Showing posts with label Carol Lynne. Show all posts
Showing posts with label Carol Lynne. Show all posts

Saturday, September 18, 2010

Blurring the Lines Between Fiction and Reality

By Carol Lynne (Guest Blogger)

Yep, that’s me. It’s something I suffer from on a daily basis. I’ve given a lot of thought to this post and how I wanted to tackle it. In the end, I decided I wanted to address both sides. How do I affect my stories and how do my stories affect me. I’ll take the second part of that question first.

How do my stories affect me?

I’ll use Cattle Valley for my example on this one. As some of you may or may not know, I created a fictional town in Wyoming named Cattle Valley. It’s a place where men and women are allowed to life their lives without retribution for their sexual preferences or lifestyles. Although it sounds pretty Utopian, it’s not always that way. There are still struggles and obstacles that couples must overcome in order to find their happily ever after.

In my opinion, I give the characters the setting. How they make things work after that is their own job. And therein lies part of my problem. You see, I see the town people as real. I’ve written twenty books about them so they feel as real to me as anyone. I have the town so thoroughly mapped out in my head and on paper that I can give you street directions to their houses.

I know the website I had created went a long way in making Cattle Valley seem like a real place, but it’s also the readers input that has helped. Occasionally, I get emails from people asking questions about the town’s reaction to a certain vote that’s on the ballot. The emails are always addressed to the mayor and written in such a way that it almost breaks my heart to write back and inform them the town isn’t real. Right after President Obama was elected, Cattle Valley Mayor Quade Madison received quite a few emails asking what he and the others in Cattle Valley thought of the results and the future of GLBT causes under the incoming President.

And I’m getting just as bad. Last month, my cousin, who happens to be an incredibly funny and handsome gay man, told me he was taking a trip to Sheridan, Wyoming. Well, heck, Sheridan is only a thirty minute drive from Cattle Valley. I actually told Cory he should make the trip down. He looked at me and laughed. Honestly, it wasn’t until that moment that I realized I might need some professional help.

Readers often ask me how long I’ll continue to write the Cattle Valley stories, and I can never give them a definite answer. Sure, I’d like to explore other towns and characters, but how could I possibly leave all the men I’ve come to know and love? It may sound completely crazy, but I think, I will actually mourn once I’ve written the last chapter in the Cattle Valley series.

This leads me into the second half of my post. How do I affect my stories? This is the down and dirty section where you really get a peek into me as a person and author. Since my first story, I have always tried to give characters with troubled or painful pasts their shot at love and happily ever after.

I’m a strong believer in writing to my emotions. If I don’t feel the words, why write them? I can tell you that every time a character in one of my books suffers, so do I. I cry with them. I cry for them, but mostly, I cry for myself because the emotions are my own. They’re based on memories good and bad. Some so terribly scarring I rarely speak of them even to my family. I’m almost forty-five years old, and I’ve been carrying some of the pain around with me for half of my life. I’m incredibly grateful that I’ve finally found a way to express them.

When I wrote the book Scarred, I don’t think a day went by that I didn’t cry while writing it. Yes, the story was sad, but for me, it was so much more than that. It was a diary of everything I’ve carried with me since I was in high school. Once I was finally able to get all my thoughts and self-loathing out in print, I was able to step back and look at myself with an objective eye.

Near the end of the book, I had dinner with my mother and sisters and confessed to them what I’d known but refused to admit for some time. I am a manic depressive. I was shocked to see all three heads nod in an understanding way. They knew! All this time and they knew. I was floored.

The only observation my younger sister made was that she didn’t see the manic side. My mom was quick to jump in with my writing obsession and how there are times when I block everyone and everything else out to focus on my stories. Honestly, I hadn’t even thought of that, but she’s right.

This may be incredibly pitiful on my part, but writing makes me feel normal. It gives me hope, maybe not for me, but for the characters running around in my head that I give voice to. Not only am I able to give them acceptance but true love, despite their imperfections.

Wow, yeah, so that’s me. In case you’re wondering, I’ve been working hard at trying to curb my urge to work fifteen hour days. I’ve been taking the time to enjoy the life that I’ve worked so hard to achieve, and I actually am starting to feel better about myself. I still have a long way to go, but luckily, I still have a lot of stories to write and emotions to work through.

Carol Lynne

http://www.Carol-Lynne.net

http://www.CattleValley.net


Saturday, May 9, 2009

The Pros of Series Writing

By Carol Lynne


I was asked to weigh in on the topic this week by friend and fellow author, Jamie Hill. As some of you might know, I’m a big fan of writing and reading series books. I write them for the same reason I read them. I hate saying goodbye to characters that I’ve come to fall in love with.


Actually, I’m not sure that I’ve ever written a book without a sequel in mind. That’s not to say that I always write the sequel, but it’s definitely in my mind. Because my genre of choice is M/M erotic romance, it can often get me into trouble. I get comments as to why I never have straight people in my books. The answer is simple. I don’t care to write about straight people as a rule. In my books, I try my best to make the side characters every bit as compelling as the lead characters. The few times that I’ve written straight side characters into one of my stories, readers email asking for the side characters stories. This can present a couple of problems.

First of all, yep, like I’ve said, I don’t care to write M/F stories. Oh, once in a while I’ll get an idea and write one, but those are the odd exceptions. Secondly, I don’t think mixing genres in a series is a good thing. I have readers who read absolutely nothing but M/M. They may claim to love me as an author, but they won’t go near a ménage or straight M/F story that I’ve written. I can’t blame them because I’m the same way.

The first series I wrote was the Men in Love series for Ellora’s Cave. It had a mix of everything from straight M/F to a F/M/M/M/F fivesome. The problem is that the series itself doesn’t fit into any one category, so when you go to look up the series, you won’t find them all on the same genre page. Also, a lot of people skipped over the M/F book.

Having learned my lesson, I now only write series with one genre in mind. It helps not only in marketing the series, but in writing it as well. I love, love my men, and I’ve found that writing what you truly love makes all the difference in the world.

In the Campus Cravings series, I focused on the gay men on a typical college campus. I never said there weren’t a lot of straight men and women on campus as well, but they weren’t my focus. Living close to a major university, I know that a certain percentage of the student body is gay. Those men were my focus, and I did my best to portray stories relating to them.

It doesn’t matter what kind of series you write, whether it be gay, straight, sci fi, paranormal etc, the important thing is establishing side characters that readers want to know more about. You know those spots on the CBS news about everyone having a story? Well, I truly believe everyone does have a story. You give readers interesting side characters and it’s natural for them to want to learn more.

A big supporter of the M/M genre is reader/reviewer Elisa Rolle. Elisa compared my series books to gay soap operas. At first I was a bit hurt by the comment until I started to really think about it. What do soap operas have that regular books don’t?

Fans tune in every day to catch their favorite soap opera. If for some reason they can’t watch a particular day, they tape it. Why? Because they feel invested in the storylines and characters. They’ve come to really care about what happens to Sheila and her evil twin, Marcy. Now that Jake has finally married Beth, will they be happy?

What happens when you get busy and miss several weeks of your favorite show? Suddenly Jake isn’t with Beth at all, but with Raven. WTF? You wish like heck you could go back and see what went wrong, but it’s too late.

I look at series books the same way. I often argue with people that series books shouldn’t be stand alone books. I know I don’t want mine to stand alone. Why? Because then it’s easy to skip over several books. Just like a soap opera, I want my characters and stories to be ongoing. I want the reader to anticipate each book in the series so they can catch-up with their favorite characters and learn about new ones. I want people tuning in to see the big lavish wedding of Jake to evil twin Marcy. Damn that Jake gets around.

It’s all about creating anticipation in your readers. It’s fun not only for them, but for you as a writer. Teasing tidbits thrown in here and there are a fun way to get readers involved. On my yahoo group there was a big discussion about my upcoming Cattle Valley book, Eye of the Beholder. One of the men has a big secret, but no one knows what it is. The members of my group discussed it for several days, throwing out ideas of what Rance’s secret could be. I finally asked them if they wanted me to tell them. I mean, some of these ladies really seemed to be stressing over it.

The answer I received was no, absolutely not. They didn’t want to know because it was fun for them to guess. In a way, they were writing mini-books in their heads to try and figure out my characters. I love that! I can’t tell you how rewarding that feels. People have come to know my characters so well they think of them as real people. What greater compliment can a writer get?

So if you’re on the fence about whether or not to write series books, I for one can tell you the rewards far outweigh the stress involved in plotting them out. If you create likeable people in your series, the books will come to you. Like I said, everyone has a story, it’s up to you to find it.


Carol Lynne


...get your feet wet
http://www.carol-lynne.net


...you've been branded
http://www.cattlevalley.net

http://groups.yahoo.com/group/CarolLynne_EroticRomance/



Book eleven in the Cattle Valley series.


For a year, Bo Lawson has tried to get closer to his boss, Backbreaker Ranch foreman Rance Benning, but the stubborn ex-rodeo champion refuses to be swayed. Bo can't understand Rance's aversion to being alone with him. Could it be Bo's HIV status?


Rance noticed Bo the first day he laid eyes on him at Brynn's Bakery. Since that time, he's done anything and everything to stay away from the dangerous-looking gardener with the chiseled six-pack and tight-fitting jeans. Rance has seen what pity in a lover's eyes looks like, and he doesn't plan on ever putting himself in that position again.

When one of the ranch's prize bucking bulls breaks through the fence and disappears, Rance and Bo are thrust together to help find the one ton money-maker. Although Bo sees their forced time alone as an opportunity, Rance sees it as torture. Every minute with Bo threatens the secret Rance won't tell anyone, least of all this dangerously sexy man.

Available June 1 at Total E-Bound!



Monday, May 4, 2009

Thank you, Nora Roberts


I've mentioned before that I grew up reading the series of Nancy Drew mysteries. While they were indeed a series, not much ever changed in Nancy's fictional 18 year-old world. I'm still not sure if she ever kissed Ned Nickerson, George and Bess were her unchanging best friends, Nancy's father, defense attorney Carson Drew, and faithful housekeeper Hannah Gruen were always present in the background. I loved those books at a certain age, just as I grew to love another type of book.

Hey, this isn't the Nancy I remember! Maybe she did kiss Ned! Maybe she dumped Ned and kissed that blond in the background!



Danielle Steel introduced me to the romance novel, with the romance part behind closed doors. Danielle writes stand alone titles, which means not only does she have to come up with one hell of a lot of ideas because she's very proliofic, but also, if we loved characters, like Oliver and Charlotte in Daddy, we never got to see what happened to them in the future. Sure, there were the Lifetime TV movies, but Patrick Duffy and Lynda Carter were never my idea of the Daddy lead roles. *sigh*




Then I discovered Nora Roberts. Not her early category romance stuff (though many of those titles were brought back, spiffed up with new covers and eventually rereleased.) I loved her series. The Key Trilogy, The Three Sisters Trilogy, In the Garden Trilogy, and my favorite, Night Tales, with four connected stories in one. The first book centered around DJ Cilla O'Roarke, who plays requests in the Denver area. One night during the show she gets a threatening phone call from someone who says he's going to kill her. Although Cilla is stubborn and doesn't want to call the police, the manager of the radio station does. Enter Detective Boyd Fletcher... Of course they end up together, and the next three books are about her sister, his partner, and his sister. In each book we get to see how far Boyd and Cilla have evolved: marriage, children, and so on. There was even a fifth book about Boyd and Cilla's grown daughter, now a cop. That was a very satisfying series to read and enjoy.


That was the kind of series I was after. Sex, with a thread of continuing plot line and characters that changed over the years. Thank you, Nora Roberts. Exactly what I was looking for. Those books inspired me to write my Unexpected Love Trilogy.

Three tales of unexpected love and unadulterated lust!




Nothing to Lose: Bailey Montgomery travels to 'Small-town America' with one purpose in mind—settle her late mother's affairs and leave as soon as possible. She doesn't appreciate nosy neighbours, especially Doug Kenny, all around handyman, who meddles his way into her bed and heart.

Worth the Risk: Sarah Stevens isn't looking for romance when Sam Buchanan leases her loft apartment. Her sister-in-law Bailey, almost nine months pregnant, hires Sam to take over her job. Sarah's unnerved to discover her tenant is a very handsome man. Dating with a teenager in the house is titillating, forcing Sarah to re-examine her priorities and decide if Sam is Worth the Risk.

Having it All: Mandy Stevens is away at college when she meets handsome Nick Westchester. She's had little experience with men, but suspects Nick's intentions are less than honourable. Nick is captivated by Mandy, and though he starts out wanting to seduce her, he ends up falling for her, hard.

Three women, one amazing family. Three times the passion, three times the fun!
---------------

That feeling of continuity is also behind the new series Jude Mason and I are writing for Total E-Bound, Kindred Spirits.

"Welcome to Whiskers’ Seaside Inn. Do you have a reservation?"

Whiskers' Seaside Inn doesn't sound like the most exotic location for a weekend getaway, but it's certainly intriguing. Ethan Roberts is smitten the moment he sees the weathered clapboard inn and finds out it’s for sale. He’s even more taken with the establishment's hunky handyman, Cade Wyatt.

The inn has two paying guests, but Ethan discovers another cast of characters who come and go as they please. Cade might be nonchalant about the ghosts, but Ethan's not sure he feels the same. He wants Cade more than anything, but Cade won't leave the inn. Somehow, Ethan must find a way to live with the spirits as well as the man he's come to love.

Can I ever make this place my home? He knows he could, in a heartbeat, if the inn was truly as serene as the face it presents to the world. Deep inside, something’s festering. He’s tried to ignore it—or not to believe in it—but he’s past that, now. There are ghosts or spirits at Whiskers’, plus one batty old woman, and he needs to know more about all of them.

"Annie, Laura and Ben," Ethan repeated dully. "The ghosts."

Chuckling, Cade faced him. "Actually, they’re spirits. You really don’t want to believe in them, do you?"

"Ghosts—spirits—aren’t real," Ethan insisted. "I believe that."

"Well, Mr. Roberts, I have a feeling your beliefs are about to be tested."
------------------

A bunch of different people will pass through the doors of the Whiskers' Seaside Inn. (Okay, most of them are hot, gay men.) But we get to see the evolution of Ethan and Cade's relationship, which Jude and I had a blast writing, and continue to enjoy as we work on more titles in the series. As Lisabet mentioned yesterday, a series like this requires a 'big picture' mentality, but to me, that's part of the fun. Keeping track of details can be interesting, but so far there have been no major gaffes.

The other type of series I've done is the similar setting, different cast of characters. Jude and I did this with our Untamed Hearts Series, three sets of shifters in one particular area. While the characters have a common setting, and might touch on each other, their stories aren't deeply interwoven. Same with my Rose & Thorn Society series. All the books share the common backdrop of the same BDSM club, but the tales aren't related and don't have to be read in order.

Saturday, our guest blogger will be Carol Lynne, creator of the Cattle Valley series and many others. Cattle Valley is a town for gay people, which sounds odd until you read the first book and discover the poignant way it came into existence. Carol writes gay and straight novels, but no lesbian stuff. I became involved when she decided it was time to bring some women to Cattle Valley. My first lesbian title, CV: Truth or Dare, was released last fall. My second lesbian title, CV: Fool's Gold, comes out in June. They were so much fun to write. Carol has created a town of memorable characters, and I got to stick some new people in and amongst them. It was great.

I'll continue to do stand alone titles because I don't want to scare readers off. (Get back here, Ray.) But I love writing series!