Showing posts with label Cattle Valley. Show all posts
Showing posts with label Cattle Valley. Show all posts

Saturday, September 18, 2010

Blurring the Lines Between Fiction and Reality

By Carol Lynne (Guest Blogger)

Yep, that’s me. It’s something I suffer from on a daily basis. I’ve given a lot of thought to this post and how I wanted to tackle it. In the end, I decided I wanted to address both sides. How do I affect my stories and how do my stories affect me. I’ll take the second part of that question first.

How do my stories affect me?

I’ll use Cattle Valley for my example on this one. As some of you may or may not know, I created a fictional town in Wyoming named Cattle Valley. It’s a place where men and women are allowed to life their lives without retribution for their sexual preferences or lifestyles. Although it sounds pretty Utopian, it’s not always that way. There are still struggles and obstacles that couples must overcome in order to find their happily ever after.

In my opinion, I give the characters the setting. How they make things work after that is their own job. And therein lies part of my problem. You see, I see the town people as real. I’ve written twenty books about them so they feel as real to me as anyone. I have the town so thoroughly mapped out in my head and on paper that I can give you street directions to their houses.

I know the website I had created went a long way in making Cattle Valley seem like a real place, but it’s also the readers input that has helped. Occasionally, I get emails from people asking questions about the town’s reaction to a certain vote that’s on the ballot. The emails are always addressed to the mayor and written in such a way that it almost breaks my heart to write back and inform them the town isn’t real. Right after President Obama was elected, Cattle Valley Mayor Quade Madison received quite a few emails asking what he and the others in Cattle Valley thought of the results and the future of GLBT causes under the incoming President.

And I’m getting just as bad. Last month, my cousin, who happens to be an incredibly funny and handsome gay man, told me he was taking a trip to Sheridan, Wyoming. Well, heck, Sheridan is only a thirty minute drive from Cattle Valley. I actually told Cory he should make the trip down. He looked at me and laughed. Honestly, it wasn’t until that moment that I realized I might need some professional help.

Readers often ask me how long I’ll continue to write the Cattle Valley stories, and I can never give them a definite answer. Sure, I’d like to explore other towns and characters, but how could I possibly leave all the men I’ve come to know and love? It may sound completely crazy, but I think, I will actually mourn once I’ve written the last chapter in the Cattle Valley series.

This leads me into the second half of my post. How do I affect my stories? This is the down and dirty section where you really get a peek into me as a person and author. Since my first story, I have always tried to give characters with troubled or painful pasts their shot at love and happily ever after.

I’m a strong believer in writing to my emotions. If I don’t feel the words, why write them? I can tell you that every time a character in one of my books suffers, so do I. I cry with them. I cry for them, but mostly, I cry for myself because the emotions are my own. They’re based on memories good and bad. Some so terribly scarring I rarely speak of them even to my family. I’m almost forty-five years old, and I’ve been carrying some of the pain around with me for half of my life. I’m incredibly grateful that I’ve finally found a way to express them.

When I wrote the book Scarred, I don’t think a day went by that I didn’t cry while writing it. Yes, the story was sad, but for me, it was so much more than that. It was a diary of everything I’ve carried with me since I was in high school. Once I was finally able to get all my thoughts and self-loathing out in print, I was able to step back and look at myself with an objective eye.

Near the end of the book, I had dinner with my mother and sisters and confessed to them what I’d known but refused to admit for some time. I am a manic depressive. I was shocked to see all three heads nod in an understanding way. They knew! All this time and they knew. I was floored.

The only observation my younger sister made was that she didn’t see the manic side. My mom was quick to jump in with my writing obsession and how there are times when I block everyone and everything else out to focus on my stories. Honestly, I hadn’t even thought of that, but she’s right.

This may be incredibly pitiful on my part, but writing makes me feel normal. It gives me hope, maybe not for me, but for the characters running around in my head that I give voice to. Not only am I able to give them acceptance but true love, despite their imperfections.

Wow, yeah, so that’s me. In case you’re wondering, I’ve been working hard at trying to curb my urge to work fifteen hour days. I’ve been taking the time to enjoy the life that I’ve worked so hard to achieve, and I actually am starting to feel better about myself. I still have a long way to go, but luckily, I still have a lot of stories to write and emotions to work through.

Carol Lynne

http://www.Carol-Lynne.net

http://www.CattleValley.net


Monday, August 10, 2009

Fangirl Squee

By Jenna Byrnes

I have to admit, getting new cover art is still one of the biggest thrills in this business for me. I can usually be found on various Yahoo Loops showing off the new cover while the book is still sometimes months away from release. There's something about seeing a beautiful book with my name on it that just makes me want to squee like a fangirl at Monkees concert.


Um, did I say Monkees? I meant Blink-182. Yeah, that's it.

As Lisabet mentioned yesterday, some publishers give the author more leeway than others. Most allow the author to fill out a form with their vision spelled out in a paragraph or two. Some even allow the author to send links to stock photos they'd like to see used. I've done it both ways, and I gotta tell you, looking through stock photos is tons of work. I've spent hours searching for the perfect thing and sometimes never finding it. But when I do--man, oh man, is that a great feeling.

Jude Mason and I chose the various photos for our Slippery When Wet series and Michelle Lee at Phaze put them together for us in a manner we were both extremely pleased with.


Alessia Brio at Phaze did a super job on my Streets of Fire series with some minimal input from me- I loved the New York skyline, the heart shaped cuffs, and I chose three different men in various white shirts for each of the three covers. I think these came out great, even if they suffer from the chopped head syndrome. (Which actually doesn't bother me. Sometimes when the physical description of the character doesn't match the picture, it's better to chop off the head and go with a sexy torso.) I love these covers, and the one below is my favorite. I chose it for the cover of the print version, coming this month from Phaze. (You can see it in the sidebar to the right on this blog.)

(See all three covers here.)

Jax Cassidy at Phaze caught the feel of my novella, Play it Again, Sam, with the sepia tinted cover she created. This story is about two men who spend their afternoons hiding away in a run down movie theater, one working and one simply watching Casablanca, over and over again. Jax got what I was going for, and I was very happy with the cover.

I didn't have any say in the Noble Romance anthology Spank Me Once cover, but I have no complaints. What's to complain about? LOL This one generated quite a bit of buzz online. I guess you can see why. Artist Fiona Jayde definitely 'got' the concept of this book!


Total E-Bound has never done me wrong on a cover. I'm continually impressed with the quality of their work. April Martinez did my Cattle Valley covers and I think they captured the spirit of my little Cattle Valley lesbian tales quite nicely. I'm very happy with them, as I am with all my TEB covers. Quality stuff.



I'm pretty easy going when it comes to covers, but of course I like some of mine more than others. If you think I'm going to tell you which ones I don't care for, think again. I know who butters my bread. *G*

In other people's books, a cover might influence me when I know nothing about the author. But if the book is by an author I enjoy, the cover doesn't matter. Jude Mason could release a blank white page with black text that read, "Book by Jude Mason" and I'd snatch it up. *grin* I know a good thing when I see it.

Monday, May 4, 2009

Thank you, Nora Roberts


I've mentioned before that I grew up reading the series of Nancy Drew mysteries. While they were indeed a series, not much ever changed in Nancy's fictional 18 year-old world. I'm still not sure if she ever kissed Ned Nickerson, George and Bess were her unchanging best friends, Nancy's father, defense attorney Carson Drew, and faithful housekeeper Hannah Gruen were always present in the background. I loved those books at a certain age, just as I grew to love another type of book.

Hey, this isn't the Nancy I remember! Maybe she did kiss Ned! Maybe she dumped Ned and kissed that blond in the background!



Danielle Steel introduced me to the romance novel, with the romance part behind closed doors. Danielle writes stand alone titles, which means not only does she have to come up with one hell of a lot of ideas because she's very proliofic, but also, if we loved characters, like Oliver and Charlotte in Daddy, we never got to see what happened to them in the future. Sure, there were the Lifetime TV movies, but Patrick Duffy and Lynda Carter were never my idea of the Daddy lead roles. *sigh*




Then I discovered Nora Roberts. Not her early category romance stuff (though many of those titles were brought back, spiffed up with new covers and eventually rereleased.) I loved her series. The Key Trilogy, The Three Sisters Trilogy, In the Garden Trilogy, and my favorite, Night Tales, with four connected stories in one. The first book centered around DJ Cilla O'Roarke, who plays requests in the Denver area. One night during the show she gets a threatening phone call from someone who says he's going to kill her. Although Cilla is stubborn and doesn't want to call the police, the manager of the radio station does. Enter Detective Boyd Fletcher... Of course they end up together, and the next three books are about her sister, his partner, and his sister. In each book we get to see how far Boyd and Cilla have evolved: marriage, children, and so on. There was even a fifth book about Boyd and Cilla's grown daughter, now a cop. That was a very satisfying series to read and enjoy.


That was the kind of series I was after. Sex, with a thread of continuing plot line and characters that changed over the years. Thank you, Nora Roberts. Exactly what I was looking for. Those books inspired me to write my Unexpected Love Trilogy.

Three tales of unexpected love and unadulterated lust!




Nothing to Lose: Bailey Montgomery travels to 'Small-town America' with one purpose in mind—settle her late mother's affairs and leave as soon as possible. She doesn't appreciate nosy neighbours, especially Doug Kenny, all around handyman, who meddles his way into her bed and heart.

Worth the Risk: Sarah Stevens isn't looking for romance when Sam Buchanan leases her loft apartment. Her sister-in-law Bailey, almost nine months pregnant, hires Sam to take over her job. Sarah's unnerved to discover her tenant is a very handsome man. Dating with a teenager in the house is titillating, forcing Sarah to re-examine her priorities and decide if Sam is Worth the Risk.

Having it All: Mandy Stevens is away at college when she meets handsome Nick Westchester. She's had little experience with men, but suspects Nick's intentions are less than honourable. Nick is captivated by Mandy, and though he starts out wanting to seduce her, he ends up falling for her, hard.

Three women, one amazing family. Three times the passion, three times the fun!
---------------

That feeling of continuity is also behind the new series Jude Mason and I are writing for Total E-Bound, Kindred Spirits.

"Welcome to Whiskers’ Seaside Inn. Do you have a reservation?"

Whiskers' Seaside Inn doesn't sound like the most exotic location for a weekend getaway, but it's certainly intriguing. Ethan Roberts is smitten the moment he sees the weathered clapboard inn and finds out it’s for sale. He’s even more taken with the establishment's hunky handyman, Cade Wyatt.

The inn has two paying guests, but Ethan discovers another cast of characters who come and go as they please. Cade might be nonchalant about the ghosts, but Ethan's not sure he feels the same. He wants Cade more than anything, but Cade won't leave the inn. Somehow, Ethan must find a way to live with the spirits as well as the man he's come to love.

Can I ever make this place my home? He knows he could, in a heartbeat, if the inn was truly as serene as the face it presents to the world. Deep inside, something’s festering. He’s tried to ignore it—or not to believe in it—but he’s past that, now. There are ghosts or spirits at Whiskers’, plus one batty old woman, and he needs to know more about all of them.

"Annie, Laura and Ben," Ethan repeated dully. "The ghosts."

Chuckling, Cade faced him. "Actually, they’re spirits. You really don’t want to believe in them, do you?"

"Ghosts—spirits—aren’t real," Ethan insisted. "I believe that."

"Well, Mr. Roberts, I have a feeling your beliefs are about to be tested."
------------------

A bunch of different people will pass through the doors of the Whiskers' Seaside Inn. (Okay, most of them are hot, gay men.) But we get to see the evolution of Ethan and Cade's relationship, which Jude and I had a blast writing, and continue to enjoy as we work on more titles in the series. As Lisabet mentioned yesterday, a series like this requires a 'big picture' mentality, but to me, that's part of the fun. Keeping track of details can be interesting, but so far there have been no major gaffes.

The other type of series I've done is the similar setting, different cast of characters. Jude and I did this with our Untamed Hearts Series, three sets of shifters in one particular area. While the characters have a common setting, and might touch on each other, their stories aren't deeply interwoven. Same with my Rose & Thorn Society series. All the books share the common backdrop of the same BDSM club, but the tales aren't related and don't have to be read in order.

Saturday, our guest blogger will be Carol Lynne, creator of the Cattle Valley series and many others. Cattle Valley is a town for gay people, which sounds odd until you read the first book and discover the poignant way it came into existence. Carol writes gay and straight novels, but no lesbian stuff. I became involved when she decided it was time to bring some women to Cattle Valley. My first lesbian title, CV: Truth or Dare, was released last fall. My second lesbian title, CV: Fool's Gold, comes out in June. They were so much fun to write. Carol has created a town of memorable characters, and I got to stick some new people in and amongst them. It was great.

I'll continue to do stand alone titles because I don't want to scare readers off. (Get back here, Ray.) But I love writing series!