Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Tuesday, September 17, 2019

An erotic tale of a dark world - #NewRelease #Dystopia #erotica


The Last Amanuensis cover

One of the things I love about blogging is that it forces me to do things I’ve been putting off. Nothing like a deadline to get you off your butt, right?

My dystopian erotica piece The Last Amanuensis went out of (digital) print months ago when the publisher closed down. I kept thinking I should re-publish it, but other writing and publishing projects always seemed to take priority.

Then came this month’s theme. I wrote about this story in my post on the 3rd and said I hoped it would soon be back in print. Well... now it is!

This is a pretty literary story. There’s sex, but it doesn’t have the rollicking, anything goes quality of some of my more recent work. Furthermore, the ending is definitely not happy. Still, re-reading it made me happy. The story does what I intended.

Blurb

Poetry is like bloodyou cant hold it back.

The Emperor has decreed that Reason will rule in his lands. Art and literature are banned in favor of military technology. The fearsome Preceptors prowl the capitol, arresting anyone who dares, even secretly, to engage in forbidden activities.

A former teacher and frustrated writer, Adele is grateful for her job as secretary to the enigmatic Professor. During the day, she transcribes his learned treatises on a vast range of topics. Then he calls her to his room one night, to give her a more difficult and intimate assignment, one that risks both their lives.

Excerpt (Non-erotic)

I saw relatively little of the professor during the week. He spent his days in his basement laboratory, which was strictly forbidden to me, or shut away in his study, presumably filling new notebooks with observations and innovations that I would eventually be required to type. I'd leave my neat stacks of typewritten pages on the table outside his door so as not to disturb him. I worked in the small parlor across the hall and took my meals in the kitchen with the taciturn cook.

On Sundays, however, he and I dined together. After a glass of sherry, his chilly manner thawed a bit. He'd quiz me about the information I'd been transcribing, initially to see if I understood what I'd read, but later to solicit my opinions.

He asked me other questions, too, questions that bordered on improper.

Who is your favorite novelist, Adele?

My heart executed a sudden somersault. Was he trying to entrap me?AhI'm not sure, sir. Of course I haven't read any fiction since His Excellency rose to glory and urged us to abandon such frivolous pursuits.I scanned his face. The deepening creases at the corners of his eyes belied his serious tone.

But you did read, when you were in your teens, did you not? Before the Ascension? A mind as nimble as yours must have devoured everything you encountered.

My fear ebbed, though I remained wary. Meanwhile, his compliment kindled a warm glow in the pit of my stomach.Yes. I did read a lotbefore.His lips twitched and his icy gaze softened, inviting my confidence. I basked in his rare, concerted attention. His interest, the sense that he viewed me as worthy, urged me to recklessness.I used to write, too. Crazy, fantastic stories about impossible quests and eternal love.

The smile I'd heard in his voice finally bloomed.I'm not surprised in the least. Nor am I shocked, Adele. Be reassured of that.To my astonishment, he covered my hand for a moment with his own. His cool, dry palm whispered over the backs of my fingers before withdrawing. Blood heated my cheeks, as if I were still the young girl we were discussing, and a disturbing heaviness grew between my thighs.

Theyahwere silly things,I stammered.Trash. A waste of mental energy, as the Emperor has said.

But you poured yourself into those tales, I'm sure. They were part of you.Those crystal-blue eyes of his gleamed, luminous behind his glasses.

A new wave of panic swept me. What was going on? I pushed my chair back from the table, eager to excuse myself and end this disturbing conversation.If you'll excuse me, sir, I'll retire now. I've something of a headache.

For an instant I thought he'd stop me. Then his smile fled and his body collapsed into itself, his advanced age suddenly obvious.Very well. I'll see you tomorrow. But tell mewhat happened to those fantastic stories of yours?

My throat constricted around an impending sob. I could scarcely get the words out.

I destroyed them, of course.

My employer regarded me gravely.Right. Of course.

Buy Links

Only available at Amazon and Smashwords at the moment. I’m hoping the other outlets will be picking up the title soon.


Thursday, September 27, 2018

Closing the Door on The Superfluous Man: Eugene Onegin, a post by @GiselleRenarde.

https://www.amazon.com/Eugene-Onegin-Netrebko/dp/B00H540M9S?tag=dondes-20
I’m proofreading and I’m obsessed. Obsessed with turning this book I wrote into the best piece of writing it can possibly be. Because, you see, this book of mine has been years in the making.

It’s a contemporary adaptation of Pushkin’s Eugene Onegin, a tale I’ve been into since I was a teenager. That’s when I first heard Tchaikovsky’s operatic version on the radio. Instantly, it became my favourite opera. And it still is. The Canadian Opera Company is mounting a production this fall—a Met production I’ve seen twice on TV and once live… with obstructed view, granted—and I’m going to have to scrounge up a ticket somehow. Just one. I WILL go to the opera alone. I’ve done it before.

Tchaikovsky didn’t even refer to this opera as an opera. I think he called it “lyrical scenes” or something. Which is just as well, considering the work it was based on was a verse novel rather than prose. The whole thing rhymes.

I’ll admit something shameful, here: it’s been 20 years since I read the original Pushkin (in English, not in Russian—I’m not that impressive). When I wrote my adaptation, I shaped it by basically laying my words over the structure of the opera. I had the libretto open beside my computer and I even went line by line, at times, creating this new version. Mine does diverge from the original in many ways, but not in form. When it comes to structure, I need all the help I can get. It’s always been my weak point, so I’m not afraid to steal from opera.

Maybe I should tell you what Eugene Onegin is all about. I think of the story as being popular because I’m aware of it, but I also woke up this morning with a song in my head from a 1992 episode of Jeeves and Wooster because I’ve watched it 6 times this week. This might be niche knowledge. I just don’t know anymore.

https://www.amazon.com/Eugene-Onegin-Novel-Penguin-Classics-ebook/dp/B002RI9FN6?tag=dondes-20
The best summary I’ve heard of Pushkin’s story comes from the introduction to the 1979 translation by Charles Johnston and it goes like this: “Tatyana falls in love with Onegin and nothing comes of it. Then he falls in love with her and nothing comes of it. End of novel.”

Sounds like quite a romp, doesn’t it?

But it’s full of angst, and that’s probably why I loved this story as a teenager. I believe it was Turgenev who referred to the character of Eugene Onegin (and those of his ilk) as The Superfluous Man. He’s got money, but it doesn’t make him happy. Everything bores him. He seeks amusement in travel, in gambling, in women, but nothing floats his boat.

Tatyana is a much less cynical individual, but something attracts her to Onegin. She’s infatuated, pretty much in an instant.

I just realized I’m spoiler-ing this story for those of you who aren’t familiar with it. So I guess you could stop reading now, and pick up a copy of Pushkin’s novel… or, better yet, wait for my book to come out and buy that.

But I’m going to continue with my spoiler-y post, because this book was written nearly 200 years ago, so I’d say ample time has passed.

Anyway, Tatyana proclaims her love for Onegin in her famous letter scene, but he rejects her. Hard. He’s a condescending jerk about it.

Years pass. Tatyana marries a prince. When the Fates conspire to put her in the same room with Onegin once more, he decides it’s a good time to return her love. Now he’s infatuated and she’s decidedly not. Also, she’s a princess. Eugene, dude, all the ennui in the world can’t compete with that.

“Tatyana falls in love with Onegin and nothing comes of it. Then he falls in love with her and nothing comes of it. End of novel.”

So that’s that. Interest lies in these characters’ emotional experiences.

I began my adaptation of this work a couple years ago during NaNoWriMo, but I did something weird with it—something I’ve never done with any other book. I wrote my entire first draft as dialogue with the odd stage direction thrown in. I guess I did it that way because I was working from an opera, but also because the contemporary characters existed so strongly in my mind that I was just recording their conversations.

It took me years to come back to my first draft and fill in prose where it was practically non-existent. I wouldn’t recommend this process. Or would I? I’ve got to admit, the dialogue is very snappy, and I think it came out that way because I wasn’t stopping my characters’ conversations while I filled in dialogue tags and descriptions. I just let them run wild.

That said, writing the second draft was a considerable slog. I felt like I’d already written this book and why did I have to write it all over again?

As much as I enjoy this little book of mine, I’ll be glad to close the door on it, and the reason for that is a personal one. Nabokov said, of Onegin, “those most anxious to read a moral into the poem are apt to impose on it not only their own interpretation but even their own version of its events.” I’ve gone so far as to write my own version and, as I look back on the adaptation I’ve created, I can’t help thinking how strongly it reflects one aspect of my life.

I don’t need to go into detail about the man I was once in a “relationship” with. The married man who was my teacher, whose mistress I became. You’re sick of hearing about him and I’m sick of reflecting on that time in my life. I’m ready to close the door on that, too.

Well, I can’t help thinking how much I was like Tatyana, in my younger days. Wanting not only his attention and affection, but wanting more. Wanting a real life together which, thankfully, I wasn’t granted.

Ten years went by. I didn’t marry a prince, but I would make a terrible princess anyway. Plus, I’ve got my girlfriend. I’m happy with her. I don’t want my ex back. At. All.

So when he started sending me all these pleading emails recently, it grossed me out. Big time. Especially the one where he actually wrote the words “You are my bucket list.” Eww. Who wants to be called a bucket list? I shudder.

I asked my girlfriend what to do about this grossness. She agreed that responding was not the answer, since he would take any response as an open door to further communication. She said, “Why don’t you block his email address?” and I was like, “You can do that?!?!” I had no idea. That’s me and technology for you.

So I did it. Immediately. I closed the door on him. I blocked him out of my life for good, and I can’t begin to tell you how empowering that felt. I’m sure you can hear it in my voice. I was so done.

John Bayley, in his introduction to Pushkin’s work, points out that “Eugene Onegin not only tells its own story to the reader but tells a story which feeds the reader’s own particular needs.”

Onegin wants Tatyana back, but nothing’s going to come of it.

She’s closed the door on him.

End of novel.

https://play.google.com/store/books/details?id=NNpyDwAAQBAJ
UPDATE: My Onegin adaptation is now available and it's called TRAGIC COOLNESS. Buy it now! Or ask your local library to acquire a copy. Read it now!
TRAGIC COOLNESS is available from Smashwords: https://www.smashwords.com/books/view/901726?ref=GiselleRenardeErotica
Amazon: https://www.amazon.com/dp/B07JHW2Q2V?tag=dondes-20
Google Play: https://play.google.com/store/books/details?id=NNpyDwAAQBAJ
BN: https://www.barnesandnoble.com/w/tragic-coolness-giselle-renarde/1129759465
Kobo: https://www.kobo.com/ca/en/ebook/tragic-coolness
iTunes: https://itunes.apple.com/us/book/id1439408697

Monday, May 21, 2018

Lewd and Proud - #pride #smut #erotica #reputation @Archer_Larry

Porn cartoon

By Lisabet Sarai

Hello! My name is Lisabet, and I write smut.

Oh, sometimes I call it erotic romance, or literary erotica, or even speculative fiction, but as far as the world is concerned, those fine distinctions don’t mean anything. As long as my work focuses on the experience of sexual desire and includes explicit depictions of sexual activities, I’m simply another pornographer. Certainly that’s Amazon’s position. Unless I’m especially careful, clever and/or duplicitous, my work is likely to be shuffled off to the adult dungeon where it will languish forever in obscurity. (Of course, that may happen even if my stuff doesn’t get quarantined, but the adult label is the final nail in the coffin.)

Meanwhile, in the enormous, financially powerful romance genre, so-called “steamy romance” is still viewed as the red-headed step child. This is the attitude of authors as well as (I assume) readers. Plenty of my romance colleagues won’t host me as a blog guest because my characters get down and dirty, even if I offer to create a purely PG post. Indeed, I’ve read (and fumed over) ignorant comments on romance writers' forums that dissed the entire erotica genre as nothing but gratuitous sex with no plot or characterization.

Then there’s my brother, also the creative type, who tells me I’m incredibly talented and wants to know why I don’t write a “serious” book. Oh, he also says he doesn’t want to read something that arouses him.

Well, guess what? Lots of people do. And I’ve decided that maybe I should be courting those readers.

After years of feeling embarrassed and apologetic about my chosen literary niche—although I often feel it chose me rather than the other way around—I finally decided it was time I really did write some porn. 
 

Last year I released my first book that I’d say was pure stroke fiction. Hot Brides in Vegas actually does have a plot, and lots of characters (mostly bodacious babes, with a few insatiable studs), but it’s a pretty big stretch from my more “literary” endeavors. Set in the outrageous world of strippers and swingers created by my ERWA colleague Larry Archer, Hot Brides tells the story of three young women who come to Las Vegas for Francesca’s lavish wedding.

While Fran’s fiancé Jake and his buddies set out for a stag night, exploring the fleshpots of Sin City, she and her bridesmaids Laura and Chantal are stuck at the resort under the watchful eye of her stern Aunt Giulia, who has promised Fran’s father that his daughter will come to the altar a virgin.

Frustrated and annoyed by these double standards, the girls hatch a plan to escape their chaperone and have some fun of their own. With the help of a susceptible concierge, a butch ex-cop limo driver and a scandalous French couturiere, they find their way to The Foxs Den, the most exclusive gentlemen’s club in the city. Owner Larry Archer and his crew of strippers, bouncers, voyeurs and sluts are more than happy to welcome the delectable trio as contestants performing at the club’s famous Amateur Night.

Writing Hot Brides was a breath of fresh air for me. I turned the censors and critics off and simply wrote the wildest scenes I could think of. I produced the 30K novella in record time (for me), banging out (so to speak!) 3-5K words at a sitting. Furthermore, it’s remarkably goodin my own unbiased opinion!for fiction with no redeeming social value whatsoever.

My reviewers agree. One called it “pure wicked escapism”, which really sums up the story well. Meanwhile it has sold better than anything I’ve written in quite a while (though I wouldn’t say I’ve really conquered the obscurity problem).

In fact, I enjoyed writing Hot Brides so much that I’m working on a sequel. More Brides in Vegas reunites Fran, Laura, Chantal and their swains with Annie, another contestant they met at Amateur Night, for Annie’s wedding to Jake’s friend Ted. Since Annie and Ted don’t have a lot cash, they’ve organized the wedding at a vintage eighties motel on the outskirts of town, one of those sprawling places where the rooms are arranged around a courtyard with a big swimming pool. The newlyweds don’t realize this is a favorite site for swingers’ parties.

I’m hoping to finish the first draft of More Brides this weekend, and to publish it by early June. And I’m proud to say that it has even more sex than the first book.

I think it’s about time I lived up to my bad reputation!

You can check out a couple of excerpts from Hot Brides in Vegas at the links below.



And if you’re actually interested in buying a copy...