Wednesday, May 9, 2012
The Dream of the Fisherman's Daughter: A story of birthdays
Laying in death his body smelled like wood of the fire and smoke. It smelled of fish and of rice and of the kitchen. Kneeling by his side and seeing him gone into the kumano so young and unfulfilled, she felt a great burden sinking on her. It was not only Jiro who had lost but the master chef as well.
For Jiro, as he lived, his plans and works and hopes had all been in the future. He was an apprentice to the great and famous chef who had even cooked for the former mother of the Emperor, Kinremonin. Now the chef had brought great status to the Daimyo Atzumishi’s household, as much as any samurai. Without his apprentice how would he make the dish on time for the great lord’s birthday?
Antuko was the daughter of a common fisherman, who brought no status to Jiro and was ignored by all. Today was her birthday as well as the great Lord’s but no one took notice, not even Jiro. She had proven to be a good wife, dutiful and patient, mainatining their little hut next to the kitchen, uncomplaining even when there were no scraps to eat. Jiro was all her world, though she still dreamed of the sea and the moonlight on the ghostly waves of Agame no Seki, at whose bottom it was said the spirits of the Taira still lived on in bitter regret. Jiro’s skilled and well kitchened hands had learned to bring out the heat of her as spices bring out the soul of a dish and he had made of her a passionate woman.
Except on this day, the birthday celebration of the great lord, Jiro was dead. He had prepared fugu, the great delicacy of the poisonous blowfish. He was sure the master chef had trained him well, but he would not serve what he would not eat and tasted of the dish and discovered too late the one pale green poison gland hiding in the belly meat, so tiny, he had missed. As the numbness crept up from his feet to his heart and finally his throat he gasped out his last words to Antuko, not of his love, but of his longing to learn the great ancestral dish of the chef, a dish of octopus.
It was not a simple matter of telling the cook her husband had died. With his dying breath, and her growing emptiness, she felt Jiro had given her a great purpose.
What to do? A woman would be driven from the chef's kitchen. Her very presence on the doorstep would be seen as a kind of defilement. What to do?
It was not that the thought had not occurred to her what to do. It entered her the same instant Jiro’s last breath left him. She wasn’t sure she had the courage to do it.
She removed his trousers and paused. The paralysis of the fugu fish had left an odd relic, in that his penis was fully erect. The sight of it flooded her with tender affection and she wept for them both. Frenzy filled her loins. Screaming, she tore away her clothes until she was nude, ran her hands over his body and seemed to awake to herself staddling his torso and dangling her breasts in his staring face, barely stopping herself from doing something unnatural. She dismounted him burning with shame and gathered her wits.
She dressed in his pants, drew the cloth belt tight. Put on his kitchen robe, and turned the collar up.
Jiro had always worn a white head band, wide over his forehead when cooking, a sign of his serious apprenticeship. She pinned back her thick hair, and tied the white band around her head and low over her eyes. She went to the kitchen of the great house.
The chef was hard at work. The air was filled with steam and cooking spices. "Where have you been?" he snapped. "Dinner will be soon and we haven’t started. There are even guests arriving, and time is everything. Even the octopus is waiting.”
She nodded, keeping her back to him.
"Are you well?" he said. "You look smaller."
"Hai!" she growled in a low, serious voice.
"Chop these radishes, then fluff the rice for one hour, by then I'll be back."
She went to work on the rice and the vegetables. In the midst of her grief and her labor by the end of an hour she was worn out. But there was great solace in the simple physical labor that took her mind off the body laying in the little hut near the kitchen. Then the chef returned.
"Over here," he said. She followed the old man keeping her head down. He brought her to a wooden tub with a lid fastened down tight over it. "He is inside. He is dying in the fresh water. Your duty will be to tenderize him, to prepare him for the knife. You must massage him for a half an hour theway I taught you. No less. By then the flesh will be tender and he will have stopped breathing. Massage is the secret. It is a good death."
He left the kitchen and she unfastened the tub lid. Inside was a great octopus on the bottom of the water, looking up her with it's great human eye, barely moving. The sight reminded her of Jiro in his last moment and she felt a wave of pity.
She placed the animal on the table and at first gently and then firmly kneaded it.
She had never massaged anyone except her husband. His strong back and warm firm hands had awakened her maiden passion. She especially loved his hands.
The kitchen was filled with steam from the pot which would receive the octopus when it was ready, The warm air soothed and relaxed her tired body like a public bath until her troubles melted away. Her eyes began to close. After a while her fingers kneading the smooth clammy skin of the beast relaxed and stopped. She nodded. Her head drooped. Her hands fell away.
“How are you Antuko-chan? Do you miss me?"
She sat in cool, flowing darkness with her eyes closed,. She heard the lapping sounds of waves overhead. The darkness thinned and there were bands of filtered green sunlight. Small fish moved like flocks of birds through the waving forest of kelp.
Jiro's hands moved gently over her body and his voice, thick and chittery whispered in her ear "Will you miss me, Antuko-chan? Do you promise?"
A strangely cool hand caressed her below, opening her obedient thighs. A pointed, impossibly nimble finger gently insinuated itself inside her hisho. She felt an answering bolt of pleasure and giggled which made a happy stream of tiny bubbles float upward toward the sun. Passing fishes nodded and laughed. Small Heike crabs danced and waved their claws. She felt another pair of strong hands that seemed to stick and cling, move her buttock cheeks apart and hold them open while another nimble finger, tiny and pointed slipped itself cleverly into her anus and slipped out teasingly and then in again a little deeper. In. Out. In. Out again and then in much deeper each time all the while the two hands held her butt cheeks open and the other nimble finger all the while gently, so lightly feathered at her bud of pleasure at the blissful entrance of her hisho.
Where did he get so many hands?
A nimble cool finger gently wrapped around her left nipple and squeezed. Another finger wrapped around her right nipple and lightly flicked it, enclosed it and sucked it, then releasing it rubbed the very tip, wrapped and gave it a tight little pinch and tugged with playful sucking lips.
These hands. I cannot count them all . . .
She shifted her hips forward and lay back a little, spreading her legs apart completely and letting Jiro have all of her.
Her greedy hisho. Her anus. A nipple is squeezed, at the same moment another is tugged and sucked yet another hand cradles her head gently caressing the nape of her neck and behind her ears.
Promise me Antuko-chan, you will miss me at night. . .
It is my birthday, Jiro Chan. Is this my gift you're giving?
Suddenly a finger inserted itself deeper in her bowels at the same instant the finger caressing her love bud gave it the gentlest and firmest of sucking, nibbling squeezes, a choral symphony of sensation that made her groan and then shriek, her lips parting, her pink tongue poking out like an eel.
Jiro!
. . . happy birthday my love . . . remember me. . .
She opened her eyes at the sound of the kitchen door. The chef was entering. She looked down. The octopus' arms had reached upward into each opening of her clothing, up her blouse, invading her pantaloons like an army of snails. Its gills were pumping desperately like a swordsmith's bellows. She looked into its haunting and human eye just as it went dull. The arms fell away and the bellows fell limp. She quickly pushed its arms away from her clothes.
"It's time, Jiro-san, have you got it ready?"
Her heart was racing and there was a strange longing still lingering in her womb. The chef gathered up the dead animal and took it away to some other part of the kitchen.
When he returned, he was silent and washed his hands meticulously for several minutes. Finally, in a hoarse voice he growled "Come here, Jiro-chan. Today is my birthday too."
She didn’t dare to let the chef see her face. She kneeled down, her hisho still tingling echoes like falling stars, on her knees with her back to him, trying to think of a way to leave.
Then his hands were gently on her, lifting the blouse, pulling apart the drawstrings of Jiro’s pantaloon's.
"Jiro-chan." he whispered hoarsely. "My beautiful Jiro-chan.'
His hands lifted her hips up a little from behind, and firmly yanked down tops of her pants past her buttocks. "Your hands are tired," he said. "You don’t seem eager to be helping me this time at all."
She listened to the sounds behind her of his clothes, coming undone. There was a blur of white cloth and his pantaloons were folded neatly beside her left foot. His hands lifted her buttocks again and held them up.
"Jiro-chan. Jiro-chan. Hold still now."
His breath was on her neck. She kept her face down. There was a softness like a big plum pressuring her anus, then a hardness and a sharp tearing pain. She clenched her teeth and silently swallowed.
He rocked at her for a moment holding her down by her hips, breathing hard. “It’s very natural,” he gasped. “It’s a very natural feeling.” He made a sudden grunt of relief, a soft whisper of warmth suspended in her bowels, and then a feeling of hollowness as he withdrew from her. She tried to lower her hips and something warm trickled between the cheeks of her buttocks.
"Jiro-chan,” he sighed. "You're better than a wife to me."
She kept her face down as the trousers were picked up, and he began to dress out of sight standing behind her. The cloth rustled. She heard him slap his belly twice in satisfaction. He bent down, reached around and playfully slapped her belly too. His hand reached in and brushed the rough hair above her hisho but did not reach further. "You look all worn out, so quickly tonight?” he said. “Usually you beg for seconds. Well, it’s a busy day. I’ll save you some sake and then the next time will be for you, eh?”
She stayed where she was. Heard him hesitate in the door. "Are you well, Jiro-san?"
“Hai!” she growled, and waited for the sound of his leaving. She limped, bent over, back to their tiny house and washed herself.
Without dressing she tried to kneel by Jiro's body but the pain in her buttocks was an open wound. She lay on her side.
She remembered him as he was, with broad shoulders, eyes black as elderberries and gentle as almond blossoms. She would meet him at the marketplace on his errands for the kitchen, where the spices were stacked in pyramids, and the dried fish laid out in neat rows on beds of salt. She tried to remember him that way and could not.
“Who are you?" she said. "I don't know you." She looked at the vacant body, whose arms and legs had begun to tighten slightly wrestling with death.
Tomorrow she would tell the cook. She would be dismissed for her deception, if not beheaded. She had no idea what she would do with her life now after the embers of the funeral pyre had cooled and the prayers had been offered and the sutras chanted. But she would think of something.
Monday, May 7, 2012
Let Them Eat Cake!
by Kathleen Bradean
I'm sort of meh about my birthday. I don't mind getting older. I don’t care if people know how old I am (48). But even for my wedding, that whole queen for a day thing never interested me much. Perhaps that's why I was so happy being crew for high school plays and miserable when I was in the cast. Behind the scenes was my little world - invisible, comfortable, and the calm eye of the storm of chaos swirling around it. Onstage is... you'd have to have seen Apocalypse Now to get this reference, but "The horror, the horror!"
I like gifts such as editing on my manuscript or website design. No one likes giving something like that as a gift though. I've been told that I'm hard to shop for. That's all right since my counterpart is just as difficult. And we're okay with shopping for ourselves. (Although this year he found some very cool steampunky things for me - a ray gun and a clock. I'm a huge clockworks fan. So I was enchanted.)
But there is one thing I've never had for a birthday that I wouldn't mind having. I'd like one very lovely custom multi-tiered birthday cake, just for once. Part of this goes back to my wedding, where the cake would have qualified for the website Cake Wrecks if there had been such a thing way back when. Instead of clusters of wisteria cascading elegantly down the side of an ivory cake, we had purple icing dots arranged in triangles sort of like an overhead view of bowling pins. They didn't even embellish the purple dots with green leaves, which would have made the design vaguely resemble something botanical- maybe a cluster of grapes if you squinted right - but the baker couldn't be bothered to make that much of an effort even though I gave him the beginners cake decorating book with step-by-step instructions on how to make it. Yeah. Married 28 years and I'm still not over that. So I want another cake, and this time, I want it to look - and taste - spectacular.
However, I've often found that wanting things is much more fun than having them. For now, I get to imagine thousands of different cakes that I could get. A Maleficent cake? Steampunk? Art Deco? Jules Vernes? An octopus? Jules Vernes AND an Octopus? There are so many ways to go, and in my imagination, I can go everywhere and have it all. Once it's ordered, I only get the one. Plus, there's that slightly odd problem of wanting this huge cake but cringing at the thought of enduring the birthday party where it would be served. I'm all for having my cake and eating it too, but not three tiers, and not all by myself.
Sunday, May 6, 2012
I Wanna Dance!
By Lisabet Sarai
On my next birthday, assuming I reach
it, I'll be sixty years old. I find this close to unbelievable, for a
wide variety of reasons.
- I still feel like I'm about twenty seven. Mostly that's the age I seem to be in my dreams – those lovely ones where I meet a stranger who's madly in lust with me... In fact, a good deal of time, even when I'm awake, I don't even feel like an adult, despite the wrinkles, gray hair, aches and pains.
- I grew up during the Cold War, more or less certain that I was going to die in a Russian nuclear attack. We all knew that was what the future held. I didn't expect to live beyond thirty – certainly not beyond forty.
However, the calendar and the mirror
don't lie. I'll complete five decades next January. To be honest, it
doesn't really bother me. What I'm really concerned about is how to
celebrate.
I fantasize about throwing a big party, inviting all my friends. Unfortunately, my friends are scattered from
Boston to San Francisco, from London to Vietnam. The chances of
getting them together in one place are pretty close to zero,
especially when I'm half a world away from the States where the
majority of them reside. What I'd really like is to have enough money
to charter a jet and bring everyone here to Asia for a wild weekend.
A wild weekend at sixty? Why not? I
want a party with sexy costumes and rock n' roll, plenty of wine and
a bit of flirtation. I wanna dance! I want to stay up all night and
take my bleary-eyed, beloved, friends to brunch the next morning.
Maybe I'll manage to arrange something
along these lines – probably minus the chartered jet! I have a
friend who has volunteered her vintage Victorian for a celebration.
Though I'm not sure rock and roll really fits in that environment.
I'd be too worried about damaging her antiques. Maybe I'll gather my
friends (those who can make it) in a bar or club instead. I know a
place where the DJ has a great collection of Rolling Stones,
Creedence, and Deep Purple, and the clientele are tolerant of those
who boogie...
I'm really not sure how I'll work this
out. I have more than six months to think about it. I'll tell you one
thing, though. I'm not going to let this birthday go by without some
kind of celebration. You never know how many you have left.
Friday, May 4, 2012
Utopia is a Massage and a Manicure
by Kristina Wright
I don't think I've ever read a utopian story. I know I haven't written one. I think any story that starts out as a utopia certainly can't finish that way-- it wouldn't be much of a story, would it? I mean, when conflict is at the heart of writing fiction and you write a story that is essentially about the perfect world, well to introduce conflict would be to undermine the utopian theme and create... dystopia. Right?
The life we dream of-- the one we desire-- is the utopia. No one dreams of having conflict and drama and strife in their lives. Okay, maybe some people do. We all know drama queens who thrive on stirring up trouble-- or get bored and depressed if there isn't something to whine and bitch about in their own lives-- but for the most part, we desire that tranquil, happy world of our fantasies. The world where everything is beautiful and nothing hurts.
That world doesn't exist. Of course, we know that. Of course, we are aware of it every single day when we're faced with the imperfections of our world on both a personal and global level. No matter how wonderful your life (and I will say that mine is pretty damned terrific), there are things that make it less than perfect. Not enough sleep, aches and pains, relationship issues, loved ones who are sick or sad or in need, traffic, spoiled milk, rudeness at the DMV. Life is wonderful-- and then you walk out the door and get smacked in the head by a hanging plant and bitten by a mosquito before you even get in your car.
But those are the small details of life and would certainly exist in a utopia, as well. Right? So life would never, could never, be perfect. But the bigger stuff-- war and disease and famine and homelessness and racism and sexism and global warming-- wouldn't it be lovely if we didn't have to deal with any of those? Of course it would. I would want to live in a world like that. Only I suspect that if all the big issues were resolved we would discover other issues that would still prevent our world from being perfect. And who would determine whether it was a utopia? Could we ever all possibly agree on every aspect of our world? Would we want to?
It's an imperfect world and for now it's the only one we've got. When I Google "utopia" what comes up are the names of several day spas. I guess we start small and hope for the best, huh?
I don't think I've ever read a utopian story. I know I haven't written one. I think any story that starts out as a utopia certainly can't finish that way-- it wouldn't be much of a story, would it? I mean, when conflict is at the heart of writing fiction and you write a story that is essentially about the perfect world, well to introduce conflict would be to undermine the utopian theme and create... dystopia. Right?
The life we dream of-- the one we desire-- is the utopia. No one dreams of having conflict and drama and strife in their lives. Okay, maybe some people do. We all know drama queens who thrive on stirring up trouble-- or get bored and depressed if there isn't something to whine and bitch about in their own lives-- but for the most part, we desire that tranquil, happy world of our fantasies. The world where everything is beautiful and nothing hurts.
That world doesn't exist. Of course, we know that. Of course, we are aware of it every single day when we're faced with the imperfections of our world on both a personal and global level. No matter how wonderful your life (and I will say that mine is pretty damned terrific), there are things that make it less than perfect. Not enough sleep, aches and pains, relationship issues, loved ones who are sick or sad or in need, traffic, spoiled milk, rudeness at the DMV. Life is wonderful-- and then you walk out the door and get smacked in the head by a hanging plant and bitten by a mosquito before you even get in your car.
But those are the small details of life and would certainly exist in a utopia, as well. Right? So life would never, could never, be perfect. But the bigger stuff-- war and disease and famine and homelessness and racism and sexism and global warming-- wouldn't it be lovely if we didn't have to deal with any of those? Of course it would. I would want to live in a world like that. Only I suspect that if all the big issues were resolved we would discover other issues that would still prevent our world from being perfect. And who would determine whether it was a utopia? Could we ever all possibly agree on every aspect of our world? Would we want to?
It's an imperfect world and for now it's the only one we've got. When I Google "utopia" what comes up are the names of several day spas. I guess we start small and hope for the best, huh?
Thursday, May 3, 2012
Gardens of Earthly Delights (excerpt)
By Jean Roberta
(Note: This is part of a piece from my monthly column, "Sex Is All Metaphors," which ran on the Erotic Readers and Writers Association site 2008-2010. All the column pieces are now available from Coming Together as an e-book, Sex Is All Metaphors.)
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Fantasizing about sexual pleasure seems to me to be the best way to imagine heaven or nirvana. Yet ready-made descriptions of heaven, paradise, the Garden of Eden or the “promised land” are usually offered to the faithful by organized religions that discourage personal fantasies, especially about sex. Such mental self-indulgence might lead to the real thing. In some sense, my upbringing was blessed: I wasn’t brought up in a strenuously Christian household. My parents belonged to the local Unitarian Fellowship, a liberal-humanist discussion group which overlapped considerably with the faculty of the local state college.
However, I spent my formative years surrounded by Mormons, members of a debatably Protestant sect formed in the U.S. in the early nineteenth century. After they were driven out of the state where they originated, they migrated west to an area they defined as the Deseret, or the “promised land,” which later became the states of Utah and Idaho. By the time my family moved to southern Idaho in the 1950s, a watered-down version of Mormonism (no longer polygamous but still favoring early marriage, male dominance, childbearing as women’s chief function, and sobriety) dominated the local culture.
I ran across the phrase “land of milk and honey” in my childhood. I learned that the ancient Israelites, like nineteenth-century Mormons, either found their way through a desert to this “promised land” or at least had faith that their God would lead them there.
I couldn’t believe that anyone could seriously regard the sagebrush hills of the Deseret as a haven, an ideal place to live. And why would anyone describe an environment in terms of milk and honey? I knew that both those items were available in grocery stores, but this fact didn’t induce grateful piety in me. My parents believed that children should drink cow’s milk every day, and not because it was a divine elixir.
In time, I realized that a tribe of seekers who would fantasize about milk and honey must have experienced a scarcity of those things. I could have believed I was living in the “promised land” if I had ever seen a brown spring of Coca-Cola bubbling miraculously out of a crack in the hard ground. Clearly, my fantasies were as specific to my life as other people’s were to theirs.
Reading a lot of erotic and lesbian/gay/bisexual/trans fiction has exposed me to a variety of fantasies about the ideal society, usually described from the viewpoint of someone who craves an abundance of something that seems scarce in her or his life: sexual pleasure, excitement, power, freedom, understanding, love expressed as protection and control, love expressed as co-operation among equals, love expressed as a constant willingness to please. The “promised land” for most writers of sexually-explicit narratives could be called “the land of lube and sex toys.”
Much erotica, especially the kind that focuses on traditionally-stigmatized sexual communities (gay men, lesbians, bisexuals, polyamorists, trans folk of various sexual orientations, those involved in a spectrum of “kink”) features alternative cultures in which everyone is “queer,” multiply-mated or entitled and expected to occupy a Dominant or submissive role for life. Usually these cultures are accessible only to those found worthy and who are willing to undergo an initiation.
It’s easy to imagine a sexually-explicit version of the Harry Potter novels, featuring adults with magical gifts who are misunderstood by the philistine Muggles around them until they are rescued and brought to a special school where tribal adepts teach them to develop their powers.
The imaginary cultures in works of sexual fantasy are often unsustainable, since no tribe, however liberal or kinky, could really afford to engage in sex all day long while ignoring basic human needs for food (grown, hunted and cooked), sleep, clothing, shelter, tools, transportation or medical care. Even still, these cultures are fascinating places to visit for a few hours out of one’s “real” life.
The lands of sexual plenty that appear in daydreams and night dreams seem to be an inexhaustible source of inspiration, especially for erotic writers. If human lovers are distracted or worn out from their other activities, non-human lovers can provide unlimited pleasure whenever they are summoned. Paying attention to one’s own sexual dreams (especially the ones that take place during sleep) can either be a way of finding the subject of one’s next story or novel, or of becoming aware of what is missing in one’s daytime life. Or both.
Probably the most enduring theme of my own fantasies, starting at about the time I reached puberty, could be called Permission. While my life at school and at home was a sexual desert in which “nice girls” weren’t expected to think about it, much less to do it,
I could dream about being a princess in a worldly court in which ecstasy was assumed to be my due, and where my sexual initiation (not to be confused with a Mormon-style teen marriage) was cause for general celebration. Or I could imagine being a priestess/witch whose orgasms had the power to save a kingdom from drought caused by the psychic stinginess of an evil wizard.
The sex I wanted only seemed possible in a place where it would not be judged as a sign of sinful self-indulgence or trashy intellectual stuntedness. While people, especially women, who love sex are still a topic of snickering jokes in the real world, sex in my dream-world was and is a noble calling, a source of honor rather than shame.
The phrase “bitch in heat” is rarely a compliment in the vanilla social “mainstream” of our world, but all non-human female mammals express sexual need in regular cycles, and no one in my life has ever suggested that dogs, cats, cows or mares need therapy to cure them of their nymphomania, or that they all deserve to die alone of sexually-transmitted diseases. An imaginary combination of blame-free mammalian lust with human intelligence (such as it is) has appealed to me for years.
The briefest sprint through the paranormal erotica that is currently available will turn up cat-women in heat, bionic women, she-dragons, female were-animals (shapeshifters) of every species, all in states of intense, contagious lust. As they say, great minds think alike. The charm of a bitch in heat, of course, is that once she appears, sexual satisfaction is bound to follow for everyone involved: both for the bitch whose pheromones are irresistible, and for everyone who might want to mate with her. And in an alternative world, the inevitability of “heat” would give rise to a culture that accepts more-or-less random sex.
The satyrs and centaurs (goat-men and horse-men) of ancient Greek mythology are the fantasy male equivalents of the bitch in heat, but their unlimited desire and ability are less obviously unreal than their animal qualities. In the real world, no one is constantly ready and willing all day and all night, but human males are expected to meet this standard. Anyone who has ever had a sexual relationship with a man knows how impossible expectations can damage a relationship, even when a man imposes them on himself. Men like this turn to chemical aids, self-blame, partner-blame, distractions or cheating as ways to cope with their human limitations, and thus the original problem can spin out into a lifestyle worthy of a talk show.
In a fantasy world, there is never a limp cock or an argument about why it is not granite-hard. Ironically, the only masculine characters (in fantasy or in life) who can be ever-ready are those equipped with “cocks” not made of human flesh. If Real Men are conceived of as sex machines, only the unreal (in some sense) need apply.
Is it harmful for mere mortals to escape from the frustrations of this world into an imaginary garden of earthly delights? Realms of sexual fantasy are criticized both by psychologists who warn dreamers and readers that spending too much time there is a diversion from solving real problems and by reviewers/literary critics who complain that fantasy worlds and the characters in them just aren’t plausible. Somewhere beneath these objections, I smell a religious argument: trying to improve on God`s creation, even in the privacy of one`s own mind, is a dangerous heresy.
However, every human invention or discovery that has improved our collective life started out as someone`s fantasy. (And in many cases, the critics claimed it wouldn`t work.) Instead of defining sexual fantasy as a harmful addiction and trying to give it up completely, one could decide which elements can be incorporated into one`s real life in a way that is reasonably safe, sane and consensual. Repeated dreams about milk and honey (so to speak) might be a sign that one is living in a barren desert even though there are real dairy farms and beehives in the world. Going forth to find them might be a sane plan.
Most people of my acquaintance dream about getting more of what they want. For all I know, animals might also fantasize; dogs might imagine themselves roaming the wilderness with their wolf pack-mates, cats who clench their muscles in sleep might be seeing themselves as running tigers, while lizards might dream of being dragons living in cozy caves, each with a stash of something a lizard treasures. We might as well accept our fantasies as a fact of life.
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Wednesday, May 2, 2012
Wabi Sabi Girl: A Story of Utopia
Henry;
You selfish bastard. Your sister told me about you, your self absorbtion, your utter self worship, but i dismissed it because she was family and family is always trouble. And because you were so strange and i have always been fasfinated by strange. I always think that under the strange or the exotic some wounded wisdom will be discovered, and because you were a poet, or something that looked like one, and an exotic creature and the New Yorker had published your work as any dolt might get hit by lightning once in his life - that one time i felt as though i were in the company of some kind of glory. You are only one out of a long line of failed gods. You will drain me dry, people like you, until there is nothing left to believe in.
Fuck you.
June
PS You have no grasp of trochaic meter and your poems suck. Now I've said it.
PSS
That docked pentamic line in the second stanza about self contradiction? You stole that from Whitman you fucking fake. The next time you steal don’t be so obvious, Stay away from Uncle Walt. Steal your lines from a Hallmark card.
PSSS
I have value you smug shit! I am a human being!!!!
June;
Its 3 AM and I'm wide awake trying to smother another stubborn erection from laying in the dark and thinking of you. I haven’t slept in nights. I get up and make a strong cup of genmai tea, not to drink, no, but to hold under my nose and breathe because the aroma of tea leaves and burnt rice conjures the memory of having my face buried in your cunt back there in our little room again, in paradise. Hamlet said he could be bounded in a nutshell and count himself a king of infinite space (see I’m not stealing it) and so would I if for my nutshell I could only have you all to myself again in that little room in your aunts boarding house where we were alone and hid from all the world and ultimately from each other. I swear the room is haunted. If it were not before, it is haunted now, by me and you and by that moment playing in an endless loop for eternity. Any man who sleeps in that bed will be haunted by wet dreams of you.
Listen June, I think I am dying.
You are not a human woman, You are a succubus, some tentacled lamia that has poisoned me against all other women, There is a great gulf between me and others, a dark void and you are the only one in my universe. I move inside you still.
There is a moment a man experiences, unknown to you, during the act of love. In the rising of pleasure to consummation, you remember the moment I slipped my arms under your naked back and crushed you tight until I felt your ribs bend, as I felt the great rising crisis of pleasure, I hugged you tight and whispered in your ear "You, only you," I lost myself utterly in the light of you and in that little nutshell of the room and the bed and yourself all the world faded away and for a shining moment there was only you. There was no other being in all the world, and not even myself, but only you and utterly possessing you and pouring myself into you unto extinction of self. It was as though I had crawled back into your womb, and wanted to live incestuously inside the great earth mother of you forever.
My balls are aching for you, I want to fuck you silly. I want to stick it in your rear and bang you until you cry. If I get my hands on you I will tie you up and spank you. Beware of me. I want to be reincarnated in my next life as a brassiere so I can spend my days carrying your breasts for you.
Henry
Henry -
Oh shut the fuck up.
I'm on to you. I have your number. Your slick words. Its Friday night and you don’t have any pussy so you’re writing love letters to me? Poor baby. Tell it to your wall, bookface.
You don’t know anything about me. A woman feels her destiny not out in the stars but in her womb, inside of another. In union. Its men like you that exile us, that make us shut the door on pleasure. How can you turn out to be one of those men and go on taking up oxygen?
I feel that void and chasm now also, and a great falseness in myself that you revealed to me. Maybe this is why I resent you so, because you reveal me to myself. i tried to write in my journal and couldn’t stand the sound of my own thoughts. I wanted to read a book of poems, good poems, and felt sick.
I want that little perfect room back, I want that moment back for myself, because like you I replay it endlessly. When I closed the door behind you I felt as though I had brought you into a trap of warmth and safety as mothers trap sons, and women have always trapped their men. And when I locked the door and when you took off your shoes and pushed them under the bed, I felt not horny but cozy. Soothing and utterly domestic.
Some devil taught you how to caress a woman. Your hands are light, they float above the skin, with a touch slow and soft. Your hands moved over my bare skin with such evanescence I felt myself vanish as I responded to you. You have respectful fingers, teasing and insinuating, playful and warm and leading me after you hound and hare while you pressed us together like perfect puzzle pieces, each masculine swell and tumescence finding its home in each curve and vacancy filling me up with you like a pox virus.
You would hover inside me, hesitating and then withdraw into some secret place inside you that made me want to call you back to me. Your hot breath on my ear and your strong thighs and my stronger answer to your exertions, pulling you back into me harder each time I felt your attention drift. You wove your spell over me, making me greedy for you so that I wanted to squeeze all of you into my womb and carry you around with me like some deep sea lady fish.
Or rather like a poor caterpillar mounted by a parasitic wasp. You fiend.
You will not get me back. I shake off your infection - thus!
June
PS
Why? How do I deserve this? What did I do? Honesty! Honesty!
June;
Now you’re setting traps for me. What did you do wrong? And then I say something and then I'm the condemned. There’s where honesty gets you. No, the condom was not from you. Yes it was not from you. Yes I'm a pig. In the arms of another woman I discovered the great revelation about you. While we are being so Catholic, you and I, I have a confession to make. Would you like to hear it?
The woman I fucked was beautiful; she was more beautiful than you. That was how I discovered my true feelings for you. The woman threw flower petals in your path. But that is not the confession. Some things cannot be given without being asked.
Would you like my confession?
Henry
Henry;
I'm amazed at myself, how consoling it is to hear a man simply say it and discover your unfaithfulness is a consolation, an affirmation of myself as i understand myself. But what does it mean? I will always seek out unfaithful men? My father abandoned us when I was a girl, am I dammed to seduce my unfaithful father in a string of feckless men and will i seek him out again and again?
So you see, you are my journal now that I can’t bear to write in my own. Paper does not satisfy me. I must stab my pen into a human heart and write with blood. I long for our little room where everything was so carnal and so simple. For the open window and the breeze and the sounds of the street and to lose myself in perfect paradise in your arms. It was our world, our little nutshell alone before you shit on it.
What confession can you possibly make to me?
June
PS No, fuck off. Don’t write me ever again you prick. Take your 3 AM hard on and stick it up your ass. I don’t give a flying fuck about your whining justifications. You see? I have arrived also! Hate is not the opposite of love, no, for in hate there is passion. I am indifferent to you and so there.
PSS
Maybe
PSSS
Henry!!!!! Why did you do this to us?
PSSSS
What confession?
June;
My confession. Here it is. Attend.
When I first saw you in your modest, flat footed Mary Janes, peaked by painted toenails, your absurd flowered dress, tented by the nubs of your nipples each time I spoke, some ravenous bone in me wanted to devour you and possess you for a while. But that is not the confession.
But the truth is, when you lustily lifted the dress over your head, pooled your panties by your heels, dropped upon your back and waited for some performance by me – I was startled by your physical ugliness.
The cleft of your neck, the scar upon your fecund belly. Pale unsunned skin pink not like a red headed Irish colleen but rather like a mole rat.
I was repulsed by you. I had not the heart to laugh or turn away having brought you so far, I could not bear to crush you or be unkind to you in your hopefulness. Never was a man more unselfish or dutiful than I as pushed your knees apart and lay upon you and imagined you as some other woman from a magazine or found under a street lamp. I slipped into you with affected vigor and patience that came not from skill but confusion, as I regarded your greasy pores and odd scars as some pyrric conquest like a dog who has suddenly caught the car and doesn’t know what to do with it.
My hands floated, I’m sure they did. And stamina I had too as I assumed the manly position above you and ground my teeth.
Laying in the arms of the other woman, all I thought of was you. You are all I have thought of since. I was impotent with her. I will be impotent with every woman after you. That is why I must have you and only you, or I will die. There is in ugliness an addiction, like a bitter drink. Beauty is all alike, one beautiful woman is interchangeable with another. But an ugly woman, a lumpy body is unique and a surprise each time it is unveiled. It gets under your skin. It cannot be recreated. In Japan, great Zen artists often place a flaw in a painting or flower arrangement because the imperfection gives it beauty. In Japanese this is called “Wabi Sabi”. You are my Wabi Sabi girl. I have made everything over in some pursuit or hope of you. I would forgive you of anything. Won’t you forgive me?
Can we go back June? Tell me we can back to our little room in your family's boarding house where everything was unselfish and innocent, and perfect except thankfully for you and shut the door and shut out the world of shallow beauty and make it perfect. Not allow ever a single weed again in our garden until all our leaves have fallen and returned to dust, fruitful and full of years. Tell me we can still do that.
Henry
Henry;
Blow it out your nose you old fart.
There is no garden anymore, you’re so full of shit. That’s only given to you once.
But hey, man. Let’s have coffee anyway, and leave your notebook at home.
Let’s talk.
Wear knee pads.
June
Tuesday, May 1, 2012
Whole Again
This is my topic, and I still don't know what my idea of utopia is. It changes every day. Sometimes it's being inside the hum of a vast spaceship, as it floats endlessly towards some untold destination. I can almost run my hand over its dense grey walls in my head, and feel the grain of the metal. I can smell its mechanical smell, can feel its great breath, breathing with me.
Though that's kind of a weird idea of utopia, isn't it? It's not really a utopia at all, in fact. Far better to think of a colony established on some far off world, where we could all start again. This time, I guess, we'd get it right. This time no one would get left out in the cold, there'd be no hunger, no war, no poverty, no singling people out based on their sex or race.
Which sounds nice, until it all starts to fall apart, in my head. So maybe something less constrained by human flaws is best - maybe I should start by imagining they don't exist. Maybe I can reframe us as an alien race, unencumbered by hate or greed. We dance on the edges of forever, in a sea made of colours we can't even imagine. And everyone is happy and no one feels belittled, bothered, harrassed, crushed.
Which sounds even more bonkers than the utopian colony on a planet that doesn't exist. In fact, all of these things sound mad, if I'm really honest - but that's okay.
Because I think my true utopia is the ability to imagine all of these things all at once, and go to them in my dreams - either awake or asleep. When I can't stand it anymore, when reality crushes in on me and I can't go on, I go to him. I go to him aboard the starship Solaris, across the deserts of Aroth, over the seas of somewhere just past forever, and I am whole again.
Though that's kind of a weird idea of utopia, isn't it? It's not really a utopia at all, in fact. Far better to think of a colony established on some far off world, where we could all start again. This time, I guess, we'd get it right. This time no one would get left out in the cold, there'd be no hunger, no war, no poverty, no singling people out based on their sex or race.
Which sounds nice, until it all starts to fall apart, in my head. So maybe something less constrained by human flaws is best - maybe I should start by imagining they don't exist. Maybe I can reframe us as an alien race, unencumbered by hate or greed. We dance on the edges of forever, in a sea made of colours we can't even imagine. And everyone is happy and no one feels belittled, bothered, harrassed, crushed.
Which sounds even more bonkers than the utopian colony on a planet that doesn't exist. In fact, all of these things sound mad, if I'm really honest - but that's okay.
Because I think my true utopia is the ability to imagine all of these things all at once, and go to them in my dreams - either awake or asleep. When I can't stand it anymore, when reality crushes in on me and I can't go on, I go to him. I go to him aboard the starship Solaris, across the deserts of Aroth, over the seas of somewhere just past forever, and I am whole again.
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