by Amanda Earl
EROTICA
"A Matter of Possession" by G.C. Scott is my
current wank book. Scott's "Travels with a Whip" is one of the most diddle-worthy
books in my smut collection. A woman en route to a kinky ranch for a vacation
is kidnapped (albeit consensually, sort of), tied up, naked & helpless to
resist various pleasures heaped upon her & of course, the taste of the
whip. "A Matter of Possession" about a woman with a desperate need to be restrained who finds what she's looking for in the form of a few kinky and in one case dangerous lovers was overly bondage heavy for my tastes
at the start but moved into more classic power play, so I'm getting my rocks
off. For those who enjoy scenes of self-bondage and F/f in particular, this
book should prove to be a clit tingler/prick stiffener. I am turned on by power
dynamic scenarios not bondage or corporal punishment per se. I prefer D/s fiction where the submissive is
powerful but yields out of choice and desire, rather than because said
submissive is a doormat who would kneel for any dom with a commanding manner. And G.C. Scott, who has written numerous D/s novels, depicts power play in exactly the way I enjoy.
I recently read Lisabet Sarai's "Incognito," which
presents a cornucopia of debauchery through the character of Miranda/Randy and
is also a delightful homage to Victorian erotica. This book was clever &
sexy as hell, something I've come to expect from Sarai, who aside from being our OGG maven, is also a damn fine erotica writer.
I just started a book by another one of our OGGers, Lily Harlem. "Hired" is the first novel in her "Hot Ice" series. Some very steamy sexy and compelling characters. Must be the Canadian in me, I have a total thing for hockey players.
ROMANCE
Just finished Luanne Rice's first novel, "Angels All Over Town," which was written in 1985 and re released in 2006 [I suspect
with a bit of updating as some of the references were 21st C]. I don't read
romance novels too often these days, but I used to read a lot of Rice's books
when I was in my twenties, along with the novels of Maeve Binchy and Rosamunde
Pilcher because their novels allowed me to get lost in the stories for a short
while and at that time in my life, I desperately needed to get lost. In "Angels All Over Town," we get to
know, Una, who is a soap opera actress haunted by the ghost of her dead father. I quite liked her character and that of
her sisters. Also fun is the beach setting, which is one of the things Rice is
renowned for. It made for a good summer read.
CANLIT
The title of "The Blue Guitar" by Ann Ireland comes
from the Wallace Stevens poem "The Man with the Blue Guitar," which is itself inspired by Pablo Picasso's painting "The Old
Guitarist," probably one of the reasons I picked the book. Also for years I
have loved for the Cowboy Junkies song "Blue Guitar," which was a
collaboration by Townes Van Zandt and Michael Timmins. Van Zandt's widow gave
his unfinished lyrics to Timmins who finished the lyrics and wrote the music.
Amazing where books can take you, isn't it? Ireland's novel is
about a former classical guitar prodigy named Toby who choked on stage in Paris
as a young guitarist and his return to the stage after many years. I love
fiction about music. One of the best I've read is Esi Edugyan's "Half-BloodBlues" about a group of black jazz musicians in WWII in Paris and Berlin.
HBB in particular had me searching for the music referred to in the book. A new poetry manuscript I am working on has been inspired by all the references to jazz in Edugyan's book. I can't even fathom those writers who don't read because they are afraid of being influenced. I read in order to be influenced. It is essential. When I don't read, I am much less prolific and creative. One sentence in one novel or one imagine in a poem or a book of short stories can be the spark for a story or poem or whole poetry manuscript. Just as a painting or a piece of music can be.
I learned about my current read "Magnified World"
by Grace O'Connell through Shelagh Rogers' interview with the author on CBC
Radio's "the Next Chapter," a weekly show and podcast that features contemporary
authors. If you're a book lover, I highly recommend this show. The novel centers around a young woman named Maggie who is having a difficult time after her mother killed herself
by drowning in Toronto's Don River, her pockets full of zircon stones.
Next on my list of Canadian literary fiction to read is
Katrina Onstad's novel "Everybody Has Everything," about a childless
couple entrusted with the child of
friends who died in a car accident. I also learned about this book in
the same episode of "the Next Chapter" which featured O'Connell's
novel. I think the thing that piqued my interest was Onstad's musing that we all have so much in life, so much that we take for granted. It is something that resonates with me in my own life.
NONFICTION
"Becoming Modern: the Life of Mina Loy" by Carolyn Burke is a biography of a
twentieth century visual artist and poet, who was unfortunately obscure in her time (like so many
poets), but her associations with the Russian Futurists brought her a wee bit
of glory later on. A dear friend loaned me Loy's poetry collection "the
Lost Lunar Baedecker" a few years ago and I enjoyed its surrealistic
nature and her candour. I gobble up books about the wild times of previous
eras, particularly Paris between the wars, but also previous centuries. I have
a sizable collection of fiction and nonfiction portraits of the era of Paris
between the wars, the most recent being "Z: A Novel of Zelda Fitzgerald" by Therese Fowler, which puts Hemingway in the worst light
I've ever seen him portrayed and makes Zelda seem much more intellectual and
literary than she is portrayed in other novels and works of nonfiction.
POETRY
"The Small NounsCrying Faith" is the latest poetry collection by Canadian poet and
Governor General Award winner Phil Hall. It was published by Toronto small press publisher
Book Thug. Hall's poetry is minimalistic, thoughtful, imaginative, unpretentious
and unique. He has a way of turning a phrase just slightly so that it becomes
something entirely unexpected and yet it makes sense. For poets the balance
between the play of imagination, the plasticity of language and the dictates of
sense and coherence is always a difficult one to maintain but Hall does so
adeptly.
“To feel most beautifully alive means to be reading
something beautiful, ready always to apprehend in the flow of language the
sudden flash of poetry.” Gaston
Bachelard
Books have always been my steadfast companions. They have
helped me through difficult times; they
have led me to explore and learn new things; they have cultivated the garden of
my imagination. They are the chief reason that I wanted write. I hope in every
one of my current reads posts, I communicate to you my love of reading and
inspire you to take the time to read and to read from a variety of books. From
the point of view of writing, every book that I read is contained in my own
work in some form or another.
Amanda, you are awe-inspiring.
ReplyDelete"I can't even fathom those writers who don't read because they are afraid of being influenced. I read in order to be influenced. It is essential."
Gorgeous.
(And thanks so much for your kind words about Incognito. Sorry about the romance LOL!)
thanks, Lisabet. ;)
ReplyDeleteThis is an interesting list, Amanda. (What esp. fascinated me about Incognito when I first read it is the structure -- potentially confusing, but Lisabet handled it so well that the reader is never confused about which chapter takes place in which era.) I like your concluding line: "...every book that I read is contained in my own work in some form or another." I think that must be true for all of us. A writer who is described as completely original or unique is likely to be one whose influences aren't familiar to the reviewer. :)
ReplyDeletethanks, Jean. yes, i agree, the structure of Incognito was well done. all books to me, all art leads outward to new creation. glad the final line resonated for you. :)
ReplyDeleteIsn't it amazing how the creative process can surprise us? Just a passage in a book or a passing glance in a restaurant can spur on an entire story. That's sure the way it works for me, especially in erotica. I wish I had time to read more wank stuff. As we've mentioned, my participation in ERWA satisfies most of that erotica craving, but if I'm going for a sure wank, I usually gravitate to N.T. Morley. He's just so delightfully and dependably filthy. I do admire your taste in filth, Amanda, so will probably look up the titles you mention.
ReplyDeleteAnd, to echo Lisabet's take, you certainly do read a variety of quality stuff. That's probably why you're so smart.
i loved N.T. Morley's Master/Slave antho. joyous filth indeed.
Deletethanks for the kind words, Daddy X. i love variety in all things: men, books, food etc ;)
Sometimes very astute and erudite reviewers will see influences that the writer hadn't realized were there. It's happened to my work (most memorably with Jean as the reviewer) and I may have done it once pr twice as a reviewer, but in that case I'm not likely to ever know whether the writer did it consciously or not.
ReplyDeletevery true. one of the good things about being well read is to be able to notice themes, metaphors etc in a work. it's interesting when as a writer you don't notice these overriding patterns of your work. it's as if the brain is accessing some passive knowledge hidden way back.
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