I find that I read like I write — I balance multiple books/stories, dipping into each of them when time and interest allows. I’m currently writing six books/stories for various pen names, with another seven in the pre-writing stage. Similarly with reading, I’m in the middle of three books right now (and I had taken a break from these to read a fourth book last week).
Might as well start this off the same way I start off every “What I’m Reading” post. Yep, I’m reading a Star Trek book. This time, it’s Star Trek: Prey: Book 1: Hell’s Heart by John Jackson Miller. It’s okay. It’s Klingon-focussed and I seem to be one of the few Star Trek fans that’s never really liked the Klingon storylines. Miller’s writing ability is far superior in this book compared to his previous Star Trek book, but overall it's fairly decent. I'm having a little trouble keeping all the Klingon names straight as half of them start with K.
The second book I’m reading is Abaddon’s Gate by James S.A. Corey, which is the third book in The Expanse series. (This is the book series that The Expanse tv series is based on.) The Expanse is planned as a nine-book epic and what I particularly enjoy about it is that each book seems to be greatly different than the one before it — so the reader doesn’t get much of the same-old-same-old feeling that can come with some ongoing series.
In The Expanse, an alien protomolecule from who-knows-where has started infecting humanity and doing strange things. Book one (Leviathan Wakes) featured the protomolecule seemingly breaking down human bodies and reshaping the organic matter for some strange purpose. Book two (Caliban’s War) was about how a company was trying to use the protomolecule to create supersoldiers, while the on Venus, the protomolecule was reshaping the inorganic material on the planet for some strange purpose. In Abbadon’s Gate, the work that the protomolecule had undertaken on Venus led to the creation of a “ring” that it launched and set in place in the outer solar system. The ring leads somewhere, but that hasn’t yet been revealed to me. (The characters are all travelling to the ring right now.)
Corey writes engaging chapters that are nicely-sized. I generally read a chapter a day before bed. What I find particularly interesting about the future that Corey has created is that religion and faith are still very strongly present. In most sci-fi stories, humanity has mostly become atheist, with religion only showing up as either a human cult or the backwards practices of a primitive alien culture. So, to read how faith is navigating the future has been an interesting journey.
For the third book, I felt a strange need to pick up a hetero romance from the grocery store. I’m reading Lycan Unleashed by Shannon Curtis (which is bundled with The Immortal’s Hunger by Kelli Ireland). It’s okay so far. I'm only a few chapters in. As I’m reading it, I get the feeling that this is a sequel to a previous story, but the “other books by” list indicates this is Curtis’s first publication with Harlequin. It’s pretty decent so far. In retrospect, I probably shouldn’t have picked up a werewolf romance if I’m not into paranormal stuff. (But at this grocery store it seemed to be either regency, western, or paranormal — none of which really caught my interest.) Plus, I was taken by the cover model.
And I mentioned that last week I paused these three books to read another. I had a quick read through Frances Caballo’s very short ebook The Author's Guide to Goodreads. I was hoping to learn something I didn’t already know, but it was essentially a primer to Goodreads and didn’t go too in depth. Might be helpful for some, but wasn’t anything new to me.
Cameron D. James is a writer of gay erotica and M/M erotic romance; his latest release is Seduced by My Best Friend’s Dad (co-written with Sandra Claire). He is also the publisher and co-founder of Deep Desires Press a publisher of erotica and high-heat-level erotic romance. He lives in Canada, is always crushing on Starbucks baristas, and has two rescue cats. To learn more about Cameron, visit http://www.camerondjames.com.
Showing posts with label paranormal romance. Show all posts
Showing posts with label paranormal romance. Show all posts
Tuesday, November 8, 2016
Monday, September 26, 2016
Some Enchanted Evening
By
Lisabet Sarai
Some
enchanted evening
you
may see a stranger,
you
may see a stranger
across
a crowded room,
and
somehow you know,
you
know even then,
that
somewhere you'll see her
again
and again.
~
Oscar Hammerstein II, South Pacific
I’m
willing to believe that love at first sight happens occasionally, but
I haven’t experienced it myself. As I think I’ve shared here
before, when I first met my husband (36 years ago!), I tried to
discourage his obvious interest in me, because I already had too many
men in my life. It took four months of cross-country correspondence
and a month at my dying mother’s bedside for me to begin to
understand what a special person he was.
My
relationship with the man I call my master also developed gradually.
We were casual friends for over a year, before he dropped out of grad
school and headed for California. A lengthy epistolary seduction
landed me in his bed and his bonds. (Hmm. Both cases involved
writing. Is there a pattern here?)
I’ve
certainly been hit by lust at first sight—that
intense, immediate chemistry one sometimes feels when meeting a
potential partner for the first time. That has rarely worked out
well. Physical attraction and sexual compatibility just aren’t
enough, by themselves, to support a serious relationship. I recall
one guy, in particular, whom I met at a girlfriend’s wedding in San
Francisco and found almost unbearably attractive. I gave him a lift
back to the LA area, where we were both living at the time. We first
had sex that very same evening. Definitely fireworks material. Before
long, though, I realized that though I still wanted him, I didn’t
like him much. He was immature, and not very trustworthy or honest.
Still, we remained lovers for a couple of months, mostly because of
the sex. I felt a sense of relief when we finally broke up.
Love
at first sight is of course a common trope in romance, but it’s
difficult to make the phenomenon convincing. When it’s done well,
the couple almost always questions the reality of the connection. The
characters know that this kind of immediate bond is rare. In
fact, coming to believe in their own love can be a central story
conflict.
As
I mentally review my own backlist, I can’t think of a single
contemporary or historical title in which my protagonists fell
instantly in love. In paranormal romance, though, I’ve found I can
stretch plausibility. My paranormal titles sometimes feature what I
call “magical lust”—an instant, irresistible attraction between
the protagonists that derives from their fated connection. Characters
in a paranormal book are often lovers by destiny. Their complementary
powers draw them together. Often they’re mystified by the potent
forces that bind them, but readers understand and welcome this kind
of attraction (which is, after all, another trope).
A
high-pitched whine drew her attention to the tumbled boulders that
marked the eastern extent of the beach. Atop the pile of rock
crouched a dark-skinned man, boring into the surface with some kind
of drill.
“Hey!
What are you doing?” Ondine strode towards the interloper, still
holding her discarded clothing. “That noise—you’ll disturb the
fish!” She halted on the sand below his perch, one hand shielding
her eyes from the glare. “Stop that this instant!”
The
stranger raised his head and fixed her with eyes like polished jet,
set in a proud face almost as black. A cloud of wiry hair haloed his
skull. He flipped a switch and the irritating noise died. His full
lips parted in a confident smile, revealing even, pearly teeth. He
rose to his full height—at least six feet, she guessed, though her
position made him look even taller—and gazed down at her.
Self-consciousness
blasted through her as she suddenly remembered she was naked. Hot
blood raced to her face while her nipples tightened into ruddy peaks,
and an echo of her recent climax shimmered in her still-damp pussy.
The
stranger looked distinctly amused, as though he sensed the physical
effects his presence triggered. There was something else, too, an
unnerving sense of familiarity, although Ondine was certain she’d
never met this man before.
She
squared her shoulders, ignoring her embarrassment as best she could.
She wasn’t ashamed of her body—far from it. “You can’t drill
here. Tide pool habitats are very sensitive. The vibrations could
kill crustacean larvae, for a start, and confuse organisms that rely
on echolocation…”
The
black man’s grin grew broader. He scanned her nude figure with
deliberate and obvious interest before he answered. Ondine’s
nipples ached under his scrutiny, even as her blood boiled at his
brazen attitude.
“I
have a permit.” His voice had an unexpected softness, with a faint
hint of the Caribbean. He rifled in the pocket of his tight jeans and
pulled out a sheet of paper, which he offered her. “Mass DEP. Go
ahead and check. I think you’ll find it’s all in order.”
The
sun beat down, hotter than ever. Sweat gathered under her arms and at
the back of her neck. Ignoring the proffered permit, she planted her
fists on her hips and summoned every ounce of authority she could
muster.
“This
beach is private, reserved for Katama residents. What’s your
business here?”
Stuffing
the permit back into his pants, he sank into a crouch to pick up a
piece of equipment that he’d propped against a rock, next to a
two-meter steel pole. His thigh muscles flexed against taut denim as
he rose. His white T-shirt emphasised his ebony skin, sculpted
pectorals and massive biceps—her mouth felt dry and her pussy, wet.
“I’m installing a temporary meteo-hydrographic monitoring
station.” The device bristled with lenses, buttons and dials, the
pinwheel of an anemometer, and the tongue-like extrusion of a rain
gauge. “Come on up. Take a look.”
“Just
a minute.” She stepped into her shorts, then pulled her shirt over
her head, trying to ignore the sensation of fleece brushing across
her naked breasts. In her bare feet, she clambered up over the
knobby, rust-coloured stone until she stood beside him. He towered
over her. She caught a whiff of sandalwood and coconut oil and was
washed by sudden desire.
He
pointed to a white plastic rectangle. “This is the hygrometer, the
humidity sensor.”
“Yes,
yes, I understand. You’ve got a laser ceilometer for cloud height,
I see, and an infrared camera for thermal imaging…”
“What…?”
She
found his surprise gratifying, as he realised she wasn’t just a
naked, blonde beach bunny.
“I’m
a marine biologist. We use similar devices in my lab at Woods Hole.
But VineyardAirport has a full suite of weather instrumentation. Why
are you installing this system here?”
“I’m
working on the design for an offshore wind farm.”
“Wind
mills?” Her indignation returned, blasting through her with
hurricane fury. “Those spell death for sea birds!”
“We’re
doing research—”
“And
the awful, endless hum disorients cetaceans. They swim in circles
until they starve to death!” She snatched the apparatus and held it
above her head, threatening to smash it upon the rocks.
“Don’t!
Please!” Seizing both her wrists in one massive hand, he pried the
delicate gadget from her clutches with the other.
She
did not fight him. When he touched her, her anger fled as quickly as
it had arisen, to be replaced by irresistible, irrational lust. Her
pussy gushed and her clit pulsed between her thighs. Electricity
zipped along her limbs. Her modest breasts felt huge and heavy,
aching for contact.
The
stranger’s eyes grew wide. Sweat beaded on his forehead. She
dropped her gaze to his crotch. A visible bulk distended the fabric
there, evidence that he shared her reactions.
Without
releasing her, he placed the weather station upon an outcrop, then
dragged her into a rough embrace. Their lips mashed together as they
grappled, tearing at one another’s clothing in a desperate quest
for bare skin. The rusty taste of blood flooded her mouth. She’d
bitten her own lip in her hunger for him. His flavour was spicy with
a burnt edge, like an autumn breeze. His brazen tongue mirrored the
frantic dance of his hands on her flesh.
She
wormed her hands into his trousers so she could grip the smooth,
solid curve of his buttocks. The muscles tightened and shifted under
her palms as he ground his hardness against her. Her shorts hung
loose on her hips. He dragged them down to her knees and plunged his
fingers into her drenched cunt, smothering her moan of delight with
another fierce kiss.
Ondine
fumbled with the stranger’s zipper as he delved into her core,
pushing her closer to the edge. She needed to complete the circle of
pleasure, to feel him hard and smooth and slick in her hand. The
pressure of his swollen flesh against his fly and the exquisite play
of his fingers in her sex combined to render her task almost
impossible. Finally, using both hands, she managed to open a gap big
enough to release his cock from its prison. Now she made him
moan, as she stroked his taut shaft and coaxed him towards release.
“Oh,
ah, Father Legba! Oh, woman, you will undo me…!”
The
man sank to his knees, and she followed, unwilling to relinquish her
hard-won grip on his cock. He fisted her hair to take possession of
her mouth again. She drank in the heat of him, the taste of him, at
once strange and familiar, pumping his cock all the while. Gravel
tore at her knees as she opened her thighs to expose her needy cleft.
His thumb found her clit, sending bolts of sensation roiling through
her. She rolled her thumb over his slick bulb in return. Waves of
tension rippled up the shaft, proof of his struggle for control.
Somehow
he’d ripped her shirt open. He bent his head to suckle her and she
felt the same pull deep in her centre. His teeth closed around her
aching nipple. She raked her nails along his length.
His
cock shuddered and jerked in response, spilling warm fluid into her
palm. At the same instant, he captured her clit between two fingers
and squeezed.
~~~
The
characters go from adversaries to lovers in seconds. As it turns out,
Ondine is a Water Elemental and Marut is an Air Elemental. They have
been lovers for eons, reborn in each generation. They’re fated to
be together, to balance the varied forces of Nature. Though they
don’t understand their connection, they can’t help but surrender
themselves to magical lust, and to love.
Writing
this sort of scene is a guilty pleasure. I know this kind of
overwhelming, magic-enhanced attraction probably doesn’t exist. It
sure is fun, though, to pretend that it does.
Thursday, November 27, 2014
Magic in the Real World by Giselle Renarde
When I started writing my dark romance Seven Kisses, I didn't
anticipate the novel would turn into magical realism. I also didn't
realize it would turn into an erotic adaptation of Beauty and the Beast
or thinly-veiled Archer fan fiction, but that's a story for another day.
I'd conceptualized Seven Kisses as REAL realism, but before long I knew the book NEEDED a touch of magic. That magical element was required to offset the horror and the fear.
Gabrielle*, my protagonist, spends a good part of the novel drugged and strapped to a hospital bed against her will. After everything she goes through, she deserves an experience far more magical than mere escape--something more magical even than love.
I think I need that, too, even though my life is filled to the brim with love and it's nowhere near horrific. I think I need magic, and I think I need fear.
Last week I watched a free preview channel called Crime and Investigation. Mainly, it was three billion episodes of Law and Order, which was fine by me. I went with it. But then a different show came on: My Haunted House. And it scared the bejeezus out of me.
Okay, it was two in the morning and I was alone in the apartment, so maybe I was predisposed via setting to being wildly afraid of something that was only mildly scary. But maybe not. The stories were terribly terrifying.
My Haunted House turned me into the kid I used to be. When I was younger, I loved all things paranormal. Ghosts topped that list. Today, in erotic romance, "paranormal" seems to be code for vampires and werewolves, which kinda sucks because vampires and werewolves have never appealed to me.
I can get on board with vampires if I really want to (blood has a certain appeal), but I find werewolves puzzling. If you want to write about them, it seems like you have to be really attuned to the trend. I've written one werewolf ebook. It's a twentieth century historical called The Beast In Me (named after this song). I really quite like my werewolf historical, but I don't think it ever saw a review over 3 stars. So that was the first and last werewolf book for me.
Back to ghosts. I like ghosts. I like witches. I like creepy, unexplainable things. I like telepathy. I like telekinesis. I like demonic possession.
So why don't I write more of it?
Hmm... I'm not really sure. Maybe I'll put that on the resolutions list for 2015.
In the meantime, a lot of people have asked where they can buy Seven Kisses (and get their magic on!), so here are links to for Amazon, Amazon UK, Barnes and Noble, and iTunes. It's available a bunch of other places too, as an ebook and in print.
*Within the first few paragraphs, I was having so much trouble typing "Gabrielle" that I had to transcribe the name as "ghgh" and then do a general search-and-replace. The name tripped up my fingers. Not just that, but it's too close to mine. Either I'd type "Giselle" or I'd type Gabrighsle (yeah, it trips up my fingers THAT much!). Then when I started watching Archer, the name started coming out as "Lana" and that's when I knew I'd fallen deep into fanfic mode, but like I said: a story for another day.
I'd conceptualized Seven Kisses as REAL realism, but before long I knew the book NEEDED a touch of magic. That magical element was required to offset the horror and the fear.
Gabrielle*, my protagonist, spends a good part of the novel drugged and strapped to a hospital bed against her will. After everything she goes through, she deserves an experience far more magical than mere escape--something more magical even than love.
I think I need that, too, even though my life is filled to the brim with love and it's nowhere near horrific. I think I need magic, and I think I need fear.
Last week I watched a free preview channel called Crime and Investigation. Mainly, it was three billion episodes of Law and Order, which was fine by me. I went with it. But then a different show came on: My Haunted House. And it scared the bejeezus out of me.
Okay, it was two in the morning and I was alone in the apartment, so maybe I was predisposed via setting to being wildly afraid of something that was only mildly scary. But maybe not. The stories were terribly terrifying.
My Haunted House turned me into the kid I used to be. When I was younger, I loved all things paranormal. Ghosts topped that list. Today, in erotic romance, "paranormal" seems to be code for vampires and werewolves, which kinda sucks because vampires and werewolves have never appealed to me.
I can get on board with vampires if I really want to (blood has a certain appeal), but I find werewolves puzzling. If you want to write about them, it seems like you have to be really attuned to the trend. I've written one werewolf ebook. It's a twentieth century historical called The Beast In Me (named after this song). I really quite like my werewolf historical, but I don't think it ever saw a review over 3 stars. So that was the first and last werewolf book for me.
Back to ghosts. I like ghosts. I like witches. I like creepy, unexplainable things. I like telepathy. I like telekinesis. I like demonic possession.
So why don't I write more of it?
Hmm... I'm not really sure. Maybe I'll put that on the resolutions list for 2015.
In the meantime, a lot of people have asked where they can buy Seven Kisses (and get their magic on!), so here are links to for Amazon, Amazon UK, Barnes and Noble, and iTunes. It's available a bunch of other places too, as an ebook and in print.
*Within the first few paragraphs, I was having so much trouble typing "Gabrielle" that I had to transcribe the name as "ghgh" and then do a general search-and-replace. The name tripped up my fingers. Not just that, but it's too close to mine. Either I'd type "Giselle" or I'd type Gabrighsle (yeah, it trips up my fingers THAT much!). Then when I started watching Archer, the name started coming out as "Lana" and that's when I knew I'd fallen deep into fanfic mode, but like I said: a story for another day.
Monday, February 1, 2010
Human = Love, & Vote For A Quote
In many paranormal erotic romances I've read, there is often frequent, non-monogamous sex, especially early in the book and often in the first scene. Sometimes even gratuitous sex. Complementary body parts flying around, diving into whatever orifice is readily available, because that's what shifters or vamps or demons "need".

Don't get me wrong. I love to read and write paranormals. I always get a kick out of this truism of the genre though, not only because it's sometimes fun to read a down and dirty scene without a bunch of emotional baggage, but also because it's a somewhat obvious trope. They aren't human. Therefore, sex is just that...sex.
Paranormals aren't the only place you see this play out. You could also insert other genres here, including macho men occupations such as military, or ex-military special forces types (lots of those running around apparently), cops, etc, where the 'humanity' has been stripped from the heros, the better to do their jobs, which usually involves the need to kill without qualm.
However, don't forget this is a romance. So sure, there will come a time in the story when love begins to rear its ugly head, and won't THAT be a fight for all involved. The protagonist will be disparaged by another non-human entity (or fellow macho man...or their own subconscious...or sometimes even the object of their affection), will be sneered at for being too human. Love is seen as a weakness, a failing, a vulnerability to exploit.
Ah, but love will triumph. And while the no-strings rampant sex always reads like it's on fire, there is no comparison to the incendiary sex immediately following the realization (and before the end of the story, the declaration) of love. The tenderness, the emotion, the connection between the participants is unprecedented, unparalleled, unrivaled. A satisfying completion for all involved, including the all-too-human reader...
*********
Some thoughts from people who say it much better than I ever could. Vote for your favorite; the winning quote will be used in my future book, Sex On Summer Sabbatical.
"Sex without love is as hollow and ridiculous as love without sex."
— Hunter S. Thompson
"Sex is the consolation you have when you can't have love."
— Gabriel GarcÃa Márquez
"We can live without sex, but we can't live without love."
— Shane Claiborne
"If Jack's in love, he's no judge of Jill's beauty."
— Benjamin Franklin
"There is a no man's land between sex and love, and it alters in the night."
— Norman Mailer
"Well, in that hit you miss. She'll not be hit
With Cupid's arrow. She hath Dian's wit,
And, in strong proff of chastity well armed,
From Love's weak childish bow she lives uncharmed.
She will not stay the siege of loving terms,
Nor bide th' encounter of assailing eyes,
Nor ope her lap to saint-seducing gold.
O, she is rich in beauty; only poor
That, when she dies, with dies her store."
Act 1,Scene 1, lines 180-197
— William Shakespeare (Romeo and Juliet)

Don't get me wrong. I love to read and write paranormals. I always get a kick out of this truism of the genre though, not only because it's sometimes fun to read a down and dirty scene without a bunch of emotional baggage, but also because it's a somewhat obvious trope. They aren't human. Therefore, sex is just that...sex.
Paranormals aren't the only place you see this play out. You could also insert other genres here, including macho men occupations such as military, or ex-military special forces types (lots of those running around apparently), cops, etc, where the 'humanity' has been stripped from the heros, the better to do their jobs, which usually involves the need to kill without qualm.
However, don't forget this is a romance. So sure, there will come a time in the story when love begins to rear its ugly head, and won't THAT be a fight for all involved. The protagonist will be disparaged by another non-human entity (or fellow macho man...or their own subconscious...or sometimes even the object of their affection), will be sneered at for being too human. Love is seen as a weakness, a failing, a vulnerability to exploit.
Ah, but love will triumph. And while the no-strings rampant sex always reads like it's on fire, there is no comparison to the incendiary sex immediately following the realization (and before the end of the story, the declaration) of love. The tenderness, the emotion, the connection between the participants is unprecedented, unparalleled, unrivaled. A satisfying completion for all involved, including the all-too-human reader...
*********
Some thoughts from people who say it much better than I ever could. Vote for your favorite; the winning quote will be used in my future book, Sex On Summer Sabbatical.
"Sex without love is as hollow and ridiculous as love without sex."
— Hunter S. Thompson
"Sex is the consolation you have when you can't have love."
— Gabriel GarcÃa Márquez
"We can live without sex, but we can't live without love."
— Shane Claiborne
"If Jack's in love, he's no judge of Jill's beauty."
— Benjamin Franklin
"There is a no man's land between sex and love, and it alters in the night."
— Norman Mailer
"Well, in that hit you miss. She'll not be hit
With Cupid's arrow. She hath Dian's wit,
And, in strong proff of chastity well armed,
From Love's weak childish bow she lives uncharmed.
She will not stay the siege of loving terms,
Nor bide th' encounter of assailing eyes,
Nor ope her lap to saint-seducing gold.
O, she is rich in beauty; only poor
That, when she dies, with dies her store."
Act 1,Scene 1, lines 180-197
— William Shakespeare (Romeo and Juliet)
Thursday, July 31, 2008
Myths, Monsters, and Morality

I do not presume to know if ghosts exist. I have no personal experience on which to base an opinion. (Though I always wanted to, darn it!) People I know and whose opinions I value tell me that they have experienced paranormal phenomena. So lacking evidence to the contrary, let's call me a reluctant skeptic. I certainly believe that there is a whole hell of a lot out there that we've yet to understand.
But genuine haunts and spirits aside, once upon a time, parents told children tales of the boogie man and other things that go bump in the night for a very specific reason. To keep them in bed where they belonged. It may seem cruel, but think about it—there was no electricity, so no night-lights. There were wild animals and open fires about. Staircases didn’t usually have hand rails. It was a safety thing. Also kept them out of mom & dad’s bed, which was quite possibly in the same room. Explained away all that grunting and bumping, too.
What boogie man tales did for the children, religion did for the grown-ups. Thinking about running around after dark? Watch out, the vampires might get you. Those shell fish that are making everyone sick? If GOD says they’re unclean, maybe the masses will stop eating them. In parts of Africa it is believed that evil spirits lurk in the corners of the house—so houses are built in circles. Also conserves the scarce wood supply, as a circle gives you the maximum area/perimeter ratio. In Thailand you build a high threshold to keep out the evil spirits that crawl along the floor. Also works on snakes. Handy, huh?
Now, again, I'm not saying that anything paranormal doesn't exist. I HONESTLY do not know. And I’m not saying that religion deliberately hoodwinks the populace for its own arbitrary or nefarious reasons. But in a pre-literate society, religion was one largely self-enforcing way for the educated minority to communicate messages to the masses, and to have them stick. A lot of the paranormal legends we’re familiar with today may have started off in just such a manner, along with the fact that every culture has a mythology, and as cultures moved and mingled, the legends spread, grew, evolved. Trolls mean one thing to one culture, something else entirely to another. Brownies, leprechauns, elves, pixies, faeries—the stories and differences are largely regional, but with a great deal of overlap. Some of these creatures featured in the teaching of pre-Christian beliefs, just as the djinn feature in Middle Eastern theology and demons in many of the Asian philosophies.
Now, if you want to know how I think these religious aspects, or even whether or not you believe in the existence of the paranormal, should relate to modern paranormal romance, you might be in for a shock.
I don’t.
Not one little, teeny, weeny bit.
I write FICTION. Stories. Faery tales if you will. They have nothing whatsoever to do with reality—especially politics or religion. I'm not confirming the existence of anything, or denying it. And as to religious beliefs, well, I try very hard not to mention religion at all, though now and again the context of a story forces it in. When it does, I try to be as vague as possible, and most importantly, not to offend any particular sect. Why? Because I don’t want to get into a religious debate. That’s simply not what my romantic fiction is about. If your beliefs have a problem with the existence of a werewolf, or a living gargoyle, or a half-dragon cop, that’s fine. I don’t believe in singing purple dinosaurs either, but I let my kids watch Barney, even though he bugged the crap out of me. Because even when they were two, they got the concept that THIS IS NOT REAL. Watching the show has no bearing on whether or not they believe in purple dinosaurs, just as reading one of my books should have no bearing on your belief in ghosts or djinnis, or sexy cowboys.
If however, you have a problem reading about magical creatures, you should
But in my stuff? Whether it's about dragons or cowboys, it's all just fantasy. So kick back, forget reality for a while and have some fun.
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