His left shoe sank in the freezing mud. Without thinking it through, he pulled up smart and the leather came loose from his bare foot. He pressed down to keep it from coming off and his shoe sank deeper and wouldn't let his foot back in. He pulled again. His foot lifted free of the shoe and he tumbled back, windmilling his arms wildly. He came up hard against the trunk of a tree in the dark. Gray stars squirmed in front of his eyes. The side of his head felt warm and wet. His left foot was bare in the freezing snow blown wind and the shoe was gone. It was the loss of the shoe that sank the whole business in. The finality of it.
He shoved his limp hands past the shoulder band of his rifle cartridge bag, and worked his fingers into the armpits of his thin wool coat of gray butternut. The big Enfield rifle had been abandoned back there on the battlefield. If he was found this way by the Confederate cavalry, they'd be red hot to shoot him sure for a deserter. The Yanks. Hell. They'd just shoot him.
This
far north, this wasn't his country, these weren't his people. Winter wasn't like this in Georgia, except
maybe in the mountains at times, and he wasn't mountain folks.
He
peered into the blowing dark. I'm not
getting out of this one, he thought. Not
without a fire or something. Not without
a shoe. I won't see my people
again. I won't see morning. If this don't just lay over all.
His
left foot had turned to wood. He still
had the use of the right, but it was freezing too. His feet had gotten wet when they'd gone through the ice crossing that creek.
He
tottered to his feet. Keep moving. One foot in front of the other. That's all.
You can do that. Don't go down on
your knees. One more foot ahead of the
other, now the left.
As
he put his weight on the left foot it had lost all feeling to the cold. It was impossible to balance. There was no getting it. He held his bare
fingers out into the wind as if for mercy, arms out to make sure he didn't twist an ankle he could no longer feel.
Next
foot. One in front of the other.
You
got this, old coon dog, you got this. Right
foot. Left foot. Right foot left. Right foot left. Right foot left.
The sergeant major drilled them on the parade grounds in the sun and the hot sea
breeze of Savannah, and didn't the ladies look on as though they were already
heroes. What did he know then about
killing? Or being hungry? You don't know what hungry is, son, until you
can dry your tears with the slack of your belly.
Right
foot - left -
The left foot twisted and
slipped under him dropping his face hard in the frozen mud. His front tooth hit something hard and sent
electric zings through his neck. He lay
still, breathing, letting things settle.
The snow went on falling. A great
peace moved over him. This is easy. Its easier than walking. Go to sleep.
Let the Lord come for you in your dreams.
There
had been a mountain lion once.
The
mountain lion had been attacking his uncle's sheep. He was just a boy. His uncle had borrowed a rifle, a big flint
lock contraption from a neighbor with powder and balls. It was the first gun he had ever seen and the
weapon was beautiful and mysterious, a long elegant machine. He and his Uncle
had sat in the moonlight without speaking when on the second night the lion came for the
sheep. Without taking his pipe
from his lips, the man had pulled back the hammer lined up the shot and struck
the lion in the shoulder. The animal
twisted and screamed. But it got back
up. It took a long time to load one of
those rifles. Even as it was dying the
animal damn near got them.
Like
that, he thought. Like that. Four paws, facing the enemy. Get up you old
bastard.
He
tottered to his feet, staggered, but caught himself. He couldn't feel the left foot at all and
that was a mercy. It was frozen meat.
Up
ahead, just past the profile of the trees, a light. The light was square shaped and orange. A lamp through oiled paper. Someone's house. A Yankee house maybe. Would they take him in anyway? He limped, dragging his foot, hands inside
his coat, hunching down against the wind.
One foot shuffling forward, fighting the urge to run. The house seemed closer, but never close
enough. Soon the window. Soon the corner. Turning the corner. There the shape of a door.
His
hair blew into his eyes and there was ice on his beard that rattled against his
lips like glass prayer beads. Yet the
door was just over there. Right there.
And then it seemed as though the porch steps floated up dreamily and hit
him in the face.
He
opened his eyes and there was light, and there was heat, but no
understanding. For an instant he thought
there should be the battle flag of crossed bars, he would find that and run
towards that, run with a rebel yell through explosions and the death hum of
bullets, show the boys he was still all there, hadn't deserted nothing, knew
how to stick in a fight proper. He'd
just got turned around was all. Any man
can get turned around. But the room was
silent and the water immersing his nude body was so, so very hot and
wanted. And there was no battle
flag. No open ground or the sound of
shots. There was no fixing it. It was a room with a bathtub. There was movement and he turned his
head. An old woman with long silver hair
over her shoulders and the face of a dried apple was at the foot of the tub
pouring in steaming water from a kettle.
She saw his open eyes, looked with interest and continued to pour
water. She brought the kettle back to
the fire. He closed his eyes, drifted
away, and then the dull and steady pain in his left ankle brought him
back. He couldn't move his toes. He turned his head and looked down. The skin didn't look right. It was going bad, that ankle. Then all at once the shivering came. His body jerked, his teeth chattered and
clacked.
The
woman moved a chair up and sat beside the tub.
He
opened his mouth to ask questions but instead rattled "T-t-t-thank
you."
"Poor
boy," she said.
"You
got any shoes, please ma'am?"
"Shh,"
she said.
He
lay in the tub with his body shaking and the water rippling. Soon it all stopped. He breathed deeply and waited.
"Here,"
said the old woman, and dipped hot water in a pan. She poured it over his head. Twice.
Three times. "Here,"
she said and put her arms out, lifting him from the water. He stood in the warm little room, feeling the
pain below and the return of life above.
He felt hungry again and knew that he would live.
"Come,"
she said, taking a thick towel from the back of the chair, drying him gently
with it, his hair, his face, his shoulders.
"Come here." She draped
his left arm over her shoulder, stood him against her and brought him to her
bed. She gentled him down, stood beside
the bed a moment and just looked.
He
imagined his ugly nakedness, how he looked right now, a man less than
himself. The ribs standing out, scrawny
as a bird, all bones and skin. "I'm
sorry," he said. "Don't look
on me. It will trouble you so. Please, ma'am."
"Poor
boy," she said, lifted a knee and lay down beside him. She stretched her body to its full length,
rolled him against her. She nestled his
damp head against her breast and gently held him there. He listened to the rhythm of her heartbeat
which seemed to fill the room like a soft drum tap.
"So
many mistakes," he whispered into the fabric of her blouse. "I done them all."
"Shhh,"
she said.
"It's
indeed so."
"Yes,
yes," she said.
"Shouldn't
a been born. First mistake."
"Poor
boy," she said.
"Do
you suppose its so?"
"Shh,"
she said. "No."
The
steady tap of her heart seemed more urgent.
"And
soldiering. Man said I had to. For his son.
Cause I owed this man money."
She
said nothing. Her hands, feather light,
stroked his hair.
"I
ain't cut out. Some just ain't."
"I
suppose that's so."
"I
. . . I didn't mean to."
"Mean?
How?" she said. He heard the hang
sound of her "how". Southern
gal. Could be.
"To
run, I mean."
"Run?"
"Them
big guns," he said. "Sherman's big napoleons, they opened up on the line, it was all. The line fell. Went down like corn. Just arms and legs
flying. Heads too. I was just done up and then them big guns
finally. It was a mistake. It got my goat is all. I was done up and run like a rabbit. Oh god.
Oh god."
"Poor
boy," she said and stroked his hair.
"I'm
sorry."
"Shhh,"
she said.
"And.
. .and. . . and . . . "
"Shhh,
she said.
"I
kilt a man, trying to surrender to me once.
I did it."
"I
suppose that's so."
".
. . And you ever feel like, maybe, it's all just a mistake?"
"What
all?"
"All
of it? A man's life?"
"Your
life? No."
"You
gotta admit."
"Things're
not that way."
"What
other way is there?" he said.
"Poor
boy. Here."
She
did something with her hands and the wooden buttons of her plain linen blouse
parted. She lifted it away. Her bare breast, he could see, had once been
large and maternal. It still had its
roundness, but now lay deflated and sad against her chest. The nipple was brown, rough as a twig and yet
the tip still rounded like a peach bud.
"Ma'am."
"Shhh,"
she said. "Take this." She lifted the breast, shifted, leaned into
him and placed the nipple between his lips.
Like a forgotten memory, his lips moved, pulled it to him, sucked. A soft creamy bead of warmth spread to his
tongue and he pulled harder, closing his eyes, hearing the steady, lovely beat
of her heart. He swallowed. There was more. He swallowed again and a great swelling calm
came over him.
"Poor
boy," she said.
There
was more again. He swallowed and the
hard world seemed so very far away as his lips moved in rhythm to her heart and
his hand reached to her and moved to hold her steady and close.
The
room seemed a little larger. The woman
seemed a little larger. It was all
right. It was fine. And what would
happen next, that was fine too.
She
settled her head on the pillow next to his, pressed him gently into her
breast. Wrapped her body around his.
The
room became larger. She became
larger. Her arm lay over him, stroking
him as he drew from her breast, lips moving only, thoughts quiet.
"Poor
boy," she whispered.
He
became smaller. Soon she had to hold him
in place. Soon he was very small. She held him to her breast and cupped all of
him in her hands, closing her eyes, breathing steadily, moving her knees a
little to get comfortable for the night.
The
morning sun lit the thick oiled paper of the window, cheering the room. The water in the tub had long gone cold. In the corner of the room was a steaming pile
of tattered gray butternut cloth and a unit insignia. And one shoe.
The
young woman rose from the bed, fresh and well fed, full and curved and lovely
as a young animal. Her hair, black and
flowing curled over her face. She shook
it away without her hands, because in her full hands she held something
alive. The man was gone. She left the bed, stood and stretched gently,
with her hands cupped closed. She
whispered something, listened to her hands and smiled. She went to the door, nudged the iron latch
with her elbow and eased the door open
with her toes.
She
lifted her hands into the cool air and opened her fingers.
A
small butternut gray sparrow chirped, scolded and rolled itself into the chill
air. It spread its wings and took to the
air as if it had always known how and was lost to the forest and frost.
Copyright 2015 C Sanchez-Garcia
Your stories are always full of surprises!
ReplyDeleteThis is so vivid. Have you ever been caught in the snow like this? It reads like a memory.
My only crit -- would a rural Southern boy know about prayer beads?
Uhhhh. . . . he's Catholic??
ReplyDeleteSee? A new mistake!
Garce
Gorgeous story. I feel like the trope is generally treated as horrifying (the entrapping woman who transforms a man into a beast). In your treatment, however, it reads as redemptive and I feel happy for him in the end. Beautifully done.
ReplyDeleteIt's been a long time since a woman transformed me into a beast. I'd like to feel that way again. Grr.
ReplyDeleteIt is redemptive though. Thanks Annabeth!
Garce
I find myself smiling, Garce. What a lovely story. I almost expected him to get back to the womb.
ReplyDeleteI wrote that story! It was a part of a story I posted here years ago called "Natural Acts". In one of the vignettes the guy returns to the womb. That was fun to write.
ReplyDeleteGarce
I remember that story about the man who returns to the womb, Garce. In this one, the "poor boy" seems to return to the womb of the natural world, in which there are no mistakes, from the giant collective mistake of war. Beautiful story. I'm curious to know why you chose the U.S. Civil War.
ReplyDeleteHi Jean!
DeleteCivil War? I have no idea, it just sort of went in that direction. Mostly I wanted him to be a man n the run from something who had some regrets. It was fun to write. Thanks for reading my stuff.
Garce
Lovely story, and with the refreshing twist of the woman regaining youth by feeding the man, instead of draining him. I think there's some complex message in the fact that he's turned into a bird by the very mammalian process of nursing, something that makes his change more profound and at the same time more freeing.
ReplyDeleteHi Sacchi!
DeleteI really liked the idea of a very old woman nursing a man into some transformation somehow. I enjoyed playing with that image. Thanks for reading my stuff!
Garce