Showing posts with label splosh. Show all posts
Showing posts with label splosh. Show all posts

Thursday, May 25, 2017

Blueberry Brat #Dirty #Sploshing #Erotica

https://www.smashwords.com/books/view/592916?ref=GiselleRenardeErotica

An excerpt from Blueberry Brat by Lexi Wood


The sign said OPEN, but the stand seemed closed. Then Karl spotted what he was looking for sunbathing on a lounger that must have been from the seventies. They didn’t make ‘em like that anymore.

But it wasn’t the chair he was interested in. It was the brat in the blue bikini, wearing sunglasses and chewing a licorice lace. He couldn’t believe the gall of this girl, lying out next to the road for every passerby to gawk at. Had she no shame?

No, of course she didn’t. That’s what brought him back to her.

Karl stood at the foot of the lounger, blocking her sun. She raised her glasses lazily, but she didn’t say a word. Just stared at him with those emerald eyes.

“Did your boyfriend buy that for you?” he asked, indicated the licorice lace.

She set her glasses back down and said, “Colin’s history. I bought this myself.”

“You sure get around.”

“I sure do.”

Karl watched the girl’s white stomach rise and fall with every breath. He wondered how she stayed so white when she worked in the sun, or at least lounged in the sun. He wondered why she wasn’t asking him what he wanted. Maybe it was obvious.

He hadn’t come back for the blueberries.

“Aren’t you afraid?” he asked. “Lying out here all alone, nearly naked?”

“Afraid of what?”

“Afraid of… anything, really.” Afraid of men, he meant, but he didn’t want her thinking she should be afraid of him in particular. She’d already called him a pervert once.

Once was enough.

He spent so long watching her breathe that his every inhale matched hers. She stopped chewing the lace and just sucked it. Her dark glasses reflected the brutal sun, so he couldn’t be sure whether she was looking at him or she had her eyes closed.

“You want more pie?” she asked.

He didn’t know how to answer that question.

Sighing, she slipped both feet over the side of her retro lounge chair and into a pink pair of flip-flops. She walked toward the whitewashed hut, swinging her narrow hips as she went. Flipping the latch on the door at the back, she turned to Karl and asked, “Your wife run off with another guy?”

“No.”

“Is she climbing Mount Kilimanjaro?”

“Hardly.”

“Is she dead?”

That question stopped Karl in his tracks, or would have done if he’d been walking.

“She’s dead?”

The way the girl said that word, so casual and yet so final, made him wonder who’d failed to teach her proper manners. “Yes, my wife has passed.”

“So your kids are orphans?”

“They’re not orphans. They have me.”

“So half-orphans.” She opened the plywood door. With the end of a licorice lace hanging out of her mouth, she said, “I’m a full orphan. Both my parents are dead.”

Karl felt strangely numbed by this admission, but he said, “I’m sorry to hear that.”
With a shrug, she said, “It’s better this way. Now it’s just me and my grandma—and my grandma doesn’t drink.”

Karl’s stomach knotted.

She stepped inside the blueberry hut.

When he didn’t follow, she stuck her head out and asked, “What are you waiting for?”

He was waiting to wake up from this strange dream.

They’d covered quite a lot of heavy territory, which weighed Karl down immensely. This girl seemed to hop over tragedy like a jump rope.

As he approached the white hut, he asked, “How can you be so cavalier about losing your parents?”

“It was a long time ago,” she said from inside.

“Even so…”

“If you had the kind of parents I had, you wouldn’t have to ask.”

When Karl arrived at the open door, his mind drew a blank. He forgot their entire conversation. All that remained was the image before him, of a naked eighteen-year-old surrounded by baked goods.

“Come in,” she said. “Close the door behind you.”

He did as he was told, though he knew no good would come of it. He crossed the threshold and stepped inside, all the while staring at the girl’s small white breasts with their soft pink peaks.

Her pussy was shaved bare, which he would have guessed after seeing her in a bikini, but she stood there like it was nothing. Like she hung out naked in the blueberry hut all the time and why was he making such a big deal about it?

She hadn’t taken off her flip-flops, and she hadn’t taken off her necklaces. The beads and feathers and strips of leather danced against her chest as she made space on one of the low shelves. Karl’s heart clenched as she jumped up on it, because he was sure it would collapse beneath her, but either the shelf was stupendously well-constructed or the girl weighed next to nothing, because she sat easily upon it, not a trace of worry on her face.

“You haven’t fucked anyone since she died.” The girl leaned against the wall, which was painted the same glossy white as the rest of the hut. Then she added, “Your wife,” as if he wouldn’t know who she was talking about.

“That’s right,” he said. “I haven’t. Haven’t even thought about it, to be honest.”

She opened her legs. “Until now.”

He nodded. “Until now.”

Her pussy lips were the most perfect shade of pink. Though the closed hut had no windows, enough light came in through gaps in the loose slats to make her juices glitter like diamonds. He’d never seen anything so alluring.

“Lick it,” she said, kicking off her flip-flops.

When he didn’t move, she walked her bare feet up his chest and pressed down on his shoulders with her heels. He let her move him down to the ground, which was the same glossy white as everything else. Felt nice and cool against his knees.

She slid her feet down his back and said, “I hope you’re good at this. There’s nothing worse than a grown man who can’t eat a pussy.”

Karl wondered if she was speaking from experience, and how much experience, but put the question out of his mind. He inhaled deeply between her legs. All he could smell was blueberries and pastry. Probably because there was an open pie sitting beside the girl and she was idly picking away at the top crust, eating it while she waited for him to begin.

“How do you stay so slim when you eat sweets all day long?”

She flatly said, “I’m eighteen. That’s how.”

At least she knew it wouldn’t last. Most girls her age didn’t realize there was a best by date on their effortless figures.

Karl extended his tongue and lovingly fed on the sweetness of this stranger’s pussy. An eighteen-year-old pussy was like nothing else in this world—not that Karl had any recent experience with young women. He was around them all the time. Taught them. Evaluated them. But he didn’t see them as potential sex partners. He was too shaken up after his loss to see anything. And, prior to that, he’d been so happily married he forgot other women existed.

Sounds impossible, but that’s how much he loved his wife. While she was alive, there was only her. His whole world was her.

And now his face was buried between the legs of an eighteen-year-old blueberry vendor. He really ought to have some feeling about that, but he didn’t. All he felt was arousal.

Wicked arousal.

Wild arousal.

He still had all his clothes on, but he was already so hard it hurt.

“What, are you hourly?” asked the brat.

“Hmm?”

“Lick my fucking cunt,” she said, over-enunciating every syllable. “I’m trying to get off, here. This isn’t charity work.”

“Sorry,” he said, and licked her clit with focused intensity.

“Better,” she said in a tone that sounded undecided. “But still not great. Try sucking it.”

Karl wrapped his lips around her perfect pink clit and sucked, but the slippery thing kept escaping from his mouth.

“Were you ever any good at this?”

He pressed his face between her legs so his cheeks touched her inner thighs. Wrapping his mouth around her bare pussy lips, he slobbered and sucked. She wiggled around on the counter, like she was looking for a better position, which meant he wasn’t pleasing her.
Picking at her pie, she said, “Oh, this is going nowhere.”

Every jeer was a challenge. He worked harder, slurping her pussy lips, sucking her clit with ever more force. He’d wanted to start slow and build up steam, but this girl was obviously looking for a cold, hard fuck.

Or, more precisely, a hot, hard mouth-fuck.

He stuck his tongue in her pussy and reamed her in and out.

“That’s just pathetic,” she said. “Get up. Get off me.”

He didn’t, and she kicked him with both feet to drive the point home.

As he gazed up at her from the floor, she slid down from the counter. She moved the pie she’d been picking at to the spot on the counter that was wet with saliva and pussy juice. Then she jumped up and sat in it.

Karl watched in awe as this sulky teen with the perfect pink pussy wiggled her butt in a blueberry pie. He didn’t know what to do or what to say or what this was all about. “Would you like me to leave?” he asked.

She gave him a stunned look, then hopped down from the counter. “If you left, who would lick all this blueberry pie from my ass?”

When she peeled the pan away, the bottom crust went with it. All that remained on her perfect porcelain skin was a slick helping of pie filling.

She leaned against the counter with her butt facing him and said, “You might want to take off your clothes. This could get messy.”

https://www.amazon.com/Younger-Women-Older-Men-Scandalous/dp/1546844597?tag=dondes-20
You can read the rest of this story in ebook form but I highly recommend buying my latest release Younger Women, Older Men: Scandalous Erotica, in which Blueberry Brat appears. 

This anthology, which includes erotic fiction from me and Lexi, is so new it's not even technically available yet.  You can purchase the paperback now (and you should!) but you'll have to wait until Friday for the digital version.

Purchase Younger Woman, Older Men in print from Amazon! 


Friday, October 21, 2016

Aboveground Filth

by Jean Roberta

According to the Urban Dictionary, “splosh” as a sexual fetish means this:

Noun: a sexual/sensual food party, in which participants cover each other in foods of different tastes, textures, and temperatures. Eating the food off each other is optional. Nudity and sexual interactions often follow. Other common usages are the present verb splosh and the present participle verb form sploshing.

"We were at this sploshing party and my friend got covered in chocolate sauce and whipped cream, then they had her sit on a birthday cake! She really loved it!"

Remember my discussion of drama in my previous post on the meaning of “obscene?” Even though, it seems, I was wrong about any connection between “scene” and “obscene,” conceptions of sexual “filth” have a lot to do with what can be shown or acted-out, and what else can only be imagined--although religious authorities have tried to censor that too.

When I first read about “splosh,” I realized that a splosh scene seems to require more than two people. To be as sploshy as possible, the scene should include an audience as well as several participants. It also seems to require the kind of room that could accommodate mud-wrestling: a place for that purpose, which is easily cleaned up, since food that isn’t eaten quickly becomes garbage. The sploshers would also need to be cleaned up later, which could be part of the fun: a group scene in the shower, then possibly the hot-tub.

I don’t really believe in a sexual subconscious which is impervious to cultural influence. Just as BDSM uses props and scenarios from disciplinary practices that were once fairly public and non-consensual (bondage and whipping in various institutions, including “mental asylums,” presumably done for the good of the victims as well as the observers), splosh has to come from somewhere in the culture at large. My guess would be that sploshing is fun because it allows adults to feel like messy kids who have escaped from their parents or nannies for the day. For a toddler, making a mess often means breaking parental rules. For an adult, having sex, especially in a public place—or representing it in publicly-available stories, films, artwork and performances--often means breaking cultural rules which are sometimes enforced by law.

There is a certain splosh tradition in comic theatre. Does anyone still remember TV programs starring the Three Stooges? They were three childlike men who were always making messes, and someone usually got a pie in the face. There is also the tradition of the “spit-take:” the reaction of someone with a mouth full of liquid to surprising news. (Example: when Sheldon Cooper on the TV show Big Bang Theory tells Penny that he and his friend Amy plan to have a baby someday so the world can benefit from their combined brilliance, Penny spews her coffee.)

While mainstream American comedy doesn’t explicitly associate making a mess with body fluids on the sheets (or wherever), there are sex-comedy traditions in other cultures. As Willsin mentioned, different cultures have different concepts of what shouldn’t be shown. The British tradition of the Christmas pantomime, advertised as “family” entertainment, usually includes double-entendres that are supposedly over the heads of children, plus a male actor in exaggerated drag, and various pratfalls.

Although I imagine real-life splosh scenes as sexual versions of pie-in-the-face comedy, when I tried writing a scene like this, I imagined a depressed person surrounded by the crumbs of take-out pizza, wearing the same clothes every day because she lacks the energy to either wash them or choose a different outfit. I imagined this person as female. Thus was born the fate-battered Ariadne, a modern-day descendant of a character in a Greek tragedy who is cast, at first against her will, in a comedy. Here is the opening scene:

"Let me in, girlfriend."

The sound of Zoe's voice assaulted Ariadne's ears where she sat in the funk of her misery. Dirty dishes covered her tables and counters, pungent clothing littered her floor. Her curtains were closed, leaving the apartment in perpetual gloom. "Go away."

"Come on, baby. I know you're not feeling good, but there is life after a breakup, you know? We've all gone through it. You need company." Silence. "Ari, come on. I don't want to stand here talking to you through the door. Do you want all your neighbors to hear this?"

A dark, swollen eye appeared at the peephole, then the thin wooden door was yanked open. Ariadne Megalopolous blocked the entrance, taking up space out of proportion to her girlish, fine-boned, high-breasted body. The smell of her sweat and her contempt for the world confronted the brisk assertiveness of her friend Zoe, who stepped back before she could stop herself.

Ariadne sneered like a damned soul, her white face framed in greasy black hair. She held onto the doorframe, slouching in a T-shirt and a pair of jeans so old and dirty that they held the shape of her ass and thighs even when she wasn't in them. Her presence was so intense that Zoe felt it in her clit.

Ariadne filled the silence. "What are you, Zoe, human Prozac? If you think you know how I'm supposed to feel, then fuck you."

For an instant, Zoe heard her say, "Fuck me." What a pleasure that would be.

“Okay, you wanta be a good Samaritan, you can come in and wash my – Jesus.” Ariadne had stepped far enough into the hallway to see Carter lurking a few feet away from Zoe.

Suzanne Carter, who preferred to be known by her last name, was wiry and wily. As an employee of Child Protection Services, she took bewildered, mistreated children away from their violent or distraught parents after warning the adults of the legal consequences of their behavior. Carter dreamed of being a secret agent for the federal government.

Carter grabbed Ariadne by the arm before she could slam the door on her two friends.

Zoe tried to soothe her with words. “Ari! We’re concerned about you. We just want to—“

“Help me get her inside,” grunted Carter.


As you might guess, Zoe and Carter (who both work as social workers, in different departments) play a good cop/bad cop routine with Ariadne, who gets cleaned up and sexually stimulated by her two friends. As you might know, the Ariadne in Greek mythology is able to find her way out of a maze with a monster in the centre by following a thread. In my story, “Ariadne’s Thread,” physical pleasure is the thread that leads Ariadne out of the maze of grief, pain, cynicism, and self-contempt. And she cleans up well.

Unfortunately, I don’t think this story is publicly available any more. It appeared first on the illustrated website “Ruthie’s Club” (now long-gone), then in my single-author collection, Each Has a Point, published by Love You Divine/Alterotica in 2011 before the company folded. When so many small companies in this business are unable to survive, who needs censorship?

Friday, June 7, 2013

Against Fate

by Jean Roberta

Ancient Greek tragedy has fascinated me since I was in elementary school, and I’ve often wondered if its basic premises are true for all times and places. The audience can see that the central characters are doomed, but they don’t see the writing on the wall (or hear the wailing chorus – strange, that) until it’s too late for them to undo whatever act of hubris set the plot in motion. The ultimate hubris (an almost untranslatable word meaning arrogance and self-trickery) is to think you can outwit the gods, or fate, or the Way Things Are. Yet this delusion keeps the characters going until they crash to the ground, get walled up in a cave, or get stabbed or strangled by an angry relative. (The Big Three tragedians--Aeschylus, Euripides and Sophocles—showed the world how dysfunctional a family could be. No matter how much dysfunction is attributed to “modern life,” these guys still cast a long shadow over modern literature.)

Believing that you’re going to wake up, day after day, in good health and with good things waiting for you, is hubris. But if you didn’t have it, you probably wouldn’t want to wake up at all. The hubris sets up a contrast with the tragic ending. Without that contrast, there would be no plot, and no point.

So if a hope of happiness, or an unjustified sense that one is entitled to be happy, is an essential element in any story, a Happy For Now ending seems reasonable to me. It's not the ending of a life, just the ending of an episode.

When I began writing stories about lesbian life, the Happy For Now ending seemed like the perfect compromise between grim realism and the unconvincing Happy Ever After ending of a traditional romance. A formula ending that promises happiness until death seems to me like a sign on the front door of the newlyweds’ house that says: “Don’t ask. You don’t really want to know what happened after the honeymoon.”

When I began dating women, of course I hoped this lifestyle would be better than the place I came from, where men could erupt into rage at any time for no logical reason, and where a fair deal was hard to find.

Like many other newcomers in sexually-defined communities, I was taken aback by the conflict, rivalry and dishonesty in it. In short, I found that people have human flaws however they define themselves. The raw truth seemed to be that: 1) everyone is essentially alone, and hooking up with another person, for a night or for 50 years, doesn’t change that, and 2) long-term proximity doesn’t necessarily enable two individuals to understand each other.

There are also specific disadvantages to living in the social margins. If you’re fishing for a date in a relatively small pond, you have fewer choices than you would in the ocean of the social mainstream. And if you’re a woman supporting a child alone, your date is not likely to have a better income than yours, or a great interest in co-parenting.

But I was not resigned to giving up hope.

While thinking about my next lesbian erotic story, I read about a sub-genre of erotic fiction (and a sexual sub-community) called “splosh.” It’s about the thrill of wallowing in messy substances, or pouring them on your sweetie. Splosh! Here’s a pie in the face. Splosh! Here’s a spray of cold water to wash it off you. Sploshing seemed like a perfect metaphor for the messiness of life.

In my story, “Ariadne’s Thread,” Ariadne is a young woman living in the modern world, but she is a doomed character from Greek tragedy. Instead of being accompanied by a chorus chanting “Woe!” she is rescued by two friends who are determined to change her luck, her outlook and her mood. I was determined to give Ariadne a “Happy For Now” ending, dammit.
-----------------------

"Let me in, girlfriend."

The sound of Zoe's voice assaulted Ariadne's ears where she sat in the funk of her misery. Dirty dishes covered her tables and counters, pungent clothing littered her floor. Her curtains were closed, leaving the apartment in perpetual gloom. "Go away."

"Come on, baby. I know you're not feeling good, but there is life after a breakup, you know? We've all gone through it. You need company." Silence. "Ari, come on. I don't want to stand here talking to you through the door. Do you want all your neighbors to hear this?"

A dark, swollen eye appeared at the peephole, then the thin wooden door was yanked open. Ariadne Megalopolous blocked the entrance, taking up space out of proportion to her girlish, fine-boned, high-breasted body. The smell of her sweat and her contempt for the world confronted the brisk assertiveness of her friend Zoe, who stepped back before she could stop herself.

Ariadne sneered like a damned soul, her white face framed in greasy black hair. She held onto the doorframe, slouching in a T-shirt and a pair of jeans so old and dirty that they held the shape of her ass and thighs even when she wasn't in them. Her presence was so intense that Zoe felt it in her clit.

Ariadne filled the silence. "What are you, Zoe, human Prozac? If you think you know how I'm supposed to feel, then fuck you."

For an instant, Zoe heard her say, "Fuck me." What a pleasure that would be.

“Okay, you wanta be a good Samaritan, you can come in and wash my – Jesus.” Ariadne had stepped far enough into the hallway to see Carter lurking a few feet away from Zoe.

Suzanne Carter, who preferred to be known by her last name, was wiry and wily. As an employee of Child Protection Services, she took bewildered, mistreated children away from their violent or distraught parents after warning the adults of the legal consequences of their behavior. Carter dreamed of being a secret agent for the federal government.

Carter grabbed Ariadne by the arm before she could slam the door on her two friends.
Zoe tried to soothe her with words. “Ari! We’re concerned about you. We just want to—“

“Help me get her inside,” grunted Carter.

Zoe worked for the Department of Social Services, like Carter, but in a milder role. She specialized in job-readiness counseling.

Ariadne saw through the good-cop/bad-cop act. “Fuckin’ Christ!” She made no effort to control her volume. “You two dykes are a fuckin’ joke! What is this, a scene for World’s Worst Videos?” She wasted so much energy expressing herself verbally that Carter had no trouble forcing her back into her apartment. This didn’t prevent Carter from glaring at Zoe for awkwardly trailing behind and closing the door quietly instead of helping to restrain the prisoner.

Carter’s pale, spiky hair seemed to bristle more than usual. It was naturally blonde, and Carter tried to compensate for the baby-chick color by keeping it short and artificially stiff. Zoe suspected her of using starch.

“What the hell do you want?” Ariadne was still hostile, but quieter.

Carter loosened her grip, and slid a hand up to Ariadne’s chin. “Why didn’t you answer your phone for a week, Ari? Don’t you think anyone cares what happens to you?”

Ariadne backed away. She seemed to be wondering whether anyone in the world could actually worry about her. “You didn’t have to spaz out. You knew Denny dumped me so she could be with whatsername. Everyone knows everything in this community. There’s no flippin mystery here, okay? That’s why the fuck I didn’t answer my phone.”

Ariadne still gave off a dull-red glow, but Zoe could feel her exhaustion. Zoe offered traditional advice. “You can forget her, Ari. Denny didn’t deserve you. You’ll find someone better.”

Ariadne fended off a hug by pushing Zoe’s hands away. She looked like a cornered animal. “You can go to hell, both of you.”

“Hey!” Carter objected.

Ariadne wasn’t finished. “Damn social workers get all your lines out of a book. I’m not gonna find someone better. You know that damn well.”

Something in the air chilled Zoe to the bone. It was the presence of death, lured in by the despair that lingered in the smell of stale food and body odor.

Zoe had watched the luck drain out of Ariadne’s life, one event at a time, for the past seven years. She had had to drop out of university due to lack of funds and lack of credit. She had found a good job at an advertising agency, but a volatile male boss had first groped her and then ridiculed her ideas until she quit. Her mother had died and her father had moved his girlfriend into the house a few days after the funeral.

A series of alcoholic girlfriends had wrecked or taken all of Ariadne’s most treasured belongings, including her car, her good-luck stone and her grandmother’s earrings. She had given notice on her apartment after accepting Denny’s invitation to move in with her, then Denny had changed her mind after a one-night bar hookup with someone else.

Like her namesake in Greek mythology, Ariadne seemed to be lost in a maze with a monster at its center, and no one had given her a thread to guide her back to the open air.

“Just leave me alone,” she said. The dark eyes in her puffy face said something else.

“We can’t do that,” Carter told her, unconsciously imitating the coolly-dangerous voice of a cop in a crime show on prime-time. “A stupid little thing like you can’t be trusted alone.” Carter seized her by both arms from behind as though she were planning to handcuff her. Ariadne’s T-shirt was pulled against her small, perky breasts and her hips bucked provokingly.

Zoe was appalled at Carter and herself.

Carter looked at her like a conspirator. She kept speaking to Ariadne. “Besides, if you can’t find anyone better than Denny, you’d be lucky if we do you a favor. Everyone knows everything in our community, honey, and we’ve heard all about you. We know what a greedy little pig you are, and you have nothing to lose.”

Ariadne looked at Zoe in disbelief. “Oh please. You’re not going to try cheering me up by fucking me.” It was more of a question than a statement.

The heat of evil joy spread through Zoe. “She said please,” she told Carter. “We both heard her.”
-------------------------------

And thus begins a three-way orgy in which Zoe and Carter make Ariadne dirtier in every sense so they will then have a reason to wash her clean. Ariadne reaches catharsis (another ancient Greek concept) and Zoe, the witness, is moved. Here is the conclusion:
-------------------------------

Carter looked more shaken than Zoe had ever seen her. The two conspirators formed a pungent sandwich with Ariadne as the filling, and they kept her balanced between them.

The three women swayed together, slipping against each other. Zoe wondered if they had fucked open a new crack in the universe, a way out of no way. She felt as if they had all fought a monster, and it made her love the other two like crazy.

Zoe knew there was plenty of time for them to clean up the mess and continue their game, or vice versa. She could hardly wait to offer her own ecstasy, an explosion out of her skin, to whatever gods might be watching.
--------------------------------

This story is in my e-collection, Each Has a Point, by publisher Love Your Divine/Alterotica, which will be closing soon because the owner has health problems that no one should have to cope with. But there it is: life (and more specifically, the U.S. health care system) often sucks.

I know that happiness and success are both against the odds. But sometimes I manage to give my characters a little satisfaction as a consolation prize. Sometimes defying the gods just feels too good to resist.

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