By Daddy X
Writing was the only creative endeavor I’ve ever shown any
skill at besides cooking and art installation. I admire artists of all stripes
and always wanted to be a storyteller even as a little kid. In my antique
business I wrote descriptions of objects in my own catalogs and promotional
pamphlets, and contracted to write descriptive copy for various auction houses.
Besides the odd pain-in-the-ass letter to the editor, or writing/editing an occasional
PR piece for a local group, that was about the extent of it. Unless I was
trying to expose some political deception, nothing had a plot. At least nothing
I had to make up.
Back in the early 90’s, I began a non-erotic novel, a ‘last
man on earth’ scenario. I guess I had about 50k written before realizing how
much I enjoyed writing dialog in the flashbacks. Not much chance for dialog in
a ‘last man’ tale, an epic that was intended to move forward in the present and
encompass a future. Ultimately life got in the way and there was no time for
writing. I think there’s still a copy of that manuscript on a floppy disk around
here somewhere.
In 2009, at 64 years of age, I did wind up with the time,
inclination and happily lasting libido to write what I’d been enjoying all my
life. Erotica. At first I had high literary ideals, lofty concepts of sex as an
almost religious experience akin to mescaline or psilocybin mushrooms. I wasn’t
going to write B&D, S&M, or anything that wasn’t ‘sex-positive’,
whatever the fuck that is. I wasn’t going to write porn; I wasn’t like that.
Why would I write something I had no experience in?
So I started writing a book. I envisioned a society, no… a
town. An entire town devoted to sex and the ultimate orgasm, featuring theaters,
parks, performances, outdoor sports and concessions. Some characters lived in
the town as residents. Others were ‘clients’ who paid the bills for this
sex-positive society’s existence. But a problem soon arose with my characters.
They turned strange—perverted—and by the way—totally lovable for all their
warts and scars. Christ! I didn’t want to be writing smut but I couldn’t get
these people to quit doing all the stuff they were getting up to. They just became
farther and farther out the more I wrote. At some point, I just decided to run
with what was working.
Soon I had the good fortune to meet some professionals in
the genre and take a few erotica writing workshops. In turn, I was steered to ERWA
where I really had the chance to take the temperature of the erotica community.
Turns out what I had been writing wasn't that far out after all (and not very
good either). My stuff was terrible compared to some and somewhat stronger than
others. At that point, I told Momma X I’d like to be a published pornographer some
day. She was ecstatic! … Not.
The concept that we, those of us born around the middle of
the last century, have the best of all sexual worlds has often come to mind. We
grew up, early enough in the ongoing sexual revolution, instilled with the
concept of dirty, perverted—going beyond a particular theoretical tolerance
as to what may be titillating. We now get to scratch that tenacious itch and explore
those lines of transgression a little more each day as obscenity conventions
evolve. Let’s face it: if a concept didn’t cross some line for us, it wouldn’t
be as intriguing, would it? Heheh. Perhaps a big thanks is in order to those
bible-thumpers who have inadvertently prolonged the titillation they so abhor.
With the mores comparatively loose today, do the young have
the same take? I wonder.
So far my experience in the erotica publishing world has
been comparatively narrow. Momma X worked in publishing close to 30 years, but
more in the production end of things than editorial. The pubbing world has
changed drastically since then, most production duties now in the hands of
writers themselves. (kinda like checking out our own groceries at the super
market). Editors either want an error-free finished product, or, at the other
end of the spectrum, quality takes a back seat and works go to market in
varying degrees of imperfection.
What does it mean to an author to now be equipped to
outline, write and edit a complete novel without using a single sheet of paper?
When writers had only typewriters to work with, a simple misspelling or
punctuation blip would render a page unacceptable. It would have to be done
over. Now, all we do is highlight then hit the ‘delete’ button. Can anyone
imagine what it would take to work like that today? Rearranging a few
paragraphs would be a major undertaking. Can you see the piles and piles of
paper drafts, misplaced pages, coffee spilt?
Were writers of old better at the craft than we, or are
modern tools helping us to be better at what we do? Is it all making us lazy?
Crazy? More driven? It is certainly easier for more folks to experience their
inner writer.
As for me, I’m still learning the ins-and-outs of the
business, always looking for more opportunities. I’ve just had a story picked
up by House of Erotica for their Halloween anthology coming out the first of
October. That makes two publishers I’m now with.
So what did this rambling post resolve? Nothing. Did it
bring up some questions or thoughts? I hope so.
I finally got around to trying to write for publication around 1996, so I've got the jump on you, DaddyX, but I'm four years older than you are. I started out writing science fiction and fantasy, and yes, I began with my old (very very old by then!) college typewriter. Even when word processors came along--hallelujah!--most markets required paper submissions, and self-addressed stamped envelopes for them to reply. Or some would take postcards instead if you didn't want your paper copy back. And we had to trudge five miles through the snow uphill to even get them mailed. Writers in those days had true grit!
ReplyDeleteI'm pretty sure the ease of submitting manuscripts these days has a lot to do with the glut of writers. That doesn't mean I'd want to go back to the days of yore when a manuscript really was a handwritten document; my handwriting is foul, and I might not have made it through college at all without a typewriter.
True words, Sacchi. In my own defense I've always said that my mind works faster than my hand can write, hence sometimes even I can't read what I write. Cursive? I lift the pen in the middle of words, and don't bother in between sentences. My family calls it hieroglyphics. Fortunately Mom took secretarial classes when I was in grade school, and she made sure that I taught myself how to type quickly without looking at the keys, before I got to junior high. I had piano lessons for years, so it wasn't that hard to transfer the finger-dexterity. As an English major, I typed 25+page papers in one night on my old manual typewriter, with carbon paper and a bottle of White-out nearby. Now I can type as fast as I think, fairly accurately.
ReplyDeleteI don't know if I'd have ever gotten published before e-Books. From the amount of rejection letters I got from "regular" publishers, probably not. But a small indie publisher gave me my first contract. A few books later, a slightly bigger one did also. Then another much bigger one. I'm still laboring in obscurity, but as long as the stories keep presenting themselves to me, I'll keep writing.
And Daddy X, you raise an interesting question: If you've never been taught about right and wrong, does doing things that others consider "wrong" have any special thrill? Probably not, since part of that thrill is knowing you're breaking the rules. But back when I was in high school during the 70s, I was sure that by the time I had kids who were teens, pot would be legal and sex would be accepted as your own business, with slut-shaming a thing of the past, and birth control accepted as a natural part of a woman's health care. Since none of those is true and my kids are now in their twenties, I'm mightily disappointed. I raised my kids with my ideas, as everyone does. And they now hope for the same things that I did, to be true for their kids. But none of us is very hopeful, since the intractable crowd of "people who want to judge and control everyone else's lives because their own is so boring and dull" seems to be a permanent part of societies everywhere.
Well Sacchi. that means you're at least the second person here older than I. Seems I go through life as the oldest guy anywhere. Ha! My hand writing hasn't changed a single bit since first grade. I can look at my scrapbook and it's the same chicken scratch now. Instantly recognizable, if not legible.
ReplyDeleteAnd Fiona-
Back in the day, I would have bet on the same outcomes as you did. Yes, it's true, the strength of reaction should not be minimized. Those who own the ideological ground a society stands on are reluctant to leave. It's the 'Territorial Imperative' of convention.
And Fiona again-
ReplyDeleteI think a lot of us are lucky to have e-books come along. I'm not depending on writing to make a living, and I know I'm lucky to say that, but it frees me up to write what I want, not particularly what might sell. My first acceptance (also my first submission anywhere) was from Naughty Nights Press who were new at the time and have been very sweet to me.
Writing "for the market" doesn't work--at least, not for me. Everything I've written that should have sold well didn't, or received a unanimous BOO from readers. I have no idea what straight women want. I'm not even gonna try anymore. Queer and quirky all the way.
DeleteInteresting thread: 'Being all things' ... on aspects of this subject currently on ERWA 'Writers'
ReplyDelete