Stuck in the Proverbial Box

By Jenna Byrnes

I thought long and hard about the subject this week, "Killing your darlings."

Huh.

None of my darlings has ever died.

You see, I write HEA. Happily ever after. Killing off one of the main characters works directly against the HEA affect I strive to achieve.



Do I ever put them through torment before that last page is turned? Duh. Books need conflict, or there won't be an interesting story. Most often, the conflict involves something dreadful that's keeping Boy #1 away from Boy #2 (or Girl #1, if you swing in that direction!) As with most good movies or TV shows, the conflict could usually be solved if an objective third party would sit Numbers 1 and 2 down and set them straight with the facts. But that wouldn't be nearly as much fun.

Recently, I tried to kill off a character. Not a main, but a secondary 'snitch' that had a fairly decent role in a cop short story I wrote. As usual, I sent it to my second set of eyes, Jude, for editing. She sent it back with some red marks, some nice comments, and the phrase, "I don't think killing that guy is going to work."

Harumph.

It was my story, and I wanted the dude to die, so I left it in. I got the acceptance back with a contract and short note from my editor, "I really don't think that guy should die at the end. Not a very 'romance novel' thing to do."

Well, whaddaya know? Jude was right. LOL (Okay, she usually is. But sometimes I fight it as much as possible.) And so, with the click of a few keyboard keys, the snitch was pulled back from the brink of death and was healing nicely by the end of the story. I didn't really mind making the change, but sometimes I question the 'in the box' parameters that romance writers have to stick with. I get tired of men who must be alpha males, and just once, I'd like to send one careening over a cliff at the end of a book. I know, I know...not a very 'romance novel' thing to do. But I've often wanted to try my hand at horror. Maybe there, it would work.

Heh heh heh!