Showing posts with label co-authoring. Show all posts
Showing posts with label co-authoring. Show all posts

Saturday, September 19, 2009

Keta Diablo on Co-Authoring

Greetings friends of Oh, Get a Grip,


I’m Keta Diablo and very happy to be here today blogging about co-authoring. What an intriguing concept!


I’m about to find out first-hand the pros and cons of co-authoring as I embark on a two-book series with a phenomenal author. Stay tuned to my blog and author home for updates on this project. (Oh, Keta, you are such a tease<---Jude)


For me, the pros far out weigh the cons when co-authoring. Some things that come to mind under the pro column are:


Division of labor – How nice that the work can be split up between two creative like-minds—a definite plus.


Writer’s Block – Allow your partner to help you hurdle that chapter you can’t seem to wrap your mind around. Sometimes all it takes to get through writer’s block is some prompting from your partner or thinking about the scene from another perspective. Both authors can play off the other’s ideas while co-writing, or even stop and think like the character the other person has written.


Productivity – I don’t know about you, but I have times when I’m extremely productive and other times I struggle with motivation. Hopefully, while you flounder in “idle time” your partner is cruising through with a burst of energy.


Expertise in certain areas – The old adage “two heads are better than one” applies here. I love research and am more than happy to take over in that area, while my partner has a particular flair for writing those steamy, hot sex scenes. I must ask her if this also stems from research or personal experience (ahem).


Brainstorming and not feeling isolated – You’d be surprised at the unique plot twists and turns that arise when two writers brainstorm or look at a scene through their eyes. This reminds me of the story about three mothers whose children got into a scuffle at the playground. When asked afterwards how the fight started, each mother relayed an entirely different story. We are influenced by our beliefs, customs and an internal moral code that is most likely uniquely different than another’s. This is invaluable when in it comes to not only life, but writing. It encourages us to step out of our little box and walk in someone else’s shoes.


And, how many times have we heard that a writer’s life is lonely and isolated? Au contraire, my friend, when you’re co-authoring. You’re no longer alone in this venture, but sharing, chatting, and brainstorming with another.


Promoting – This is perhaps one of the biggest advantages. Double the exposure, double the efforts in marketing and promoting your baby when it’s finally completed. True, royalites are split but the exposure is doubled especially if both authors are well-known and know how to market the book.


The Internet - Another beauty of co-writing is the Internet. At one time we would have done this by snail mail. YIKES!


Co-authoring is a group effort, even if there are only two authors writing a book. Authors should keep in mind that respecting your partner’s artistic and creative abilities is of utmost importance. There is no room for “egos” in the equation when co-authoring.


I hope I’ve given you some food-for-thought. If you decide to co-author in the future, I wish you the best of luck and hope you find it a pleasant experience like I have.


Keta Diablo


You can find Keta on the Internet here:


Author Home: http://ketadiablo.blogspot.com

Erotic Romance Blog, Keta’s Keep, http://ketaskeep.blogspot.com

GLBT Blog: The Stuff of Myth and Men, http://thestuffofmythandmen.blogspot.com

Keta on Twitter: http://www.twitter.com/ketadiablo



Friday, September 18, 2009

Me, Myself, and I

by Helen E. H. Madden


This post is about me, aaaaaaaaaaaaaaall about me. When it comes to writing, I am the lone wolf. Hear me howl! Awooooooooh!


Seriously, I work alone. I have critique partners, but I've never had a writing partner. Contrary to what you might have heard, this is not because I'm a pain in the ass to work wit-- Okay, maybe it is because I'm a pain in the ass. I don't know. It's not like I don't have writing friends to play with. I just... don't have a writing friend to play with.


I do however have three computers and a split personality, so whenever I get tired of writing by myself, I summon up Me, Myself, and I. Our writing sessions go a little something like this:


Me: Has anybody seen this week's story? Huh? Bueler? Anybody?


Myself: Have you tried checking the computer?


Me: Which one, dumb ass? We own three, and they've all got different stuff on them.


I: Well if you synched the computers like you were supposed to, they'd all have the same stuff and we wouldn't be hunting for a story right now, would we.


Me: Shut up. No one asked you.


I: Well I never!


Myself (roots through the computer files and runs synching program): Guys, please. We have a weekly deadline. Can't we just work together? Oh hey! I found our story, "The Flame Thrower."


Me: I hate that title.


I: Me too.


Myself: Well at least you two agree on something for once.


Me (grabs the keyboard and starts reading): Jesus! Who the hell wrote this crap?


Myself: What? What's wrong with it?


Me: Someone snuck in last night and added a bunch of garbage to it! It even has 'The End' written on it!


I: I finished it last night, thank you. You spent all day yesterday bitching about how you had writer's block and couldn't get anything done, so I did it for you.


Me: It's shite!


I: It's ART!


Myself: Whoa, hold on. Everybody calm down. Let's just read what was written.


(All three peer at the screen to read the story).


Me: You've got to be fuckin' kidding me! You spent twenty pages rambling about some stupid contortionist and her boyfriend clown. Where's the heat? Where's the sex?!


I: It didn't need sex. It wasn't that kind of story. This is a tale about a relationship, a love triangle and the emotions that affect everyone in i--


Me: It's CRAP! Crap, crap, crap!


Myself: Okay! Enough already. We've got a deadline, so let's just calm do--


I: If you don't like it, Miss Bitchy Butt, you write something better then! At least I finished the damn thing. All you did yesterday was sit on your fat ass and moan about how you had writer's block and your head hurt and you were hungry and why weren't there any cookies in the house and wah wah wah waaaaaah!


Me: I am so going to punch you in the nose!


Myself: No! No punching! Me, you promised you wouldn't hit anyone again!


I: Oh let her try! Not only can she not write her way out of a wet paper bag, she can't fight her way out of a wet paper bag either!


Me: I'll write you, you stupid bitch! I'm gonna line edit your face like there's no tomorrow!!


(Me takes a swing. I ducks. Me hits a lamp instead and breaks it. An all out brawl ensues. Absolutely nothing is getting written at this point).


Myself: Guys! Guys! Oh fer chrissakes. Every single frikkin' week...


Aaaaaand that's why I probably shouldn't have a writing partner. Now if you'll excuse me, I need to go fix a broken lamp.


*****


The Fire Eater


by Helen E. H. Madden


He still carried a torch for her, even after all these years.


"Carla." Frederico Ardiente, fire eater extraordinaire, approached the figure that twisted and twined on the warped planks of the sideshow platform.


Carlotta Corazon gasped in surprise then released her ankles, disentangled her arms from around her knees and sprang upright, bouncing onto her toes.


"Freddy! It's been so long. Have you come back to Cirque Noir? How are you?"


Frederico's mouth tightened to a thin smile. There was a time when Carlotta would have jumped into his arms, wrapped her supple limbs around him and greeted him with a heated kiss. Her tongue, he remembered, was just as sinuous as the rest of her.


"Good, cara mia. I'm good. It's lovely to see you again."


The love of his life minced down the platform's steps to stand before him. The sight of her lithe little body, clad in strategically placed spangles and gauze, sent a shudder through the Spaniard's athletic physique. She still smelled the same, of sweat and sawdust, popcorn and candied apples, all the odors of the circus mingling with her fragrance to become an intoxicating perfume that inflamed his senses. But there was something else now, a bitter tang that corrupted the scent he once loved.


It was the odor of cheap grease paint. He spotted a smudge of white on her neck and sneered.


"You're still seeing him."


Carlotta blushed and pirouetted away.


"Slappy? Oh yes. We're getting married next week."


Frederico suppressed a snarl. To think that fool still claimed the heart of the one he loved!


"You must join us for dinner tonight," Carlotta added before dancing back onto her tiny stage. "Slappy will be so delighted!"


"Of course, cara mia," Frederico murmured. "I can't wait."


* * *


That evening, Frederico watched Carlotta perform in the main tent, in one of the smaller side rings at the edge of the spotlight. Carlotta, once his partner and a star of the big top, coiled and twirled, flipped and danced to a crowd that ignored her for the flashier, bigger acts of the center ring. No one cheered as she arched backwards until her hands reached her feet and her smiling countenance peeked out from between her knees. No one gasped as she leaned forward to grip a short metal post with her teeth and then curled her body over her head until her buttocks rested on her scalp and her legs extended horizontal to the ground. Needle scales and Marinelli bends, Durvasa poses and triple folds; Carlotta performed each move flawlessly as she tied herself into knots, turned herself inside out, and then unwound with the grace of a prima ballerina, all to mediocre applause.


She was so beautiful, so amazing, and it pained Frederico to see her relegated to sideshow status. When they had worked together, Frederico Ardiente and Carlotta Corazone had been headliners, lighting up the center ring with feats of astonishing flamboyancy and flexibility. He had only to close his eyes and inhale the scents of the circus to relive those nights.


"Ladies and gentlemen!" The ring master boomed over the noise of the crowd. "May I direct your attention overhead, to the wonderful, the amazing, the fiery Carlotta!"


But every eye was already there, transfixed by the vision of the lithesome acrobat who dangled from a slender rope high up in the air. Carlotta, dressed in fiery red spangles, began to swing, the spotlight following as she swooped around the big top, clinging to the rope with only her limber, muscular legs. A second spotlight focused on the ground below, where Frederico lifted a torch to his mouth, swallowed it, and then spewed a stream of fire at the acrobat as she passed overhead. The flames hit the trailing scarves of her costume, transforming the filmy fabric into a comet's tail. The blaze raced up Carla's back across her shoulders until she spread her arms wide to display wings of fire. She streaked through the air, dazzling all who looked upon her.


"The legendary Phoenix!" the ring master cried. The audience roared its approval.


Yes, Frederico remembered it all. The only thing hotter than their act had been their love life -- nights of searing passion spent in tangled sheets, the friction between their bodies so intense, the fire-eater swore they must die from spontaneous combustion.


It was their relationship, however, that exploded. Frederico, hot head that he was, couldn't keep from arguing with the woman he loved.


"No! No, no, no! That's all wrong!" he roared at her during rehearsal. "You're ruining the whole routine! You're supposed to spin on the fourth count, not the third. Start again. We must practice everything from the beginning!"


"But we've been at it all day and I'm tired!" She slid down the rope, weeping. "And look at me -- blisters everywhere, hair and eyebrows singed. You're roasting me alive!"


"If you would just do as I tell you, you wouldn't get burned, you stupid girl!"


"Oh, so I'm stupid? Well then, you climb up the rope and hang by your toes, while I spit fire at you! See how well you do up there!"


And so they fought over everything - the choreography of for the act, the color of their costumes, the order of their names on the handbill, even what groceries to stock in the tiny pantry of their trailer.


"Cara mia," Frederico would say afterwards. "Forgive me." He always apologized for his bouts of ill temper, and why not? The best part of every argument was the lovemaking that came afterwards. But all that incessant shouting and vituperation began to take its toll. Carlotta grew cold and withdrew from their bed, which only fanned the flames of Frederico's anger, until the minor flare-ups between them grew into an endless conflagration.


The crack of a whip and the ring master's voice interrupted Frederico's reverie. The show in the big top ended, and the crowd trickled away through the egress. Frederico followed them out, then slipped away to the back of the tent. There, he found Carlotta, stretching and sighing in the late evening gloom. He wanted to rush up and grab her, kiss her passionately until she once again burned for his touch. But before he could reach her, another hand stretched out to swat her on the behind.


"Hey ya, toots! Wanna blow my horn?"


A rotund figure in polka dot pants and striped suspenders cavorted before Carlotta, waving a bicycle horn beneath her nose. Giggling, she squeezed the bulb at its end, releasing a comical blast into the night.


"Whoa-ho-ho!" the clown chuckled. "Now that's what I call making noise. Here, squeeze my ball again!"


"Oh Slappy!"


Slappy the Clown tickled Carlotta's chin with his gloved hand before groping at her chest. He honked the horn twice more as he squeezed her right breast.


"Disgusting!" Frederico muttered under his breath, but Carlotta only laughed harder at the clown's ham-handed display of affection.


"Come on, doll." Slappy hooked arms with the delicate acrobat. "Let's you and me go back to our trailer and make bee-yoo-tiful music together."


"Oh, but we have company tonight!" Carlotta clasped his hands. "Frederico's back. I saw him today."


"That shmuck?" The painted smile on Slappy's face couldn't hide his sneer.


"What'd he say to you? Did he make you cry again?"


"Oh no, nothing like that." Carlotta pulled on Slappy's suspenders, drawing him closer. "He's an old friend, that's all. I thought we could get together, have dinner. Please?" She ran her fingers through the clown's fire-engine red hair, cuddling close to him. "Let's just let bygones be bygones."


"I dunno..."


Carlotta grabbed Slappy by the ears and pressed her mouth to his until the clown's left leg began to shake uncontrollably. When she released him, her face was smeared with red and white grease paint in a grotesque parody of Slappy's own insipid grin.


"Well... okay," the clown agreed. "If it means that much to you. But after dinner..." He held up the horn again and honked it twice.


Carlotta giggled. "After dinner, I'll even let you wear your shoes to bed. Now go on. I want to talk to the ring master about our act for next season. I'll meet you at the trailer."


Carlotta disappeared back into the tent. Slappy waved after her then wandered off, singing and honking his horn. Unseen by either of them, Frederico slipped out of the shadows and followed the clown.


Slappy's trailer had changed since Frederico had last seen it. The carnival stripped exterior now sported a more feminine touch, with stylized pastel flowers painted around the door and lace curtains hanging in the windows. While Slappy tromped through the front door, Frederico slunk around back to the kitchen window. It was here, at this window that he'd first learned of Carlotta's infidelity. He had followed her after their last fight, ready to apologize yet again so he could take her to bed. When she entered the clown's trailer, rather than knock on the door and ask for her, he looked through the window. He found her sitting at the fool's table, weeping as though her heart would break.


"Doll face," Slappy had said. "You can't keep letting that Spanish shmuck do this to you. I understand the sex is great, but is it really worth all this heart ache?"


The clown reached into his pocket and pulled out a bright red handkerchief, offering it to Carlotta. She pulled on it and another handkerchief followed, and then another handkerchief followed that. Carlotta kept pulling and pulling, one silk swatch after another piling up on the floor at her feet until suddenly a pair of plaid boxer shorts popped out of Slappy's pants pocket.


"Whoops!" the clown said. "Wrong handkerchief!"


While Slappy scrambled to gather up the silk scarves, Carlotta's tears transformed into laughter. She grabbed the clown by his ears and kissed him on his bulbous red nose.


"Thank you, Slappy," she said, wiping away her tears.


"For what?"


"For making me smile. I haven't done that in such a long time."


Their faces hovered close to each other. Frederico stood outside the window, holding his breath, willing Carlotta to let this fool go and return to their trailer, so that he could give her a reason to smile. Instead, she bent her head closer to Slappy's and planted the first delicate kiss on his lips. Like the handkerchiefs, another soon followed, and then another after that, until a long unbroken string of kisses led to Slappy scooping Carlotta up in his arms and carrying her off to his bed.


Now Slappy bumbled about the kitchen alone, firing up the stove and bustling about with pots and pans, preparing dinner for the man who stood outside his window with hatred burning in his eyes. Yes, the moment Slappy carried Carlotta off to his bed, everything that Frederico had ever worked for went up in flames. Their act ended in a screaming match during a performance three days later. Carlotta stormed out of the ring and into Slappy's arms. Frederico rushed back to their trailer, gathered up all her belongings and torched them in a nearby parking lot. Police were called, and firemen. Carlotta pressed charges, and then dropped them, but by then the ringmaster had insisted that Frederico take a sabbatical from the show.


"Perhaps a few months away from Carlotta will cool your ardor," he suggested.


A few months became a year, and then another. Now, five years later, he watched Slappy dance around inside his trailer, and his ardor -- and his hatred -- burned as hot as ever.


From his hip pocket, Frederico withdrew a flask and a book of matches. He strode to a short distance away from the trailer, taking a mouthful of kerosene from the flask. He swirled he fuel around in his mouth, taking his time as he opened the book and tore out a match. He was about to strike it when a gust of wind blew up.


"Oh no!" he heard Carlotta wail.


A flurry of loose papers swept over him. Frederico reached out and grabbed one. It was a handbill dated for next month. In large letters, it read:


Come Twist and Shout with Slappy and Carla!


Beneath that was a picture of Slappy, honking his horn and waggling his hips at a lovely, lithe figure that stood on point with one leg snaked around her back and over her shoulder. Her face was painted with red and white grease paint and she wore a pointed dunce's cap and a tutu. Frederico stared at the hand bill, seething with rage.


"Freddy, is that you? Why are you standing out here..."


Frederico looked up. Carlotta stood before him, clutching her handbills, her face pale and frightened. Her gaze was locked on the matchbook in his hand. She looked to the trailer behind him and began to shake.


"Oh, please." A single tear trickled down her face. "Please! I will do anything. Only, don't hurt him, Frederico. It wasn't his fault..."


What could he say, with his mouth full of kerosene, and an unlit match clutched in his fingers? To think that she would plead for the man who had turned her into a clown! He wanted to crumple the handbill, throw it to the ground and burn it with that fool in his trailer. He could feel the fire even now, the one that would reduce his rival to ashes, and yet...


And yet, he couldn't bring himself to do it. Frederico hung his head. In all their years together, Carlotta had never smiled as brightly as she did in the picture on the handbill. She had cried many times, too many to count, but when had he ever seen her smile? Only with him, the fool, the clown.


Frederico took a step toward Carlotta. He tucked the handbill back into the pile in her arms and pressed his lips against her forehead one last time. Then he turned and strode away, lighting the match as he went. He swallowed the kerosene, the match, and his pride. The last burned the hottest all the way down.

Tuesday, September 15, 2009

Oh, the trials and tribulations

Picture a gray-haired woman, exhausted, head thrown back and the back of her hand at her brow. Sighing. Gasping even!

Yup, that’d be me.

Okay, got that picture firmly entrenched. Read on.

Now, here’s an example of an IM shared between co-authors:

J1: <--Jenna!
But I don’t know anything about pony boys

J2: <--Jude!
What’s to know, guys with horse attire being trained like horses. Oh and don’t forget the sex.

J1: Ewww!

J2: What ewww, it’s great gay sex with one fellow whinnying instead of groaning.

J1: Yeah, I guess you’re right. What about cops. We could do cops and have one of them being kidnapped and the other one has to do some kinky something to rescue the guy. They’re lovers you see.

J2: Oh, that sounds cool. Kinky, you got something in mind?

J1: Uh, well no, but I’m sure we can come up with something…lol

J2: I’m sure we can. *G* A little exhibitionism maybe, how about the free guy has to show off or the guy who was captured gets strung up outside city hall on Monday morning.. naked and in some kind of bondage gear.

J1: Oh! That works

J2: You got a city in mind or do we want to create one of our own? This is a shorter one, might be an idea to not even mention a name unless we need to

J1: I agree. Four chapters, remember that.

J2: Grrr yeah, I remember…LOL

The conversation goes on, suggesting, rejecting, revamping ideas until the rough plot is sorted out and then I get the inevitable:

J1: Okay, do you want to start this thing?

With little more than a rough idea of where we’re going with this, but one hell of a bunch of ideas floating around in both Jenna’s and my minds, the story begins. I’ll write, usually around 2500 words, but sometimes it’s 4000 or more. It all depends on how the story flows for me. When I’m feeling like it’s a push, I’ll send it to Jenna, with ideas on where to go from where I left off, or just a simple… ‘Your baby now, have fun’

This isn’t the first time I’ve written with someone else, but it is the first time I’ve felt so comfortable doing it. It’s taken time, but it’s definitely been worth. The first book Jenna and I tackled together, and I’m sure she’ll correct me if I’m wrong, was Feral Heat, the first of our Untamed Hearts Series. From the information I still have stored on my computer, we began working on this one in March of 08. The series, which we thought was done at three books, is apparently well liked enough that our publisher asked us to do one more so the books could all be put into print. We’ve sent off the fourth book and I do hope you like horses.

To me, that’s a huge accomplishment. The first two e-books, Feral Heat and Bear Combustion have been combined into, Untamed Hearts Vol 1, and is available now at Total E-Bound. I am totally jazzed about it.

It’s taken time, and it hasn’t always been simple dream up an idea and bingo off we go. If it was, everyone would do this. Jenna and I were good friends before we even thought of writing together. She’d edited quite a bit of my work and I’d done the same for her. We knew the strength and weaknesses. We knew the professionalism and dedication to improving the skills each of us has. We also know that we have lives outside of writing and make great efforts to make sure we don’t pressure each other more than necessary. I’ve had eye surgeries and Jenna has had a very ill husband who needed a great deal of care. We worked when we could, we let up when it was important to do so. Our friendship came first.

Perks of co-authoring:

1. Someone to bounce ideas off

2. Built in editor. She writes some, I edit hers, then add my bit. She does the fixes I’ve suggested, then edits mine and adds her bit. Finally, we both do an edit, then we send the MS to our editors

3. There are times when a story just flies. There are times when it flies then falters. When you’re writing with a partner, you can hand it off and be fairly sure it’ll fly again.

4.Honest feedback. When you’re working alone, you can ask for comments from friends, and you’ll most likely get some nice remarks. But, if the writer has a vested interest, royalties, he or she is going to be much harder on the MS. They want their work to be as perfect as you want yours to be.

5. We all have our strong points when it comes to writing. If you chose wisely, your co-author’s talents will compliment yours. I write hot sex. Jenna has this awesome ability to create a twist at the end of a story that is simply astounding.

Disadvantages of co-authoring:

1. Royalties, and this might very well not be a disadvantage. You cut any royalties in half. But, you also may very well garner a following which drives the numbers up, so it could very well be one heck of a perk.

2. Schedules. There are times when one of you may not be available for a project. Family always comes first, so when you see this really cool call for submissions, but one of you has a wedding in Zimbabwe to attend, it’s not going to happen unless you want to tackle it solo, and that’s always an option.

3. Hmm, I honestly can’t think of a 3.

Let’s see, Jenna showed off a couple of our covers, so I’ll show off a couple of others. I hope you enjoy.



Phaze Rocks, Slippery When Wet Series



Book #1 Wanted Dead or Alive

Dan Radisson has been released from Corcoran State Prison and never intends to go back. He's working his twelve steps, minding his own business, and trying to resume some degree of normality living in the home of his sister and her family.

Trey Wallace knows what he likes and isn't afraid to go after it. When he meets Dan at an AA meeting he sees exactly what he wants, but questions whether the newly freed man is ready to dive into the type of sexual relationship Trey has in mind.

Dan's ready for the sex, but not so sure about life on the outside. When he stumbles upon a homicide and runs from the scene in the same way he did in the past, suddenly he's a wanted man. Dan must either solve the crime or risk returning to the place he dreads the most--the prison that changed his life.

_ _ _ _ _


"This is an excellent mystery with suspense and eroticism that keeps it fast moving." ~ Dee, The Romance Studio


~ Read excerpt or buy now



* * * *

Book #2, Living on a Prayer


Logan White is released from prison after serving eight years on Corcoran prison for his part in a B &E where a man was killed. Enter Reverend Shane Grayson, a gay man of the cloth who helps find Logan a job, but that turns into a horror story. Can the two lovers find a way to be together or will the underbelly of society win this battle?

Fallen Angel Reviews - Livin' on a Prayer makes you truly walk in someone else's shoes, giving a little taste of what it must be like.


~ Read excerpt or buy NOW




* * * *


Book #3 Never Say Goodbye

Damien Hall has never done an honest day's work in his life. On his own from a young age, his street wiles got him by until he ended up in Corcoran State Prison, found guilty of theft. Five years later, he's moved in with a man who only wants him for one thing, nightly hot sex. But he's off the streets, and Damien thinks the trade-off is worth it.


Travis Slater wrangles horses for a living, and wants to wrangle Damien in his off hours. He sees potential in the man who suffers from extremely low self esteem, and quickly falls in love with him. He hopes to take Damien and leave, knowing they can make their own way in the world.


Damien isn't so sure, and is terrified at the thought of being homeless again. When his employer admits the real reason Damien was hired, it's decision time. Do what's easy or do what's right? Only Damien can decide.

_ _ _ _ _


Number One on the Top Twenty Bestseller List for Phaze in June, 2009.

"This book gets a 4 (recommended to buy) for being such a good story in such a short package. Don’t let this one pass you by!" ~ Acquanetta Ferguson, the San Diego Examiner

~ Read excerpt or buy now

* * * *


Book #4, I'd Die For You

Snake Thompson is out of Corcoran and looking for revenge. He meets and falls for Abel, a lusty blond guy who winds up quitting his job and tagging along. Can the two of them find the truth and clear Snake's name, or will drugs and money send them both to the grave?

Top ten list at Phaze for July 2009


Read excerpt or buy now



That's my bit on co-authoring. I think if you chose who you want to write with, the experience can be nothing less than amazing for anyone who is serious about it. Pick the wrong person and it can be exactly the opposite. Go into it with your eyes open. Possibly try a shorter piece first and get out if the feeling isn't what you want. Always, be honest.

I'd really love to hear from others who have tried this.

Monday, September 14, 2009

Why do I even bother typing?

By Jenna Byrnes

Heh heh heh... *rubs hands together*...Co-authoring is an easy topic for me. Jude Mason and I have been writing together for more than a year, though honestly, I can't remember when we first started. It seems like we've being doing it forever. Checking in with her on instant messenger is a regular part of my day, after I've gotten caught up on email (in case we have important business to discuss- we do not gossip!) It feels natural to touch base with her before I start writing each day.



When we decided to try our hand at co-authoring, we set down a couple of rules. First and foremost, our friendship was more important than any book. If we got deep into writing and either of us felt like there was a problem, we'd stop right then. We're getting ready to start our fourteenth project together (if my math is right) and we haven't had a hint of a problem yet. Maybe we're both too damned polite. We never argue, and always agree on our plots. (And we both find it hard to say no when we're asked to come up with something for an editor or publisher.)

Or possibly, we're so much alike that it's scary. When we talk on instant messenger, half the time we're both typing the same thoughts at the same time. One of us invariably questions why we even bother tapping the keys. We seem to be very attuned to each other. So much so, that I flew 1800 miles this summer to meet her in person. We walked right up to each other in the airport, hugged, started talking, and didn't stop for five days.



My favorite part of co-authoring is having Jude to lean on. There are some days I write like a house on fire, and some days I fiddle with the widgets on my blog for two hours. But when we're in the middle of a project, we're accountable to one another. Jude and I encourage and motivate each other, and cover each other's arses in the editing and proofing departments.

We have a little routine-- we brainstorm an outline for each story together, then she writes the first few thousand words. We pass the manuscript back and forth, editing the previous bit and adding our own segment, until we get to the end, when I wrap it all up in a pretty little bow. She edits, I edit, then we turn it over to our editors. You'd think we know where the commas go by now, wouldn't you? (We don't. Hence, the other editors.)

Sometimes we write individual stories that are connected, like our Slippery When Wet series for Phaze. In those instances, we edit for each other and provide support. We let each other know what works and what might need some improvement. It's a wonderful system, and I rely on Jude a lot. I'm grateful to have her as a writing partner, editor and friend.

And I'm glad I get to post the day before she does. Because we'll probably say a lot of the same things.