Showing posts with label dirty or filthy erotica. Show all posts
Showing posts with label dirty or filthy erotica. Show all posts
Wednesday, February 6, 2019
Pushing the Limits of Erotica (#amwriting #erotica #tabooerotica)
by Cameron D. James
I have a dirty pen name.
Like, really dirty.
It’s far dirtier than this one. In fact, this Cameron D. James name writes stuff that is almost puritanical when compared to what my dirty pen name writes.
It is so dirty that I’ve only divulged to a handful of people what that name is. There are a great number (far too many in fact) that know I have a dirtier pen name, but the people I spill the details to (the name and the subject matter) is extremely limited.
While with my Cameron D. James pen name, I write the stories I want to read, meaning that I am the primary target audience, with my secret pen name, I’ve taken a whole different slant. For a brief while several years back, I ran some Google Ads for my Cameron site and reviewed the keywords that people were using to find my ad and my site. Holy crap was I disturbed. Putting the search terms for illegal content aside, the legal stuff was very eye opening — it told me what secretly turns on a whole segment of the population. (In fact, I think these dark and dirty desires are more widespread than people want to admit — these are just the ones brave enough to type it into a search bar.)
After being disturbed, I cancelled my Google Ad (because paid advertisement is a waste of money) and just let that information percolate for a few years. Eventually, I became more comfortable with those taboo subjects — the information pushed my limits, I guess you could say.
A few years back, I needed a new creative outlet, something vastly different from Cameron D. James. Soon, my ultra dirty and ultra secret pen name was born.
For this project, I wasn’t writing for me — I’m not the target audience of these books. My target audience is that group of people who are searching the taboo search terms and somehow stumbling onto my website.
My first few short stories under this pen name were taboo, but still rather tame. Over time, they got dirtier and dirtier. I also shed the need to somehow show how ordinary people have these dirty desires in my stories — now I just jump right into the extreme smut. I give people what they want.
These readers have pushed my limits, and in return I push theirs.
These stories are not Amazon-friendly. This pen name’s ebooks are available on Smashwords (but not their third party sellers, just Smashwords) and Excitica. To most, that would be a death knell for sales. For most, Amazon is a source of mediocre income, outselling anything else.
Yet, these stories on Smashwords are my biggest source of sales. It’s primarily these stories that make me feel like I’m successful as a writer.
Sex sells. Taboo sex sells even better.
Cameron D. James is a writer of gay smut. His most recent publication is New York Heat.
Thursday, July 6, 2017
Dirty as I wanna be #Free #Erotica #Smashwords #Sale
Attention K-Mart Shoppers:
Giselle is on vacation this week. I, faithful sock puppet Lexi Wood, have hacked into Giselle's account to bring you big news about dirty smut. I hear this week's topic of conversation is "stories that should have been dirtier," but I never hold back. All my stories are as dirty as I want them to be, possibly dirtier than readers want them to be. I don't know, I don't care. I'm just writing for my own perverse reasons.
Giselle is on vacation this week. I, faithful sock puppet Lexi Wood, have hacked into Giselle's account to bring you big news about dirty smut. I hear this week's topic of conversation is "stories that should have been dirtier," but I never hold back. All my stories are as dirty as I want them to be, possibly dirtier than readers want them to be. I don't know, I don't care. I'm just writing for my own perverse reasons.
If you've never read my work, you don't know what you're missing out on. And you've got no excuse this
month, since there's a big sale going on at Smashwords and many erotic shorts
from yours truly are available at no charge. Just be sure to use the
coupon code on each book's Smashwords page to get the following books absolutely free:
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My Sexy Teacher, My First Time: FREE
Lots
of girls have crushes on sexy high school teachers. When
eighteen-year-old April Andrews’ biology teacher tells her they can’t be
together, will she take his rejection lying down? Or will she try even
harder to make him her first?
Plenty more Lexi Wood stories are on sale now! Browse them at Smashwords!
Thursday, May 25, 2017
Blueberry Brat #Dirty #Sploshing #Erotica
An excerpt from Blueberry Brat by Lexi Wood
The sign said OPEN, but the stand seemed closed. Then Karl spotted what he was looking for sunbathing on a lounger that must have been from the seventies. They didn’t make ‘em like that anymore.
But it wasn’t the chair he was interested in. It was the brat in the blue bikini, wearing sunglasses and chewing a licorice lace. He couldn’t believe the gall of this girl, lying out next to the road for every passerby to gawk at. Had she no shame?
No, of course she didn’t. That’s what brought him back to her.
Karl stood at the foot of the lounger, blocking her sun. She raised her glasses lazily, but she didn’t say a word. Just stared at him with those emerald eyes.
“Did your boyfriend buy that for you?” he asked, indicated the licorice lace.
She set her glasses back down and said, “Colin’s history. I bought this myself.”
“You sure get around.”
“I sure do.”
Karl watched the girl’s white stomach rise and fall with every breath. He wondered how she stayed so white when she worked in the sun, or at least lounged in the sun. He wondered why she wasn’t asking him what he wanted. Maybe it was obvious.
He hadn’t come back for the blueberries.
“Aren’t you afraid?” he asked. “Lying out here all alone, nearly naked?”
“Afraid of what?”
“Afraid of… anything, really.” Afraid of men, he meant, but he didn’t want her thinking she should be afraid of him in particular. She’d already called him a pervert once.
Once was enough.
He spent so long watching her breathe that his every inhale matched hers. She stopped chewing the lace and just sucked it. Her dark glasses reflected the brutal sun, so he couldn’t be sure whether she was looking at him or she had her eyes closed.
“You want more pie?” she asked.
He didn’t know how to answer that question.
Sighing, she slipped both feet over the side of her retro lounge chair and into a pink pair of flip-flops. She walked toward the whitewashed hut, swinging her narrow hips as she went. Flipping the latch on the door at the back, she turned to Karl and asked, “Your wife run off with another guy?”
“No.”
“Is she climbing Mount Kilimanjaro?”
“Hardly.”
“Is she dead?”
That question stopped Karl in his tracks, or would have done if he’d been walking.
“She’s dead?”
The way the girl said that word, so casual and yet so final, made him wonder who’d failed to teach her proper manners. “Yes, my wife has passed.”
“So your kids are orphans?”
“They’re not orphans. They have me.”
“So half-orphans.” She opened the plywood door. With the end of a licorice lace hanging out of her mouth, she said, “I’m a full orphan. Both my parents are dead.”
Karl felt strangely numbed by this admission, but he said, “I’m sorry to hear that.”
With a shrug, she said, “It’s better this way. Now it’s just me and my grandma—and my grandma doesn’t drink.”
Karl’s stomach knotted.
She stepped inside the blueberry hut.
When he didn’t follow, she stuck her head out and asked, “What are you waiting for?”
He was waiting to wake up from this strange dream.
They’d covered quite a lot of heavy territory, which weighed Karl down immensely. This girl seemed to hop over tragedy like a jump rope.
As he approached the white hut, he asked, “How can you be so cavalier about losing your parents?”
“It was a long time ago,” she said from inside.
“Even so…”
“If you had the kind of parents I had, you wouldn’t have to ask.”
When Karl arrived at the open door, his mind drew a blank. He forgot their entire conversation. All that remained was the image before him, of a naked eighteen-year-old surrounded by baked goods.
“Come in,” she said. “Close the door behind you.”
He did as he was told, though he knew no good would come of it. He crossed the threshold and stepped inside, all the while staring at the girl’s small white breasts with their soft pink peaks.
Her pussy was shaved bare, which he would have guessed after seeing her in a bikini, but she stood there like it was nothing. Like she hung out naked in the blueberry hut all the time and why was he making such a big deal about it?
She hadn’t taken off her flip-flops, and she hadn’t taken off her necklaces. The beads and feathers and strips of leather danced against her chest as she made space on one of the low shelves. Karl’s heart clenched as she jumped up on it, because he was sure it would collapse beneath her, but either the shelf was stupendously well-constructed or the girl weighed next to nothing, because she sat easily upon it, not a trace of worry on her face.
“You haven’t fucked anyone since she died.” The girl leaned against the wall, which was painted the same glossy white as the rest of the hut. Then she added, “Your wife,” as if he wouldn’t know who she was talking about.
“That’s right,” he said. “I haven’t. Haven’t even thought about it, to be honest.”
She opened her legs. “Until now.”
He nodded. “Until now.”
Her pussy lips were the most perfect shade of pink. Though the closed hut had no windows, enough light came in through gaps in the loose slats to make her juices glitter like diamonds. He’d never seen anything so alluring.
“Lick it,” she said, kicking off her flip-flops.
When he didn’t move, she walked her bare feet up his chest and pressed down on his shoulders with her heels. He let her move him down to the ground, which was the same glossy white as everything else. Felt nice and cool against his knees.
She slid her feet down his back and said, “I hope you’re good at this. There’s nothing worse than a grown man who can’t eat a pussy.”
Karl wondered if she was speaking from experience, and how much experience, but put the question out of his mind. He inhaled deeply between her legs. All he could smell was blueberries and pastry. Probably because there was an open pie sitting beside the girl and she was idly picking away at the top crust, eating it while she waited for him to begin.
“How do you stay so slim when you eat sweets all day long?”
She flatly said, “I’m eighteen. That’s how.”
At least she knew it wouldn’t last. Most girls her age didn’t realize there was a best by date on their effortless figures.
Karl extended his tongue and lovingly fed on the sweetness of this stranger’s pussy. An eighteen-year-old pussy was like nothing else in this world—not that Karl had any recent experience with young women. He was around them all the time. Taught them. Evaluated them. But he didn’t see them as potential sex partners. He was too shaken up after his loss to see anything. And, prior to that, he’d been so happily married he forgot other women existed.
Sounds impossible, but that’s how much he loved his wife. While she was alive, there was only her. His whole world was her.
And now his face was buried between the legs of an eighteen-year-old blueberry vendor. He really ought to have some feeling about that, but he didn’t. All he felt was arousal.
Wicked arousal.
Wild arousal.
He still had all his clothes on, but he was already so hard it hurt.
“What, are you hourly?” asked the brat.
“Hmm?”
“Lick my fucking cunt,” she said, over-enunciating every syllable. “I’m trying to get off, here. This isn’t charity work.”
“Sorry,” he said, and licked her clit with focused intensity.
“Better,” she said in a tone that sounded undecided. “But still not great. Try sucking it.”
Karl wrapped his lips around her perfect pink clit and sucked, but the slippery thing kept escaping from his mouth.
“Were you ever any good at this?”
He pressed his face between her legs so his cheeks touched her inner thighs. Wrapping his mouth around her bare pussy lips, he slobbered and sucked. She wiggled around on the counter, like she was looking for a better position, which meant he wasn’t pleasing her.
Picking at her pie, she said, “Oh, this is going nowhere.”
Every jeer was a challenge. He worked harder, slurping her pussy lips, sucking her clit with ever more force. He’d wanted to start slow and build up steam, but this girl was obviously looking for a cold, hard fuck.
Or, more precisely, a hot, hard mouth-fuck.
He stuck his tongue in her pussy and reamed her in and out.
“That’s just pathetic,” she said. “Get up. Get off me.”
He didn’t, and she kicked him with both feet to drive the point home.
As he gazed up at her from the floor, she slid down from the counter. She moved the pie she’d been picking at to the spot on the counter that was wet with saliva and pussy juice. Then she jumped up and sat in it.
Karl watched in awe as this sulky teen with the perfect pink pussy wiggled her butt in a blueberry pie. He didn’t know what to do or what to say or what this was all about. “Would you like me to leave?” he asked.
She gave him a stunned look, then hopped down from the counter. “If you left, who would lick all this blueberry pie from my ass?”
When she peeled the pan away, the bottom crust went with it. All that remained on her perfect porcelain skin was a slick helping of pie filling.
She leaned against the counter with her butt facing him and said, “You might want to take off your clothes. This could get messy.”
You can read the rest of this story in ebook form but I highly recommend buying my latest release Younger Women, Older Men: Scandalous Erotica, in which Blueberry Brat appears.
This anthology, which includes erotic fiction from me and Lexi, is so new it's not even technically available yet. You can purchase the paperback now (and you should!) but you'll have to wait until Friday for the digital version.
Purchase Younger Woman, Older Men in print from Amazon!
Monday, September 7, 2015
Erotic Addiction
Sacchi Green
Why write erotica? Well, my best guess as to why I do it is that I’m a short-story writer by nature, and pretty much the only markets for short stories are in the genres of erotica or science fiction/fantasy/speculative fiction (which is where I got my start, and where I still dabble from time to time.) Even my sf/f stories tended to have an erotic subtext, so when I discovered that there were markets for specifically erotic short stories I was off and running.
True as the above may be, I realize that we’ve been discussing erotica on more complex or abstract levels that have nothing to do with short stories versus novels, and raise many more questions than we can find answers for. Let’s skip over the question of “Why write fiction at all?” and move on to “Why write stories with explicit sex scenes?” Which, of course, raises further questions of how much sex a story needs to qualify as erotica, whether a story with romance gives up any claim to being erotica no matter how much sex it includes, and, more important from a literary point of view (if one cares about such things), whether the sex is “gratuitous” if the story would be complete without it.
I’m of the opinion that explicit sex is a great revealer of character and mood and is often essential to the plot or story arc, but even when it's not, it adds color and intensity. Still, as an anthology editor, I prefer erotic fiction that’s about something besides sex, which usually means that the sex itself is about something besides sex. (Outstanding writing, of course, trumps all other concerns.) I’ve edited a dozen anthologies marketed as erotica, and, while I’ll freely admit that not all of the stories would qualify as erotica rather than erotic romance to real sticklers when it comes to sexual content, I’ve never had any complaints on that score that I know of. Maybe working in the sub-niche of lesbian fiction helps—I’ve had reviewers rave about how kinky a book is when I didn’t think there was much that was all that edgy in that particular book. I guess just having LGBT themes is enough to qualify as kinky to some folks. In fact, way back when I was writing sf/f I had an editor turn down a story because it was “porn”, when there was almost no actual sex portrayed (except, apparently, in his own mind when he read it.) To be fair, these days the better sf/f publications are begging for “diversity”.
My editorial choices these days are greatly influenced by originality, maybe to the detriment of the sexual content. Okay, I’m getting jaded, and I have to remind myself to use at least a few stories (as long as they’re well-written) that will appeal to new readers who haven’t seen it all before. Fortunately I see more and more writers with originality and skill to offset the many beginners who think they should write things just like what they’ve read for free online. For Best Lesbian Erotica 2016 I’ve chosen some work more because it interested me than because I expect it to turn readers on, and I may well get complaints. One story set in a London bomb shelter during WWII takes a necessarily long time to get to the necessarily somewhat muted sex. In another, the streets of Liverpool in 1961 spawn a rock band of rebels, with a whole lot more story than sex, but what there is, is choice. Then we have Miss Scarlet from Clue hustling a female cop in the New York subway system, also with a great deal of story before getting down to fucking. Outstanding stories, as are the rest, and sexy. But a few may be erotica mostly because I say they are. (Well, the Miss Scarlet one is reprint, so clearly others accept it as erotica, too, and it's had rave reviews.)
Looking at things from the “gratuitous” point of view, some of the pieces I chose would be excellent as stories without the sex being as explicit, but the sex makes them even better. I don’t have final approval yet from the new Cleis publisher, and I have no way yet to judge her taste, or that of the new owners, so the contents may change. That’s the way it goes. The ground, as the other bloggers here have pointed out, is shifting under our feet.
I’ll probably keep on writing and editing stories that pass as erotica, whether or not they sell much, but now I’m wondering how much of my own writing would be just as well off without the explicit sex. Here’s an experiment. My piece “The Outside Edge”, an Olympic figure skating story, was published in my first anthology for Cleis Press, Girl Crazy, and reprinted in Best Lesbian Romance 2010 after some debate about whether it might be too erotic for romance. It’s heavy on the story aspect, so I’m wondering if the actual sex scenes are essential, or gratuitous. I’ve posted some of them here before, and probably linked to the whole story, but I’ll repeat myself now, with just a taste and then a link to the whole story, free on my personal blog. It occurs to me now that I should have used a different example, but it’s too late, and I’m too tired.
Here’s the taste, by no means the only sex scene. Try skipping the parts in brackets. Does the story make just as much sense? Is it better with or without the sex?
__________
Medaling as a long shot had condemned me to a TV interview. The reporter kept her comments to the usual inanities, except for a somewhat suggestive, “That was quite some program!”
“If you liked that, don’t miss the exhibition tomorrow,” I said to her, and to whatever segment of the world watches these things. When I added that I was quitting competition to pursue my own “artistic goals,” she flashed her white teeth and wished me luck, and then, microphone set aside and camera off, leaned close for a moment to lay a hand on my arm. “Nice costume, but I’ll bet you’ll be glad to get it off.”
Suli was right on it, her own sharp teeth flashing and her long nails digging into my sleeve. The reporter snatched her hand back just in time. “Don’t worry,” Suli purred, “I’ve got all that covered.”
Don’t expose yourself like that! Don’t let me drag you down! But I couldn’t say it, and I knew Suli was in no mood to listen.
I was too tired, anyway, wanting nothing more than to strip off the unitard and never squirm into one again, but Suli wouldn’t let me change in the locker room. Once I saw the gleam of metal she flashed in her open shoulder bag—so much for security at the Games!—I followed her out and back to our room with no regret for the parties we were missing.
The instant the door clicked shut behind us she had the knife all the way out of its leather sheath. “Take off that medal,” she growled, doing a knockout job of sounding menacing. “The rest is mine.”
I set the bronze medal on the bedside table, flopped backward onto the bed, and spread my arms and legs wide. “Use it or lose it,” I said, then gasped at the touch of the hilt against my throat.
“Don’t move,” she ordered, crouching over me, her hair brushing my chest. I lay frozen, not a muscle twitching, although my flesh shrank reflexively from the cold blade when she sat back on her haunches and slit the stretchy unitard at the juncture of thigh and crotch.
[[[“Been sweating, haven’t we,” she crooned, slicing away until the fabric gaped like a hungry mouth, showing my skin pale beneath. “But it’s not all sweat, is it?” Her cool hand slid inside to fondle my slippery folds. It certainly wasn’t all sweat.
Her moves were a blend of ritual and raw sex. The steel flat against my inner thigh sent tongues of icy flame stabbing deep into my cunt.]]]
The keen edge drawn along my belly and breastbone seemed to split my old body and release a new one, though only a few light pricks drew blood. The rip of the fabric parting under Suli’s knife and hands and, eventually, teeth, was like the rending of bonds that had confined me all my life.
[[[Then Suli’s warm mouth captured my clit. The trancelike ritual vanished abruptly in a fierce, urgent wave of right here, right now, right NOW NOW NO-O-W-W-W-W! Followed, with hardly a pause to recharge, by further waves impelled by her teasing tongue and penetrating fingers until I was completely out of breath and wrung out.
“I thought I was supposed to be storing up energy,” I told her, when I could talk at all.
“Jude, you’re pumping out enough pheromones to melt ice,” Suli said, “and I’m not ice!”
It turned out that I wasn’t all that wrung out, after all, and if I couldn’t talk, it was only because Suli was straddling my face, and my mouth was most gloriously, and busily, full.]]]
The chill kiss of the blade lingered on my skin the next day, along with the heat of Suli’s touch.
__________
After trying the test myself, I have to finally admit why I write erotica. I'm addicted. I write it because I love to do it. Because that’s what I write, where my characters want me to take them, what makes the writing worthwhile, and maybe, just once in awhile, makes the prose sing, even if I’m the only one who can hear the music.
But I still haven’t learned what constitutes dirty erotica, much less filthy, and they say that’s what sells these days.
For the entire story “The Outside Edge”: http://sacchi-green.blogspot.com/2014/02/free-lesbian-ice-skating-erotica.html
Why write erotica? Well, my best guess as to why I do it is that I’m a short-story writer by nature, and pretty much the only markets for short stories are in the genres of erotica or science fiction/fantasy/speculative fiction (which is where I got my start, and where I still dabble from time to time.) Even my sf/f stories tended to have an erotic subtext, so when I discovered that there were markets for specifically erotic short stories I was off and running.
True as the above may be, I realize that we’ve been discussing erotica on more complex or abstract levels that have nothing to do with short stories versus novels, and raise many more questions than we can find answers for. Let’s skip over the question of “Why write fiction at all?” and move on to “Why write stories with explicit sex scenes?” Which, of course, raises further questions of how much sex a story needs to qualify as erotica, whether a story with romance gives up any claim to being erotica no matter how much sex it includes, and, more important from a literary point of view (if one cares about such things), whether the sex is “gratuitous” if the story would be complete without it.
I’m of the opinion that explicit sex is a great revealer of character and mood and is often essential to the plot or story arc, but even when it's not, it adds color and intensity. Still, as an anthology editor, I prefer erotic fiction that’s about something besides sex, which usually means that the sex itself is about something besides sex. (Outstanding writing, of course, trumps all other concerns.) I’ve edited a dozen anthologies marketed as erotica, and, while I’ll freely admit that not all of the stories would qualify as erotica rather than erotic romance to real sticklers when it comes to sexual content, I’ve never had any complaints on that score that I know of. Maybe working in the sub-niche of lesbian fiction helps—I’ve had reviewers rave about how kinky a book is when I didn’t think there was much that was all that edgy in that particular book. I guess just having LGBT themes is enough to qualify as kinky to some folks. In fact, way back when I was writing sf/f I had an editor turn down a story because it was “porn”, when there was almost no actual sex portrayed (except, apparently, in his own mind when he read it.) To be fair, these days the better sf/f publications are begging for “diversity”.
My editorial choices these days are greatly influenced by originality, maybe to the detriment of the sexual content. Okay, I’m getting jaded, and I have to remind myself to use at least a few stories (as long as they’re well-written) that will appeal to new readers who haven’t seen it all before. Fortunately I see more and more writers with originality and skill to offset the many beginners who think they should write things just like what they’ve read for free online. For Best Lesbian Erotica 2016 I’ve chosen some work more because it interested me than because I expect it to turn readers on, and I may well get complaints. One story set in a London bomb shelter during WWII takes a necessarily long time to get to the necessarily somewhat muted sex. In another, the streets of Liverpool in 1961 spawn a rock band of rebels, with a whole lot more story than sex, but what there is, is choice. Then we have Miss Scarlet from Clue hustling a female cop in the New York subway system, also with a great deal of story before getting down to fucking. Outstanding stories, as are the rest, and sexy. But a few may be erotica mostly because I say they are. (Well, the Miss Scarlet one is reprint, so clearly others accept it as erotica, too, and it's had rave reviews.)
Looking at things from the “gratuitous” point of view, some of the pieces I chose would be excellent as stories without the sex being as explicit, but the sex makes them even better. I don’t have final approval yet from the new Cleis publisher, and I have no way yet to judge her taste, or that of the new owners, so the contents may change. That’s the way it goes. The ground, as the other bloggers here have pointed out, is shifting under our feet.
I’ll probably keep on writing and editing stories that pass as erotica, whether or not they sell much, but now I’m wondering how much of my own writing would be just as well off without the explicit sex. Here’s an experiment. My piece “The Outside Edge”, an Olympic figure skating story, was published in my first anthology for Cleis Press, Girl Crazy, and reprinted in Best Lesbian Romance 2010 after some debate about whether it might be too erotic for romance. It’s heavy on the story aspect, so I’m wondering if the actual sex scenes are essential, or gratuitous. I’ve posted some of them here before, and probably linked to the whole story, but I’ll repeat myself now, with just a taste and then a link to the whole story, free on my personal blog. It occurs to me now that I should have used a different example, but it’s too late, and I’m too tired.
Here’s the taste, by no means the only sex scene. Try skipping the parts in brackets. Does the story make just as much sense? Is it better with or without the sex?
__________
Medaling as a long shot had condemned me to a TV interview. The reporter kept her comments to the usual inanities, except for a somewhat suggestive, “That was quite some program!”
“If you liked that, don’t miss the exhibition tomorrow,” I said to her, and to whatever segment of the world watches these things. When I added that I was quitting competition to pursue my own “artistic goals,” she flashed her white teeth and wished me luck, and then, microphone set aside and camera off, leaned close for a moment to lay a hand on my arm. “Nice costume, but I’ll bet you’ll be glad to get it off.”
Suli was right on it, her own sharp teeth flashing and her long nails digging into my sleeve. The reporter snatched her hand back just in time. “Don’t worry,” Suli purred, “I’ve got all that covered.”
Don’t expose yourself like that! Don’t let me drag you down! But I couldn’t say it, and I knew Suli was in no mood to listen.
I was too tired, anyway, wanting nothing more than to strip off the unitard and never squirm into one again, but Suli wouldn’t let me change in the locker room. Once I saw the gleam of metal she flashed in her open shoulder bag—so much for security at the Games!—I followed her out and back to our room with no regret for the parties we were missing.
The instant the door clicked shut behind us she had the knife all the way out of its leather sheath. “Take off that medal,” she growled, doing a knockout job of sounding menacing. “The rest is mine.”
I set the bronze medal on the bedside table, flopped backward onto the bed, and spread my arms and legs wide. “Use it or lose it,” I said, then gasped at the touch of the hilt against my throat.
“Don’t move,” she ordered, crouching over me, her hair brushing my chest. I lay frozen, not a muscle twitching, although my flesh shrank reflexively from the cold blade when she sat back on her haunches and slit the stretchy unitard at the juncture of thigh and crotch.
[[[“Been sweating, haven’t we,” she crooned, slicing away until the fabric gaped like a hungry mouth, showing my skin pale beneath. “But it’s not all sweat, is it?” Her cool hand slid inside to fondle my slippery folds. It certainly wasn’t all sweat.
Her moves were a blend of ritual and raw sex. The steel flat against my inner thigh sent tongues of icy flame stabbing deep into my cunt.]]]
The keen edge drawn along my belly and breastbone seemed to split my old body and release a new one, though only a few light pricks drew blood. The rip of the fabric parting under Suli’s knife and hands and, eventually, teeth, was like the rending of bonds that had confined me all my life.
[[[Then Suli’s warm mouth captured my clit. The trancelike ritual vanished abruptly in a fierce, urgent wave of right here, right now, right NOW NOW NO-O-W-W-W-W! Followed, with hardly a pause to recharge, by further waves impelled by her teasing tongue and penetrating fingers until I was completely out of breath and wrung out.
“I thought I was supposed to be storing up energy,” I told her, when I could talk at all.
“Jude, you’re pumping out enough pheromones to melt ice,” Suli said, “and I’m not ice!”
It turned out that I wasn’t all that wrung out, after all, and if I couldn’t talk, it was only because Suli was straddling my face, and my mouth was most gloriously, and busily, full.]]]
The chill kiss of the blade lingered on my skin the next day, along with the heat of Suli’s touch.
__________
After trying the test myself, I have to finally admit why I write erotica. I'm addicted. I write it because I love to do it. Because that’s what I write, where my characters want me to take them, what makes the writing worthwhile, and maybe, just once in awhile, makes the prose sing, even if I’m the only one who can hear the music.
But I still haven’t learned what constitutes dirty erotica, much less filthy, and they say that’s what sells these days.
For the entire story “The Outside Edge”: http://sacchi-green.blogspot.com/2014/02/free-lesbian-ice-skating-erotica.html
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