I’ve given this a lot of thought over the
last week or so, in preparation for writing this post, and I can’t honestly
come up with any examples of male characters who weren’t alpha, at least some
of the time. Maybe this is a reflection of my taste in reading matter, but
there you have it.
But an alpha male doesn’t need to be ‘on
duty’ the entire time. I prefer a hero
who can be vulnerable, or wrong, or just plain incompetent at something. I’ve
written loads of those, and they seem like real men to me. I meet men like that
all the time.
In First Impressions my alpha male is
something of a nerd, a whizz kid who makes a good living out of IT software
design but can’t tell one end of a screwdriver from the other. He has to rely
on the single mother, a local plumber who answers his cry for help, to fix his
boiler and generally make his house habitable.
Another of my titles, Tell Me, features a very
successful businessman who still needs to bring in an ultras-efficient head of
finance to unravel a fraud in his accounts department.
In another of my books, a novella this
time, Carrot and Coriander, the hero is a petty crook, new out of
prison who is trying to go straight. He needs work so he’s prepared to do laboring
jobs, tidying up gardens, whatever. He finds himself working for a self-employed
accountant, and then his true, dominant, colours start to show.
My point is, there’s a time and a place. An
alpha who never puts a foot wrong, who knows everything, can handle every situation
with aplomb and ruthless efficiency is too one-dimensional for my taste. And
not believable. I’m not convinced he’s even that likeable, and readers do need
to like the main characters, I find.
A part-time alpha allows an opportunity for
others to shine too – the sassy, intelligent heroine, the charismatic partner,
the less confident characters who can flourish in the right environment. A true
alpha doesn’t need to put others down to be dominant. He (or she) can bring out
the best on those around them, the Pygmalion effect. That’s often hinted at in
BDSM stories, the experienced Dom who sees in the new submissive qualities
which even she (it’s invariably a she) was previously unaware of, under whose
firm but sensitive coaching she is able to recognize and claim her true nature.
It’s something of a fantasized arc, but it works beautifully.
In this excerpt
from Carrot and Coriander, Callum is
experiencing that moment of recognition.
The quiet, feminine voice startled him. He hadn’t heard her approach, so
she must have come out of the back door this time. Watching him when she
thought he couldn’t see her, and now sneaking up behind him. She made him
uneasy, edgy even. Truth was, he was itching to get his hands on her. His
grubby, rough hands all over her smooth perfection. Not that he would. Well,
not unless she asked very nicely.
She shifted, dropped her gaze again as she started to back away. Callum realised
he’d been glaring at her. Shit—no good came of scaring his customers. But there
was something about her manner, her shyness, that appealed. That seemed
familiar. Surely she wasn’t…? Wouldn’t…? Would she?
“I’m sorry. I was miles away. What did you say?” He pushed his lips into
a grin of sorts. The friendliest he could conjure up at short notice. But he
was trying.
“Soup. Carrot and coriander. I made it. Lots of it. Too much just for me and Jacob. I wondered if
you’d like some. For lunch or maybe you could take some with you…”
Her voice trailed away, and he pulled himself up short as he caught
himself glaring again. Bad habit. But soup! Did he look like the carrot and
coriander sort? He was about to refuse, as politely as he could manage, but
something stopped him. Maybe her obvious nervousness around him—was she
actually shaking? And he did like carrots at least. Occasionally.
“Thank you. Soup would be…nice.” Had he actually just said that?
Apparently he had because she smiled, her face lighting up before she
dropped her gaze again. But not before he noticed she had green eyes, reminding
him of a rather nice BMW he’d once nicked. Her hair was a definite red now he
saw it up close, with chestnut highlights. He smiled back. A real smile this
time, his pleasure genuine because she was sweet, nice, and he was beginning to
think she might be so much more.
“Would you like to join me? Unless you’ve got other plans, of course…”
‘Other plans’ would have extended only as far as the fish and chip shop
two streets away. He found himself accepting her invitation to lunch, and it was not until afterwards that he remembered he was filthy, hadn’t showered in days, and probably smelt
like mouldy cheese. Still, it was done now. And he could always have his soup
outside.
Except she had other ideas. “Great. Lovely. Just come on inside then,
when you’re ready. I’ll be in the kitchen.”
I think you're right about the appeal of imperfect alphas. Vulnerability can be more attractive than aplomb. A character with a mix of traits is much more interesting than a one-dimensional stud.
ReplyDeleteLove this line: "But not before he noticed she had green eyes, reminding him of a rather nice BMW he’d once nicked."
ReplyDeleteThat makes him seem very human!
Often those little imperfections are what attract an admirer. Those little things that set a person apart. I'm still attracted by a pretty girl's chipped front tooth.
ReplyDeleteSometimes it can be incredibly moving when an Alpha has a moment of weakness. Though it's not an erotic title at all, the Gone series of YA novels has an incredible moment in one of the latter books. All of these youth who have had to be so adult and so strong and so in control all the time, all retreat to their private spaces and just cry out a moment of weakness. It was one of the most moving scenes I've ever read AND it gave me new respect for them as alphas in their community.
ReplyDelete