Friday, December 28, 2018

Darkness as a Filter

Darkness is a wonderful way of filtering out distractions, of bringing into focus what’s really important. And since the topic
for this cycle of OGaG is night music, I decided to share a little excerpt from a work in progress called Concerto, which is written to showcase both darkness and the music hidden there. I hope you enjoy it.







Concerto 

I started awake from disturbing dreams that I couldn’t quite remember. In the tight-fitting darkness, it took me a minute to remember where I was. I was on Isle of Skye, a small tatty cottage so remote that the landlady had to deliver me there in a battered Land Rover. To say I was off the grid was an understatement. No phone, no Wi-fi, no transportation until the woman came back for me on Monday morning. There was only me, the hills and the sea with storms predicted – a typical bank holiday weekend in the UK. In my whole life I’d never been so isolated. The thought of being alone was a writer’s dream of solitude and inspiration come true, wasn’t it? I’d had neither solitude nor inspiration for a while now, and I was doing it up right. I didn’t care about the rain. I had no plans but to sleep and possibly read. I was exhausted and as empty as the landscape beyond my cottage. Upon arrival, I’d made myself a sandwich, drank half a bottle of Malbec and went to bed. 

Sometime while I slept, the storm had passed. Even the sound of the sea seemed muted in the muffled dark of the room. I assumed it was the sea I could hear. It was dark and the storm was already raging when we arrived. The landlady seemed unperturbed by the return journey she faced, as though the storm were nothing. She showed me around the place that had been well stocked for my arrival, since I would be going nowhere for the next three days. She wished me well at the door and left me alone.

And now here I was wide awake with three days of nothing but my own company stretching before me. I was considering watching a movie and grazing through the package of shortbread left on the counter near the tea service. The landlady assured me the ancient DVD player in the lounge worked, and there was a fair sized library of movies. That was when I heard what I couldn’t possibly have heard. There was piano music coming from somewhere close by. I slid from my bed holding my breath as the melody built to a pounding crescendo that reminded me of the storm. My hostess had told me I was the only guest in the converted stone stables that now housed three cottages. There was room for three more, but the money had run out. The stables were all that was left of a summer home owned by some wealthy lord now long dead. The house was in its prime when the Victorians found the Highlands and anything Scottish all the rage. But the place was just too remote and its maintenance too expensive, or so the landlady said. Now what remained other than the stables and a collapsed stone barn was just a rubble heap. Though I could see none of that in the dark and driving rain. 

But it wasn’t raining now, and I definitely heard piano music. Holding my breath not wanting to miss a single note, I slipped from the bed and switched on the lamp to find no electricity. I had been warned that it sometimes went out during the storms. There were torches stashed strategically in each room, but my eyes were accustom to the dark, so I moved through the cottage on tiptoes listening to the music that had become more plaintive, full of longing that made me ache in places that hadn’t felt much of anything in a long while. 

A peek out the kitchen window left me gaping at the thick blanket of stars where the Milky Way spilled across the clear sky. The sky, the music, the feel of the night so close around me made the emptiness inside suddenly more companionable. Without thinking, I threw open the kitchen door and stepped, barefoot, out into the soft chill, barely feeling the wet cobbles beneath my feet. There was no breeze, a calm that I knew wouldn’t last. A glance around revealed the hulk of the collapsed barn and, beyond that, less pronounced heaps of stone and rubble, the remains of what had once been an impressive estate. Once again the music crescendoed and I turned to find the source. Candlelight flickered from the cottage at the end of the stable yard and something in the music that drifted from an open window filled the night with the very ache I felt. 

I don’t remember moving to the patio of the place, nor to the French doors, the only nod to elegance any of these cottages had, but I will never forget my first sight of the music’s source. The doors were flung open to the night, curtains barely stirring. A baby grand piano filled the space beyond and as the music softened and then crescendoed again, my gaze came to rest on the creator of such exquisite sounds, a man tall and straight. His eyes were closed, his hands moved over the keyboard as though the instrument were a lover, and the sounds he coaxed from it were very much the sounds of love and all the pain and lust and joy and sorrow that comes with. 

I couldn’t help myself. I moved forward as though I were in a trance, lost in the music, lost in the intimate weave of sound and silence and human connection. And then, full attention focused on the man and the music, I didn’t see the empty stone planter in front of me until I was doing an inelegant swan dive over the top to belly flop on the paving stones with a breathless yelp. 




The music stopped with a brutal glissando, and the only sound that broke the breathless silence following was a cold baritone voice. “You’re trespassing.”

I would have answered but the fall had stunned me and knocked the air out of my lungs, which was more distressing than the wet cold stone of the patio, but less so than the chill in the pianist’s voice. 

“What in hell do you mean coming outside in this weather half naked?” He was up from the piano and kneeling to throw a blanket around me before I could catch enough breath to respond. What I did manage was another undignified yelp as he lifted me into his arms as though I weighed nothing, turned on bare feet and carried me in to the lounge where he plopped me unceremoniously onto a sofa covered in richly woven tartan throws. “You’ll catch your death, and it would serve you right spying on me. Who sent you?”

“Are you serious? No one sent me. I woke up and heard your music. It was a bit of a surprise since the landlady said there was no one here but me.”

“So, my playing disturbed your sleep, did it?”

“No. It’s just I woke up, and the storm had passed. I heard music and ...”

“And?” He studied me with a raised brow. His dark hair was mussed and slightly damp, as though he too might have just come in from the out of doors. 

“I wondered where it was coming from, that’s all.”

“Well now you know.” He nodded me toward the open French doors.

But in the few minutes we’d been talking, the rain had started again, and a gusting wind flung the lace curtains about as though they were nothing more than wisps of fog.

“Fine, you don’t have to be so rude.” I shoved off the couch with as much dignity as I could manage and stomped toward the patio. “You might have considered that flinging your doors open in the wee hours of the morning and playing music like that, someone would want to listen.” I braced myself for the slog back to my cottage as another gust of wind flung a cold spray in my face.

“Wait.” He grabbed me by the arm and pulled me back, then with some effort against the growing gale, slammed the doors. “You can’t go out in that.” 

For a long moment, he studied me where I now stood shivering, freshly chilled and wet. At last he gave a hard put upon sigh and, before I knew what was happening, he stripped out of his shirt and handed it to me. “You’re … not decent.” The muscles along his high cheekbones tensed at his words. “And you’re wet and cold.” He gave a quick nod to the front of my nightshirt. I hadn’t noticed until now that the fall and the rain had rendered it transparent. “Besides, you’re a distraction. I can’t play with you … like that.” He turned his back, and I found myself blushing furiously as I stripped and slid into his white shirt, still warm with the heat of his body. He was not a small man, and the shirt fell to my knees. It smelled of the night chill and the lightning heat of the storm, though I suspected the disturbingly arousing scent was more his own than that of the storm. 

When I finished fumbling with the buttons, he once again stood facing me, holding one of the throws. He wrapped the tartan around me, moving close enough that I could feel the heat radiating off his stripped torso, and I was struck again by his size. I don’t know why I had thought a pianist must be a tall, thin wraith of a man, who lived on the music and cigarettes and little else. He was robust and well muscled, with a peppering of scars low across his belly. 

I couldn’t help myself. Maybe it was the fact that the whole incident seemed like a dream that I half expected to wake up
from at any minute -- one of those that I would long to go back to once it vanished in the daylight. “And you don’t think this will distract me from the music?” I rested my palm against his chest, and he drew a tight breath between his teeth, trapped my hand with his own, then lifted it away, with more of an effort than the act should have demanded. 

“Trust me,” he said holding my gaze with milk chocolate eyes, “when I play, you won’t be distracted by anything.” He curled a finger under my chin and lifted my face until my heart accelerated and my mouth watered at full lips slightly parted, so close to mine. Those lips curled in a smile and he pulled away. “That is what you came for, isn’t it? To listen.” 

And just like that he turned like a man with a purpose and seated himself once again at the piano, nodding me to back to the sofa.

3 comments:

  1. Beautiful excerpt, KD. Very atmospheric and lyrical in keeping with the theme.

    ReplyDelete
  2. This is wonderful, as well as a perfect fit to the theme. I can't wait to read more!

    ReplyDelete

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