Showing posts with label Prague. Show all posts
Showing posts with label Prague. Show all posts

Sunday, January 15, 2012

My Favorite Kind of Research

By Lisabet Sarai

When it comes to research, I'm a bit lazy. Occasionally I'll get bitten by the research bug and spend a bunch of money on books – I dropped nearly a hundred bucks on material about Mayan mythology and culture when I was working on Serpent's Kiss – but usually I'm content with relatively superficial visits to Google or Wikipedia to answer my factual questions. It helps that I don't tend to write much historical fiction. My few attempts in that genre have confirmed my expectations that it's a huge amount of work! No, I have to admit, I'll coast if I can, trusting my imagination and my intuitions when a more scrupulous author would be hitting the reference department.

There's one area, though, where I'm willing to do almost unlimited explorations in the interest of verisimilitude – preferably going to the original source – and that's my settings.

Anyone who's read much of my fiction (all three of you!) knows I often set my stories in foreign destinations. That's merely a symptom of the fact that travel is quite my literally passion. I've probably already shared the story of how my husband seduced me with tales of his adventures in Paris, Instanbul and Bali. Sex, love and travel totally intermix in my mind and my memories. So perhaps it's not surprising that I get story ideas when I'm on one of our international jaunts.

My very first published short story, “Glass House”, draws heavily on my experiences in Prague a few years before I wrote it. Even now, a decade later, rereading it brings back the weird, almost absurd beauty of that venerable city, the edgy, offbeat magic that infects its cobblestone streets and stone bridges, soaring cathedrals and basement pubs.

******

“Let us walk down to the river,” he says, bringing me back to the present. “It is nearly sunset. And there is something that I would like to show you.”

We make our way westward toward the Vltava, in companionable silence. I am struck by the fact that, after all, I do trust Lukaš. For all his swaggering and sexual innuendo, he has treated me with respect. I know how easily he could have taken advantage of me; he probably knows it, too. Somehow, though I have told him nothing, he also senses my conflicts. He knows without being told that I am not free.

Clouds stained by the sunset heap high over the water, which flows gray and smooth like molten lead. Vermilion, ocher, coral, azure: ordinary color names do not apply to these flowing, burning shapes.

Against this multicolored background the spires and towers of Prague Castle on its crag across the river are fairytale silhouettes. For a long time, I simply stare, as the forms merge and change in the dying light. When I finally remember Lukaš, I see he is grinning again, as if he could take credit for this spectacular display.

“Is this what you wanted to show me? It is wonderful!”

“Not exactly. Look across the street.”

The first thing I see is a massive rococo building of yellow stucco, dripping with ornamentation and topped by an onion dome. Then I see the building beside it, and stop short.

It is totally fantastic, whimsical, and bizarre. It began as an ordinary, modern office building, with square windows and a flat roof, facing the river across Smetanova Street. But grafted onto this edifice is a second building, all of glass, shaped like an asymmetric egg timer and leaning at a crazy angle against the staid office block. The sunset colors reflect in its multifaceted façade, so that the building seems to shift and move.

*****

Then there's Amsterdam. I've been there several times, but six or seven years ago we spent an entire week in a tiny guesthouse just around the corner from the train station. Something kept drawing me back to the red light district – maybe the fact my previous visits were prior to my rebirth as an erotica author. I found myself fascinated by the women in the narrow, rose-lit windows, wondering what their lives might be like. The experience ultimately produced my BDSM tale “Shades of Red”.

*****

I've been obsessed ever since last night, when Jane and I wandered through the red light district, staring at the women who waited behind the glass in their rose-tinted rooms. We wove our way through clumps of nervous, intoxicated men who were all staring, too. I could smell their sweat, underneath the beer and the pot smoke. I could feel their lust. It infected me.

They barely noticed us, two teenagers in jeans, although the tight denim in my crotch was so wet, I half-expected they'd catch my scent and turn to me. They had eyes only for the bodies displayed in the rows of windows lining the canals.

Some of the women were ripe, blond, Slavic-looking, their breasts exploding out of their lace brassieres. Others were slight, deliberately child-like in Gidget-inspired bikinis or brief plaid kilts. There was a Brazilian beauty with golden skin and coffee-colored eyes; a voluptuous African princess with strings of ruby-hued beads dangling in her ebony cleavage; a serious-looking brunette wearing dark-framed glasses who sat, shapely legs crossed, like a secretary waiting to take dictation.

Some of the women posed. Others danced suggestively, or made lewd gestures at their prospective customers. There were masked women in leather, snapping riding crops against their boots. There were women whose pierced nipples and labia showed clearly through their translucent garments.

Men clustered around the dimly-lit windows like moths hovering by a candle. Mostly they'd just look, inflamed by the mere thought of all this available flesh. Sometimes I'd see a hushed conversation through a half open glass door. Such conversations might end with the man turning away, disappointed, rejected, or perhaps simply unwilling to pay the asking price. Other times the door would open wider, just enough to admit the supplicant. Then it would close and the red velvet curtains would be drawn, hiding the rest of the dance.

Those curtained windows drew me. I couldn't stop imagining what might be going on behind them. I knew it was a straight commercial transaction in most cases, a workman-like blowjob, or a quick, bored fuck. Still, I imagined occasional revelations, epiphanies, ecstasies -- meetings of strangers pre-destined to be lovers, brief but unbearably intense conflagrations of lust, lewd and mystical connections that would live in his memory, or hers, long after the curtains were flung open again.

I'm nineteen. I've had enjoyable but ultimately frustrating sex with two boys my age. I know that, practical as I am, I'm a bit of a romantic. Otherwise, I would not have continued to roam the red-lit alleys long after Jane gave up and went back to the hotel in disgust. As the Oude Kerk chimed two AM, I wandered up Molensteeg and down Monnikenstraat like some horny ghost. The crowds had thinned. The curtains were mostly drawn. Some of open windows were empty. Next to them were the signs: KAMERS TE HUUR. Windows for rent.

*****

I remember those church bells, ringing through the damp, mostly deserted Amsterdam streets. I just had to capture them in a story.

Then of course there's Bangkok, familiar and yet ever strange after two years of living there and many visits since. I was there not long ago. The city's changing – there are more skyscrapers now, and everyone including the beggars has a cell phone – but the description I wrote nearly a decade ago, in “Butterfly” is still pretty accurate. Except for their piercings and tattoos, the bar girls haven't changed much...

*****

One of my mates, Charlie, knew the city well. He checked us into a comfortable, ridiculously cheap hotel in the middle of the tourist district. Bewildered and dazzled, I followed him along sidewalks crammed with vendors hawking watches, tee shirts and toys, trying to avoid tripping on the broken pavement.

Beggars with shriveled limbs extended their bowls in silent entreaty. Blond, ragged-haired tourists in shorts and sandals, slender Thai women in tight jeans and silk blouses, monks draped in saffron, policemen standing stiffly at corners, their revolvers prominently displayed: it seemed that the whole of the Bangkok was here on this one street. Meanwhile, an endless line of vehicles crawled by us: tint-windowed Mercedes, sooty trucks, and rickety buses with people hanging out the doors. The air was heavy with diesel fumes, frying garlic, and jasmine. We dined at a quiet restaurant on a side lane, where the young waitress giggled every time we spoke to her. Then Charlie took me off to see what he called "the real Bangkok" - the go-go bars and sex clubs.

We sauntered into the "entertainment plaza". Three stories of indoor bars and clubs surrounded a central court, which was crowded with open-air bars and stalls selling skewers of grilled chicken, fresh fruit, and fried locusts. As we walked along the second-level balcony, bikini-clad girls tried to lure us inside their establishments.

<"Come inside," they crooned. "One beer fifty baht. No cover charge." Briefly, the woman would hold back the dark cloth draping the door, offering a tantalizing glimpse of flickering lights and bare flesh. "Take a look, no charge, come inside."

The more energetic of these young marketeers would grab us by the hand, and laughing the whole while, try to pull us in. It was all good-natured, though. We'd extricate ourselves from her strong fingers and thank her. "Not now," we'd say. "Maybe later."

"Why not now?" she'd say, stamping her foot in mock anger. "Don't you like me?"

*****

I've been lots of places I haven't written yet. There are stories inside me set in Instanbul, in Tokyo, in Lisbon. I'm sure they'll find their way out eventually. Of course, sometimes I'll want to set one of my tales somewhere I haven't traveled (at least not yet). Then I do have to do some research – but it's a pleasure.

A few months ago I wrote a short story that takes place in Varanasi (Benares), India. My one trip to India didn't take me anywhere near that ancient, sacred center. I spent delightful hours pouring over websites, gazing at maps, trying to grasp a sense of the place. I don't know if I succeeded (I haven't heard yet whether the tale has been accepted), but I'll tell you one thing: I've added the place to my (all too long) travel wish list!


Sunday, July 26, 2009

The Perfect Vacation

By Lisabet Sarai

Anyone who knows me at all will not be surprised to learn that my notion of the ideal vacation is a trip to a foreign country. I'm fond of recounting how my husband seduced me on our first date (in a Burmese restaurant) by regaling me with stories of his adventures in Europe and Asia. After keeping me on the edge of my seat for two and a half hours, he smiled provocatively and said: “I'm looking for someone to travel with me.” I was hooked!

As it turned out, he and I have similar tastes in travel (as well as in many other areas). The three main ingredients we seek in the perfect vacation destination are scenery, history and culture. Delicious food and local wine are also strong criteria, but alas, you can't always evaluate these aspects of a country until you are on the ground. We like to walk, even do a bit of hiking, but we're not the extreme sports type. We enjoy the ocean but are both too fair to be beach folk. We prefer funky tourist class to five star (which we couldn't afford in any case) but we do like some comfort – hot showers and a double bed are a must.

During our twenty-nine (yikes!) years together, we've shared many memorable voyages. Our two week trip to Provence, France, stands out as one of my favorites. We flew into Marseille then rented a tiny Fiat and motored around the diverse region, enjoying ancient hilltop villages, scenic gorges, Roman ruins, medieval castles and Belle Époque hotels -- not to mention lots of chêvre and Côtes de Rhone. A high point for me was a visit to the ruined chateau of the Marquis de Sade, in the picturesque village of La Coste. I had just finished reading At Home with the Marquis de Sade, Francine du Plessix Gray's fascinating biography of the infamous author. For a devotee of BDSM such as I, this was a sort of pilgrimage.

On another magnificent trip, we spent more than two weeks in Turkey, wandering around Istanbul, viewing the ruins of Ephesus and the weird landforms in Cappadocia, visiting a university in Adana – and of course consuming our share of kabobs and raki, the anisette-flavored liquor sold in every sidewalk café. That same magical trip included a three day stay in Prague on the way to Instanbul. It is hard for me to believe my time in Prague was so short. The ancient, mystical city, with its spired castle and cobblestone streets, soaring cathedrals and basement taverns, has made its way into the landscape of my dreams. Unfortunately I cannot recommend Czech cuisine very highly, but I can vouch for the delicious beer.






A more recent journey took us to Vienna, Trieste, Venice and then down the Adriatic coast of Croatia. Venice is supposed to be one of the world's marvels, but in my opinion, it could not begin to compare with the fortress-town of Dubrovnik (Croatia), perched high above the azure sea. This prominent Renaissance trading city is almost perfectly preserved, with massive gates and stone streets that turn into stairways as they climb toward the city walls. Croatian wine is dispensed out of tanks in the grocery shops. The people bring their own bottles to be filled. Even the ordinary “black wine” is incredibly good, especially with spicy cevapcici (“chev ap chee tse”), a kind of seasoned hamburger dish.






Two springs ago, we spent a magnificent ten days in Japan. Aside from some difficulties in communication, we absolutely loved it: the tiny, organized “business hotel” rooms, the bullet trains, the friendly Tokyo pubs, snow-capped mountains and serene rice paddies, wooden castles and gilded temples. We had feared that the trip would be horribly expensive, and were pleasantly surprised to find that with care, we kept our costs within reason. Of course we ate our fill of sushi, tempura, yakiniku, and tonkatsu, as well as many other dishes that we couldn't identify, washed down with plenty of warm sake and cold beer.





Since I've been publishing erotica and erotic romance, traveling has an additional benefit. My vacations tend to trigger story ideas. The medieval abbey of Thoronet in Provence became the setting for my story “Communion”, about a young twelfth century nun. The bare stone floors and vaulted ceilings made me think of sacrifice, renunciation, and redemption. My memories of Prague are woven into “Prey” and “Glass House”, the first erotic short story I ever wrote. Our visit to Luang Prabang, the ancient capital of Laos, inspired the story “Vows”, which features an unorthodox (in several ways) threesome involving a married couple and a monk. “Shades of Red”, which appeared in the anthology She's On Top, derives from a fairly recent sojourn in Amsterdam. I just submitted a tale called “Citadel of Women” to an anthology edited by Robert Fleming. The setting and one of the characters derive from our tour of the Angkor Wat region in Cambodia a number of years ago.


I've never tried to deduct the cost of our vacations on our income tax returns, but there might be some justification for doing so. However, I can't know ahead of time when a particular spot will inspire me. I'm always doing “research” when we travel, but the impressions may take years to mature. In the early eighties my husband and I spent a week in Jamaica, one of our first vacations together. Only now, more than two decades later, did I decide to use this experience in a story. I'm working on a vampire tale set on the island. The vamp is a former slave, turned by his mistress, who lives among the ruins of her plantation in the mountains south of Montego Bay. The story begins with a horseback ride into the hills, something my husband and I actually did on that trip so many years ago. (We did not, to my knowledge, encounter any vampires—though we did meet a woman who had a stage act involving pythons!)

In enumerating the stories I've written that were inspired by my vacation travel, I'm struck by how many places I haven't yet used. It's astonishing to realize that I still don't have stories set in Turkey or Sardinia, Rhodes or Tokyo, Hanoi or Bangalore. I'm accumulating settings far more rapidly than I'm writing about them.

On the other hand, I can hardly complain about that—can I?