu, auntie?" His front teeth were almost too big for his mouth and he smelled of salted earth as if he'd been playing hard in the sun all day.

She folded her hands at her waist and adopted a prim expression, but too much mischief danced around her lips to scare him. "You're a brave one, little brother. Have you eaten?"

He nodded earnestly as he tried to match her formal mien. "And you, auntie QuiTai?"
She bent down to hand him a coin. "For your manners. Now run along before the Devil gets you!" Her hands darted out to tickle him.

He danced away, laughing, to show his friends his reward.

From across the square, Kyam nodded curtly to her then stepped behind the banyan tree.

The note was stiff in her palm. Only a Thampurian would use such fine stationary for a clandestine note.

She sauntered past the bank and cafés where the business district gave way to a residential neighborhood. The noise and scents of the marketplace grew fainter as the hush of wealth enveloped her. The limbs of tall trees formed a shady canopy over the dirt road while the tropical sun beat down on the low tile roofs of the houses surrounded by compound walls. She shook her head at the stupidity. Leave it to Thampurians to get things so entirely wrong. They seemed to think they still lived in their blustery capital back on the continent.

A few servants walked on the wide road between the compounds, but they were far ahead of her. She unfolded the note and read it. Mr. Zul asked that she meet him at the Red Happiness and hire him to paint her portrait. His words were amusingly polite given that he asked to meet her at a brothel instead of a café. If he thought she would be insulted by the implication that she was a whore though, he was wrong.

While at first glance it seemed a simple enough request, QuiTai existed in a world beneath the surface. To her the meaning was rather cryptic. The only clear part was that Kyam Zul needed her help. If he'd resorted to asking his biggest enemy in Levapur for a favor, he had to be desperate.

She tore the note into tiny pieces and dropped them one by one into murky puddles left behind from the monsoon rains. The corners of her lips curved into a devious smile.

~~

Show me a great actor and I'll show you a lousy husband. Show me a great actress, and you've seen the devil. ~ W.C. Fields