Friday, January 10, 2014

Night Time Worries

Post by Lily Harlem

Now there's a topic that's fresh on my plate. Worries! I'm doing Dry January, which many of you probably know makes the first month of the year a no alcohol month. Mr H and I do this most years, after the excess of Christmas and the New Year celebrations we always feel like we need a detox and to give our livers a good rest.



Not that we drink copious amounts but we do like our wine! He's a red man and I'm a fan of the white grape - fizzy if I'm lucky and if it comes from a certain region in France that begins with C all the better!

So with this health plan, which includes a return to normal eating with extra lashing of fruit and veg and a reduction in mince pies and chocolate, I thought I'd be sleeping better. Especially since the weather in the UK - unlike the US - has been mild, if a little wet and I've been spending a lot of time on the beach walking the dogs and generally sorting out my thoughts and planning some new plot lines.



However, I go to bed and all is good until about 4 in the morning and then ping, my eyes open and a bundle of worries tumble into my brain. They're not major worries, little things really, but they pull me from sleep and suddenly my mind is whirring away, talking to itself, going through all the scenarios of things that could happen, could go wrong. Not for me particularly, but for the people I care about. And my animals, well, I worry about them constantly, even though they're all absolutely fine and I care for them every day.


When the day breaks I make my usual cup of tea and, like pebbles slipping beneath the surface of a river, my worries go, they disappear. The light of the morning sends them scurrying away and although I'm tired and I know my emotions have been tossing and turning along with me, I can't really remember why, and if I do, it's not important.

Sigh... I guess it's just one of those things. Roll on February, a nice glass of Pinot and a romantic Valentine meal out. Though now I've said that, tonight I'll probably wake up worrying what to get Mr H as a little present, if there are any tables left at our favourite restaurant and, and, and...



Thursday, January 9, 2014

What If It Doesn't Sell? What If It DOES?

by Giselle Renarde


I don't worry about anything other than my writing career, but that's probably because I don't do much beyond my writing career.

Writing isn't a bit on the side--it's my full-time job, so I need to consistently earn enough to pay my rent, buy food, cover the bills, all that.  There's no safety net, here. It's just me tapping away at a computer, hoping readers will buy my words.

I write a book and, before the first draft is even done, I'm asking, "What if it doesn't sell?"  Because I know my work and I know the market, and those two things do not match up. Not even close. The vast majority of my books cater to a niche market.  Even award-winning works like The Red Satin Collection and My Mistress' Thighs don't have a wide appeal because only a slim segment of the market is going to shell out for erotic romance featuring transgender characters.

Well, if I'm so concerned about selling more books and the books I currently write don't appeal to a wide market, why don't I just write books with mass appeal?  Easy-peasy.  We all know readers like alpha males, shapeshifters, billionaires, men in uniform, and abusive pseudo-BDSM. So why don't I just write that?

Because... and I know how whiny this is going to sound, but, guys, I haaaaate all that stuff.  The big man-chests and douchey demanding dudes? No.  No, that stuff grosses me out. Please don't take offense if this is your thing. I don't mean to yuck your yum, I just don't like it. And if I don't like it, how can I write it?

The answer is: I can't.  I know, because I've tried. More than once.  And every time the story has veered off-course until it's suddenly ME again, and lacking market appeal. By trying to please everyone, I end up pleasing no one--not even myself.  I'd rather write something that I can be proud of, even if it only appeals to a slim audience.

Look at that! I've just talked myself out of making money. What a shrewd businessperson am I!

The truth is that I have written a book that sold astonishingly well, and it wasn't exactly a pleasant experience.  I'm talking about Stacy's Dad Has Got It Going On, about a college girl who has a fling with her roommate's father. 

I've mentioned this book before.  It hit the ground running. By the time my publisher sent me buy link the day after it was uploaded to Amazon, it was already a bestseller.  Dream come true, right?

Well... not so much. Because pretty soon after Stacy's Dad sold 50 million copies (okay, that's a slight exaggeration), the 1-star reviews started coming in. But I can't complain. It's my fault for writing the most boring book EVER. If I hadn't written such a HORRIBLE novel, readers wouldn't have to hack it to pieces. My bad.  Sorry for wasting everybody's time.

So, whenever I write a new book, I find myself asking these questions:
  1. What If It Doesn't Sell? 
  2. What If It DOES?
Is it better to sell 3 copies to readers who love the story, or sell thousands to readers who hate it?

I want readers to enjoy my books... but I also want to pay my bills, so...?

So I guess that's why I write hardcore smut like Nanny State and Adam and Sheree's Family Vacation/Business/Christmas. I love writing dirty taboo erotica with absolutely no redeeming factors, and readers eat it up.  Problem solved.  Why don't I just write that all the time?

Good question.

Wednesday, January 8, 2014

"Cinnamon Girl" A Vignette About Worry



Without waiting to close the apartment door she went straight to the kitchen table to see if she had left her cell phone there. It was. The voice mail app was blinking - two messages. She recognised both of the phone numbers and turned away.

She went back to the hall door and picked up the yoga mat and leaned it against the wall beside the door, then picked up the two grocery bags, closed the door with her foot and put the bags on the kitchen table by the phone.  The phone had palpably begun to lurk.

The voice mail app flashed up and down like a Vacancy sign in a cheap motel.  She sat down and sighed and wrapped her arms tightly around herself.   Without noticing she had begun to rock back and forth in the kitchen chair.

When her hands had begun to shake she felt a wave of disgust for herself. This could not be, should not be allowed to be who she was. But she had been this person for days now.

She got up and switched on the radio on top of the refrigerator. It was set to WNYC the local New York NPR station. It was Saturday afternoon and the Live at the Met opera series was performing a celebration of Wagner's birthday. She listened a moment and sat back down as the lady announcer explained the next act, which was presented in German and it all seemed like bees buzzing in her ears.

The third act began. The opera was recognisable now as "The Valkyrie", with the great "Ride of the Valkyries" theme; the ultimate anthem of martial valor. Seven world class sopranos yelped their mighty and silly sounding war whoop "Hiya-toho!" and the audience was on its feet cheering . She stared at her own feet and let her mind drift.

There had been this cartoon once about that very music. This cartoon.

When she was a girl.  It had been.

When she had been a little, little girl, there had been this cartoon. Once.

It went like this.  Here was Bugs Bunny and there was Elmer Fudd with his double barreled gun and hunting outfit. He was going to kill Bugs Bunny. He was always going to kill Bugs Bunny. That was his schtick. His karma.   His Fate.  That was all he did.  Now, Bugs Bunny runs into this opera house to get away - and there it is - "The Valkyrie" thundering away. So crafty Bugs puts on a horned Viking helmet with long blonde Brunhilde braids and runs right out on stage figuring - Hell - the old coot can't very well shoot a guy on stage in front of people. Not really shoot him. So ol' Elmer, he grabs this other Viking helmet and this big spear and sings along with Ride of the Valkyries - "Kill da WAB-bit! Kill da WAAAB-bit! Kill da WAB-bit." Just like opera.  It was the first time she had heard opera.

Saturday morning cartoons. Those were so great then. Kind of innocent.

The voice mail app went on flashing.

She reached into one of the grocery bags and took out a can. She hooked her finger under the zip ring and pulled the top off. It was filled with tiny pasta rings in bright fluorescent orange spaghetti sauce. She took down a bowl and shook the can out into it. She put the bowl in the microwave and randomly stabbed buttons until it began to dance.  Orange sauce burst against the glass. She turned it off and put the steaming bowl of Spaghetti O's on the table and did nothing.

Saturday morning cartoons, Spaghetti O's with Bugs Bunny.  Baby brother running in his jammies.

. . . . Kill -

She put her fingers in the bowl, scooped up hot Spaghetti O's and crammed her stinging fingers in her mouth.

- Da Wabbit.

She tipped the bowl to her lips and slurped it all down without chewing.

She reached into the other bag and took out a loaf of Wonder bread with its cheerful balloon polka dots. Without undoing the wire tie, she stretched the plastic with her fingernails and clawed the bag open, spilling bread like guts. A bread smell filled the air and she lifted out two pieces of spongy perfect white bread and laid them out. She reached into the bag and took out a bright pink disc of Family Budget Baloney, opened it and peeled off three slices. She put the meat on the bread, tossed the packet on the floor and reached back into the bag. A bright red bottle of Heinz ketchup. She unscrewed the top and splashed a bright scarlet glob onto the center of the baloney and crushed it with the other slice of bread.  Ketchup blopped out the sides. She crammed it in her mouth and took a huge bite reaching all the way to the back of her throat, leaving a half moon sized wound in the sandwich.

She rolled it in her mouth. Years since she had eaten cheap baloney. Oh - fried cheap baloney. With eggs.   Pig Heaven.  She felt vile.  

"Kill da wabbit. . . " her lips moved along with the radio, pieces of meat dribbling. "WAB-bit . . . ."

She sucked the ketchup off her teeth and licked her lips.

She went to the refrigerator and reached behind the bright green bundle of organic broccoli and portabello mushrooms for the carton of Organic Fair Trade Almond-Coconut milk and put it on the table. She took down a hand crafted tumbler of certified Chinese purple clay, good for a woman's yin energy field and poured milk into it. She looked at the phone. Looked at the grocery bags. Looked at the hand made clay tumbler with the almond-coconut milk. She pointed with one finger of her right hand, touched the tumbler lip and tipped it over. It rolled and stopped at the table edge. The milk cascaded to the floor and poured and then dripped and then slowed until it finally stopped.

 

She had discovered masturbation when she was a young girl of about thirteen, somewhere around then. It was perfectly terrifying. When she felt the sunburst blast of her first orgasm she was sure it was her body announcing a fatal trauma, a major organ failure.   Worst of all it was something she had done to herself.  And then immediately she tried to get the feeling to happen again.

The shower was the best place to masturbate and soon she couldn't take a shower without it. She knew it was a sin. She knew it was abnormal. People who abused themselves could not have normal adult relationships. After a while they'd go insane and be put away and masturbate in a tiny cell until they died. What would her mother say? She tried to stop. God knows. But her body wouldn't let her stop. If she held off for a few days the moment would come when she would enter the bathroom in a kind of nervous trance. Meaning only to wash her hands, brush her teeth which she did sincerely and then her hand would reach by itself for that shower knob. The hand knew what it wanted.  It moved by itself as if absolving her brain of any moral culpability. She'd let her hands undress her as this animal quivering began in the belly even before she had stepped under the hot water. The belly knew what was coming. You couldn't lie to the belly. The anguished quivering below would not stop until the act was consummated. And then consummated again.

As she reached into the bag she felt that same strong trembling in the belly informing her of an impending self inflicted rape. Her body knew what it wanted and she would have to just let it happen without fighting it until it was over. Even without the milk.

She pulled out a box of Little Debbie cakes.

With a grunt, she ripped open the box. She tore open a cookie wrapper with her teeth and devoured it in three bites. The gunk stuck in her throat and gave her the hiccups. She sucked the white sugar paste from her tongue and proceeded to work her way through the whole box.

She wiped the spaghetti from the bowl with the last Little Debbie cake and sucked the neon orange sauce from her fingers. She pushed the flashing message app, leaving a gooey sauce print on the glass.

"Maddy! It's James. Hey, is everything alright with you, Jersey girl? You haven't returned my calls. Listen I have some bad news and good news. Bad news. Listen. Your book, 'The Virtuous Vegan' slipped a notch. Okay? Yeah, its number two now on the Times Non-Fiction list. I mean listen, darling, how many authors would kill their mothers with a hatchet for that number two spot, am I right? It happens sooner or later. But we're better than this. The Hungry Blossum says they can give you another signing gig on Friday the 8th, in the evening. We'll get some wine and cheese tasting going on too. Wear that nice batik dress. That persian scarf. Everybody wins. And listen, sweets, I can definately get you ten minutes on Morning Joe. I know the guy.  Ten minutes is fantastic, am I right? Listen Maddy, I'm not just your agent, I'm your friend. I care about you. I care like, you know, very deeply about you. We all do. Let's get our heads back in the game and flog this thing up to number one again, right? Love ya, babe. We all love you. Call me. Kiss kiss."

She pushed the app again.

"Ms Carter, Dr. Nick Baker calling from Bethesda Oncology. Your X rays are back and we need to have you come in. I don't want to discuss details over the phone, but I've made you a spot on the board for nine o'clock tommorrow morning sharp and I strongly urge you put aside any other plans and see me. I'm sorry for the short notice and any inconvenience this causes. Dr. Alvarez will be there too to explain a few things and we're going to need a series of blood work ups and a PET scan. So no eating tonight after, say, eight o'clock. Just fasting with water. I'll expect you in my office, third floor Oncology, two oh seven, at nine. Make sure you check in at the registration desk. Have a nice day."

She took a deep abdominal breath and let it out slowly through her nostrils listening to the sound. Then another deep abdominal breath, all very correctly puffing out her belly. With a sigh and a whimper she rose from the kitchen chair with ketchup on her chin and went to the living room and lit a cinnamon-rose aroma therapy candle. Then a cinnamon-cedar candle. Then a cinnamon-acai candle. Then a cinnamon-sage candle.

The aroma therapy candles would help, but they took a long time to work.

 

 

 

Tuesday, January 7, 2014

I'm Really Worried!! by J.P. Bowie

Following on Lisabet's post it would be easy to pick up on that particular bag of woes that seems to plague a lot of us from time to time - the seemingly never ending computer/internet/blogging/pirating/emailing/coming up with fresh ideas/semi-original plot lines, blues. So perhaps I'll concentrate on the word - worry...

To worry means to fret, be concerned, be anxious, agonize, over-think, brood, panic, lose sleep, get worked up, get stressed, get in a state, stew, torment oneself -
Oh my God, see, I suffer from all of those and more.

I had an aunt who personified the word, worry. She worried about everything, but mostly about what people would think. When we'd visit friends - "Oh we must take something, even if it's just a bag  of biscuits - otherwise what will they think?"  She'd leave extra large tips in restaurants because, "Oh I can't have her thinking I can't afford it." Before the cleaning lady came over she'd run around like a dervish dusting and polishing "I can't have her thinking I live in a pigsty!" When she grew old and signed herself into a nursing home she worried that the building would burn to the ground because of all the old people who still smoked - so she slept with her shoes on, ready for a quick getaway. No kidding.

She died at age 96. Who says worrying can kill you before your time?

Actually I'm a bit like her. I worry about the most inconsequential things. Can I wear the same shirt twice in a week at work? Will someone notice? No... Did I notice what Matilda or Hortense was wearing yesterday? No... Yet I worry that they'll think I have only two or three shirts to my name. FYI I do have more than three.

 More to the point, I'm afraid I do fret and agonize about whether readers will like my next book. It doesn't matter that I've sweated bullets over the nuances of the plot, that I've tried to make my lead characters, likeable, charming, hot - that I've made sure, using every formula known to Goodreads, that the sex scenes burn up the pages, I know there will be some so-called reviewer out there who'll dismiss the whole freakin' thing with the words, "Skip it."

Arrgh!

No, no I'm not panicking or losing sleep over it. I'm not getting in a stew, or stressed out. I'm not tormenting myself by thinking that maybe if I'd  only listened to the words of Tammy from Cincinnati that Dalton should never have cheated on Dimitri and she will never read another word I ever write if she lives to be five hundred years old - I might have had a best seller. No, I promise I'm not brooding, over thinking or getting in a state over it. I'm really just...worried.


Monday, January 6, 2014

Wired Anxiety

By Lisabet Sarai

I woke up yesterday morning (Sunday) agonizing about this blog post. What should I talk about? We all have our worries. I didn't want to sound whiney. I thought about a post entitled 'Consider the Lilies', dealing with the futility of worry in the face of life's grand uncertainty, and the need to trust the universe. However, I concluded that would have been too preachy.

Maybe I should write a story addressing the topic, the way Garce always does? I actually came up with an idea (think about all our worries during the sex act!), but then I decided I couldn't afford to spend my time penning a random tale when I have a 60K novel due at the end of January and I'm only at the 30K mark. (I'll file that notion away in my notebook for some future date, when I've got free time – huh!)

How was I going to produce something as creative as Garce, as insightful as Giselle, as erudite as Jean? Being first to address each Grip topic is not an enviable status, believe me. The rest of the contributors can riff on my post, or take my initial direction and throw in a curve or two. Me, I'm flying blind.

All these familiar, minor worries faded, though when I got to my computer and discovered that our ADSL was down.

Oh my God! No email. No blogs. No way to check for comments or visitor stats. And forget about writing the darned blog. How was I going to post it?

These days even a single day of Internet outage is a small catastrophe for me.

I can check my “real world” email at work, but Lisabet's communications are restricted to a specific computer, with an encrypted drive to keep all my work and messages safe from prying eyes. Furthermore, these days, the business of being an author critically depends on connectivity. Without the Internet, I can't communicate with my editors, my readers, or my colleagues. There are rational reasons for me to worry about being cut off from the 'Net.

My panic, though, extended far beyond rationality. Disconnected, I felt helpless, alone, totally out of the loop. No Writers list posts flowing into my inbox. No requests for guest spots. No updates from my publisher. No notices of glowing reviews on Amazon or Goodreads (yeah, right...)

And I realized that I worry a lot about being connected, all the time. I don't have a smart phone and my husband the security geek strictly forbids the use of Wi-Fi. When I'm away from my home office for an entire day, I start to get edgy. I know the email messages are piling up. (I typically get 100 to 200 messages a day.) I wonder when I'm going to have time to sort through them. In a very real sense, the only time I can be Lisabet is when I'm online.

When we go on a business trip or a vacation – heavens! The anxiety is grueling. Before we leave, I unsubscribe from as many lists as possible, to reduce my mail volume. I try to pre-schedule blog posts, release and contest announcements and so on. While we're traveling, it's usually difficult and/or expensive to get online. When we went to France last spring, we paid $60 for a SIM card we could use in our GSM modem, so we could check email without worrying about Wi-fi malware. And we (both) took significant chunks of time from our holiday schedule to handle critical online issues.

I remember traveling in the eighties and the nineties. No need to worry about connectivity. We could disappear for a week or two. We didn't care who was trying to contact us. Sometimes we wouldn't even look at a newspaper for a week. A simpler, easier, more innocent time, that seems now.

I wouldn't want to give up this connectivity, though. I love “talking” to all these people, all around the world. I'd be terribly isolated without the 'Net. I'd never have “met” Desiree, or Lily, or J.P. Now that I've got this wonderful blessing, though, I'm always concerned about losing it.

The broadband link is still down. We can't reach our provider – yesterday we were on hold for forty five minutes. They're doing some sort of system conversion, so that might explain this lengthy (and unusual) outage. Meanwhile, my darling techie husband hooked up the GSM modem so that we can have a minimal (slow, expensive) connection to the outside world. And so I could post this blog.

Now I'm worrying about when we'll be online again.

Friday, January 3, 2014

The Haunted Library

by Jean Roberta

Sitting in the room my spouse & I call “the library,” where our computer is surrounded by bookshelves, I see a hodge-podge of books, loosely organized into different categories so we can find them. (This doesn’t always work – read on.)

In what I think of as the spooky/spiritual section on the highest shelf to my left, I see a very thick paperback. The title on the spine is Ghosts: True Encounters with the World Beyond by Hans Holzer. This book is packed with stories and photos from the files of one of the world’s foremost ghosthunters, and it threatens to suck me in again. The last time I read it, I had to stop before reaching the end so I could keep up with my day job.

Next to this is The Complete Prophesies of Nostradamus, several books on modern witchcraft, including three by Starhawk (one bought directly from her when she came to my town on tour), The Tibetan Book of the Dead (a gift from one of my stepsons), a hardcover Bible (originally bought for my six-year-old daughter, in which she drew a picture of a smiling man with a beard, named “God”) and a small, hardcover English translation of The Koran. Strangely enough, this last book is the only one in this section that I inherited from my parents after their deaths in 2009. They were agnostics who never showed a great interest in religion in any form. However, they probably thought (as I do) that as academics, they needed to have some knowledge of the holy books of the world’s major religions.

This library is very eclectic because many of the books were given to me, inherited, or they belonged to my spouse before we joined households. In some sense, it is full of ghosts that constantly threaten to pull me away from more pressing concerns.

After my parents passed away, I let my two sisters take the bulk of their books, since I already had enough of my own. Several of our mother’s books of literary criticism are now neatly arranged on the shelves in my office at the university. A few of our father’s books on political theory are still in the home library, including two by John Raulston Saul: Voltaire’s Bastards and The Unconscious Civilization. I think my father enjoyed Saul’s skeptical look at the long-term political effects of Enlightenment idealism.

I can still hear a conversation I had with my dad when he was still an Economics professor and I was still reeling from four hard months as a student English teacher in a local high school. “Has it ever occurred to you,” I asked him, “that the idea of universal education is a well-intended 18th-century plan that has never worked as it was intended to?”

“Exactly!” he replied with delight.

“But before you propose to tear down the public school system,” I said, “I’d like to know what you would put in its place.” He just laughed.

One of the books I inherited from my father is one that Spouse and I gave to him for Christmas in 2000. It’s An Illustrated History of the Royal Navy by John Winton, in association with the Royal Naval Museum in Portsmouth, England. It’s a big coffee-table book full of full-colour paintings, engravings and photos of ships of the British Empire and the men who sailed them. I knew my dad would like this. Ever since he joined the U.S. Navy as a young man in the Second World War, he loved boats of all kinds.

In the fiction section, I have a well-preserved hardcover copy of War and Peace by Leo Tolstoy, published in 1942 with detailed maps of battle zones and a foreword by eminent critic Clifton Fadiman, who points out the parallels between the Napoleonic wars of the early nineteenth century and the “current European conflict.” I inherited this book from a woman I never knew: a locally-famous hairdresser who had recently passed away, and whose family invited people she knew (including a male hairdresser friend of mine) to browse her shelves and take whatever they wanted. A grown son of the deceased woman assured me that I was welcome to take whatever was left, since the family had already made their choices.

Among Spouse’s books are several about John Lennon and Che Guevara, the two heroes of her youth, and a biography of Lenin. Her oldest books are in Spanish, and these include material on leftist political theory and alternative Christianity (for lack of a clearer term), e.g. a history of the Rosicrucians and Dan Brown-esque investigations of the history of the Catholic Church. The Spanish-language section has its own shelf.

At one time, I had a collection of books by J.R. Tolkien, including The Hobbit and all three volumes of The Lord of the Rings, including one unauthorized book that was sold openly in a bookstore in small-town Idaho. (No one seems to remember any more that in the 1960s, an American publisher brought out a pirated edition, and Tolkien sued.) When I looked for The Hobbit to skim through it before going to the second-installment movie (The Desolation of Smaug), I couldn’t find it. This isn’t surprising. It could have left my house with my grown daughter or either of my grown stepsons. If so, I won’t demand it back. I’ll just have to buy a replacement copy before the third-installment movie comes out.

Of course, there is an erotic section in my library. It’s on two bottom shelves which can be camouflaged by other objects if necessary. That section deserves a post unto itself, but I'm coming to the end of this one.

A lot of memories are in this room.

------------

Thursday, January 2, 2014

By Way of Introduction

I've been debating whether I ought to talk about books (the obvious choice) or about other objects on shelves (as Daddy X and Lily Harlem did so well). Much as I think it would be interesting to tell you what's in my pantry, this is my first post here, and books do seem like the best way to introduce myself.

The bookshelf voyeur in me loved Lisabet's list of specific books, so I'll take a cue from her and give you the contents of a special corner of one of my bookshelves. It's the shelf I think of as "mine" because it has my work on it (though the other shelves also belong to me). Beside my work, I have my favorite printed books of erotica, the ones I've carried around forever and wouldn't give up. Here they are, in the order they appear:

My Secret Garden: Women's Sexual Fantasies by Nancy Friday
Pocket Books, 1973

This book isn't exactly erotic to me because the psychological speculation frequently interrupts the hotness, but I like it because I find it shocking. With chapters such as "The Zoo" this book revels in erotic fantasies that many publishers today won't accept. As a person who has struggled all my life with shame about my fantasies, I take great comfort in the unabashed wildness of this thing.

Delta of Venus by Anaïs Nin
Pocket Books, 1969

Honestly, it ought to be Little Birds in this spot because I like that one more, but a woman stole my copy years ago and I never replaced it. Nin's style doesn't always do it for me, but this was one of the first erotic books I owned, partly because I could take refuge in the idea that it was literary. And again, I relish how taboo it seems next to much of today's erotica.

Herotica 4 edited by Marcy Sheiner
Plume, 1996

This is a book that I stole from someone (terrible of me, I know). Perhaps there are collections that would be hotter to me as a whole now, but this book contains some very formative stories for me, particularly Mary Maxwell's "The Café of the Joyous Women" (a lovely lesbian fantasy), "Honeymoon on Cobale" by Emily Alward (my introduction to polyamory), and (the reason I will never get rid of it) Serena Moloch's "Behind the Mask" which hits many of the best spots for me. That story is lesbian femdom with a lot of attitude and reversals and bisexuality, it's set in Victorian times, and it includes piercing and feminist theory. Serena Moloch, what has become of you? Where can I find more?

Three Kinds of Asking for It
edited by Susie Bright
Touchstone, 2005

Kept for Greta Christina's "Bending," which is one of the pieces of erotica that made me realize that while erotic writing could turn me on, it could also move and bother me and make me wonder about who people are and what they're about. This is the story of a woman who thinks she only wants one thing and what happens when she gets that thing. As years have passed and my own fetishes and interests have shifted before my eyes, the story becomes more and more meaningful to me. Also, "Bending" is so hot and it's that rare story that feels truly bisexual (something I'm always looking for).

Switch Bitch by Roald Dahl
Penguin, 1965

These stories are naughty, weird, and even cruel, but again I like them for their transgression and because it pleased me a great deal to find that Roald Dahl, who I knew as a children's author, had written dirty things as well.

Story of the Eye by Georges Bataille
City Lights Books, 1987

I remember exactly where I was when I bought this, where I was when I read it, how the pages smelled and which ones affected me and how I hid the book from the person I shared a room with at the time. There is no book that has changed me more because this is the book that busted, once and for all, my conception that my sexual desires doomed me to endless depravity and steady decline (that oh-so-popular narrative of the erotic). It's not that I think it's all incredibly hot. While it does turn me on in places, it also disgusted and horrified me. This book showed me where my limits were (and taught me various important distinctions between things I did or didn't want to do and did or didn't want to think about). For the first time, I glimpsed the bright line beyond which my fantasies would not go, and I can't tell you how relieved I was to find that there was a limit. I love this book for being too much for me (though I did read it all), and I will keep it forever as a reminder.

The Best American Erotica edited by Susie Bright
Touchstone, 1996

I was so ashamed when I bought this at a library sale, and yet the fantasies it presented became such an essential part of me. I think my interior erotic landscape would be shaped differently without this book. There's Katya Andreevna's "The Perfect Fit" which introduced me to the idea of a shoe fetish, David Shields's "Girls Who Wear Glasses" which has always encouraged me, and Cecelia Tan's "Pearl Diver" which is frankly one of the hottest things ever. I love the dark dirtiness of Lucy Taylor's "Choke Hold" (and again marvel at how I can't imagine this story being published now), and the gleeful naughtiness of Amelia Copeland's "His Little Plan Backfired" which is a story of a chastity belt turned sex toy. Most of all, deepest of all, I love "The Hit," by Steven Saylor under his pseudonym Aaron Travis, which was and is the quintessence of the dirty cruelty that turns me on most intensely and has caused me so much uncertainty and shame.

Named and Shamed by Janine Ashbless
Sweetmeats Press, 2012

A recent addition, but this book struck me like a revelation. Until this, I thought I was past the sweaty-palmed desperation I felt when I was first discovering erotica. I thought no book would ever crawl into me the way the others on this list did, and yet here this book came along, showing me that I am far from jaded.

Coming Together Presents: Remittance Girl
edited by Lisabet Sarai
Coming Together, 2010

Can this be so recent? It feels as if it came out a lifetime ago. Remittance Girl's writing was another key part of making me realize that there is meaning in erotica, that this thing we do isn't just about having an orgasm, it's also about honestly exploring forbidden territory and speaking aloud about things that have always been whispered. I used to like the darker stories in this book, such as "Shellshock," but these days the one that's most vivid to me is "Motorcycle Hug," which mixes its sweetness with considerations of race and culture that still get under my skin.

Radical Encounters by Radclyffe
Bold Strokes Books, 2009

This is another new addition to the place of honor on my shelf because I'm sorry to say I only discovered it recently. How, I wondered, after all the sex I've had and all the erotica I've read and written, could Radclyffe make me feel as if she was introducing me to my own body? I'm not often surprised anymore by how things are described in erotica or how they're understood, but this book was different. It's so hot I almost can't bear to read it.

The Decameron by Boccaccio
Garden City Publishing Company, 1930

One of my most prized possessions, though it's in terrible condition (and was when I bought it). I've heard that Boccaccio later regretted the bawdiness of the stories here, but they're so delightfully dirty that I've loved them since the moment I discovered them. This is full of affairs and trickery and suggestive and titillating ideas. Even the descriptions of the stories are excellent. For example, here's the Seventh Tale of the Second Day: "The Sultan of Babylon sends his daughter to marry the King of Garbo. In the space of four years she passes through many adventures in different lands and lies with nine men. She is finally restored to her father who is made to believe she is still a virgin, and marries the King of Garbo."

***

As I conclude, I see notable absences. Many of those are in my special folder for great e-books, which we'll perhaps discuss another time. As is my wont, I've gone on a bit (I apologize in advance for that habit).

Thank you so much for inviting me to join you here. I'm so pleased to be part of this group, and I can't wait to get to know you all better.