By Lisabet Sarai
When I checked our topic for the next
two weeks – Erotica Revisited – I knew immediately what book I
wanted to discuss. I went to the bookshelves, confident I'd seen the
volume there, remembering the many times I'd pulled it out to read a
favorite passage or two and set my pulse racing. However, the slim
paperback with the powder-blue spine (I remembered the blue, quite
distinctly) was nowhere to be found.
Momentarily disturbed, I then recalled
that we'd stripped most of the salacious volumes off our shelves when we'd moved to our current
apartment, concerned that they might cause us trouble in this morally
conservative country. There were boxes, locked in the storage room –
I hastened to exhume the two most likely containers and searched for
the warmly remembered Victorian (or perhaps pseudo-Victorian) work.
Nothing.
A sort of panic engulfed me.
Periodically we go through purges in an attempt to lighten our
material load. Had I recklessly discarded my copy of Laura
during one of these orgies of self-discipline? If so, could I find
another copy? I searched Amazon and Wikipedia for any reference to
the title, without success. I was almost ready to accept that this
treasure from the period of my awakening as a submissive was forever
lost.
Perhaps I should write about some
other title, I mused, but my somewhat foggy recollections of
Laura continued to nag at my mind. I mentally reviewed the
other naughty books I'd seen in the boxes, some of them no more than
curiosities, few as close to my heart. Would I really have rid myself
of Laura while keeping those other volumes? When I returned for
a second, dusty search, my diligence was rewarded. I found the book
hidden under some erotic comics at the very bottom of the box, along
with my equally ancient and well-thumbed copy of The Story of O.
I felt as though I'd been reunited a
long-lost friend.
So why did this book have such a hold
on me? I can't remember when or where I acquired it. The publication
date is 1983, the publisher Grove Press – ancestor of Blue Moon
Books who released a number of my own works. The book purports to be
an unpublished erotic memoir from the Victorian period, according to
the (likely fictional) preface by one Claire Matthieson, D. Litt.
Edinburgh. (who, at least according to Google, does not seem to
exist). Two reviews on Amazon suggests that the book was actually
written by someone named Patrick Hendon. However, Amazon lists the
author as Professor James Jennings.
Anyway, this hardly matters. Although
penned in archaic style and sharing a vocabulary of bonnets, drawers
and garters, Laura has little in common with other Victorian
erotica I've read – The Pearl, Secret Talents, My
Secret Life and the ilk. Instead of the bawdy physicality typical
of the period, Laura offers a surrealistic, interior-focused
journey through the excesses of the flesh. The young heroine of the
title drifts from one disjointed carnal experience to another, at the
hands of individuals whom she may or may not know, in strange houses
of which she has fleeting memories. She has been trained to submit –
indeed, it seems that her entire family has conspired to make her a
willing whore. Despite the indignities to which she is subjected,
Laura walks proudly among those who use and abuse her. She knows that
she is special, gifted with the profound ability to arouse and then
to accept the consequences.
“Do not sway
your hips, girl,” I am told. What a nonsense is this. I am the
lure, the catch, the key, the lock. My arms bind as seaweed binds, as
grass curls around the cutter after rain. Come now, here now, kiss.
Laura may or may not be imagining the
events in which she participates. She may well be mad. I love that
suggestion – in some sense this would be more transgressive, if it
were true that her fevered brain has spun such lush and lustful
scenes.
I think, though, that the core of this
book's appeal for me lies in Laura's awareness of how her submissive
nature sets her apart. I've known this weird, twisted pride myself –
the sense that I can and will endure whatever my Master inflicts and
the knowledge of how this makes him value me.
This is a book about secrets and
revelations. In the first chapter, Laura's father calls her to his
study, shuts the curtains, reveals her role.
“You
understand.”
The question
mark had slipped, slipped from his voice. It had hidden at our feet,
a small black twist of sound between my toes. My silence was a tunnel
in which secrets flowed. I knew the dryness and the summer heat, the
far faint sounds beyond, voices floating, passing the house like
small clouds urgent in their going.
“Yes.”
I knew. I felt
the cold, the warmth. The shadows deepened and the door was closed.
Could I be saved? The people would be hushed, the eyes would watch,
the woods be searched. Iron railings rusting in the grass would be
turned over for the footprints that might lie beneath.
“In the
second left hand drawer of the desk, Laura, there is a strap. You
will hand it to me.”
Through a
mountain of stillness moving I moved. The drawer squeaked faintly as
if surprised that it was I. Only a strap lay within, brown-coiled and
smooth, a serpent in its waiting. Its surface was subtle, smooth. My
hand trembled not. In my handing it to his hand my hand was steady.
Upon his word
the desk received me. The leather stung, burnished my burning. In
Perdition there is only the receiving. I yielded, fell far faint,
received. Forlorn, the furniture would not look. The inkstand stood
busy in its inkness, uncaring of my cries in my undoing.
On the other hand, this might not be
the beginning of the tale. The narrative shifts like summer clouds,
coalesces into islands of clarity and then scatters into confusion.
This is a tale about time and memory as much as about desire –
about the malleability of all three.
How long has it been since I've sampled
a bit from Laura? At least three years, since that was when we
moved in here, but perhaps longer. No matter. The passage above still has the
power to arouse and move me.
I guess my tastes are pretty
idiosyncratic. The two reviews of Laura on Amazon both gave
the book a single star, the reviewers decrying the very mystery that
I find so alluring. Ah well. Different strokes, as the saying goes.
Anyway, I think I've spent too long
away from this old treasure. Now that I've rediscovered Laura,
it's going onto my TBR pile, to be savored once more from beginning to end.
i hate it when i can't find a well-loved book. i can see why this one would have special significance to you during the period of your awakening as a submissive. i'll have to pick it up myself to add to my Victorian/Pseudo Victorian collection.
ReplyDeleteI'm pretty sure it's out of print, but you may be able to get a used copy on Amazon.
DeleteI don't know if this would be to everyone's tastes. You might find it too indirect - I know you have a penchant for very hard core fiction.
i do, but i also enjoy Victorian type erotica. it's over at abebooks.com.
Delete& i enjoy well-written fiction.
DeleteHa! Y'know? I have "Laura" in my erotica cabinet. When I first started writing erotica, I went out and bought a bunch of books to attune myself closer to the genre. Previously, erotica was simply a masturbation tool, so I wanted to explore it's subtleties. Someone here recently said to be a good writer we need to be good readers as well. (Amanda?) For whatever reason, I didn't read "Laura". Will do so now after such a build-up. I suspect that when I bought it, it was along with several other books and that I didn't especially want to write in that Victorian style. I'd read "Man and a Maid", "Autobiography of a Flea", "Story of O" and many other Grove Press and their subsidiary Ophelia Press back in the days of amphetamine, sex and weed, wanking myself to blisters, never finishing anything. Hehe.
ReplyDeleteFunny story. My husband was previously married, in those very days of which you speak. His wife wrote erotica for Grove Press. Then I come along and end up writing for Blue Moon. (I guess that says something about the sort of women K. prefers!)
DeleteHi Lisabet!
ReplyDeleteWhat stands out to me in this book is the sense of language. The repetition and alliteration. It was written by someone who loves the sound of words as much as the sound of the whip.
Garce
Exactly. The two reviewers on Amazon clearly had little patience with this, but I loved it. It will be interesting to see, though, if the book has the same impact on me now that it did originally.
DeleteThe beautiful writing turns me on more than the "scene" itself, but I realize (sadly) that many, if not most, of the people who choose to read erotica are impatient with anything beyond explicit physicality. It gets more complicated with BDSM, though, where the inner perceptions of submission and dominance, pleasure and pain, shame and pride, are even more important than purely physical contact, so there may be more room for writing that tends toward the surreal.
ReplyDeleteI remain amazed by the major differences between readers, in terms of what they seek in erotica. When I read in the genre, I almost ignore the physical aspects, paradoxical as that may seem.
DeleteThe language in "Laura" seems to emphasize the sense of being off balance that comes with BDSM. You never know what to expect - you never know what anything really means. It's a powerful mystery.
for a D/s story to work for me, i need the motivations behind it. i need to know more about the characters.
ReplyDeleteAmen. Hence I find stories about play parties and casual whippings in sex clubs a bit boring.
Delete