By Lisabet Sarai
It’s early 2001 in New York. Divorced Jewish mother Maxine Tarnow used to be a certified fraud investigator, until she skated too close to the dark side and lost her license. That hasn’t diminished the reputation of Tail ‘Em and Nail ‘Em, the firm she runs out of a small Upper West Side office. Indeed, she’s seems to be in greater demand than ever, by clients with tangled connections to various dubiously legal activities, and to each other. In the wake of the dot-com collapse, the city’s investors, entrepreneurs and hackers are all scrambling to save themselves. They’ll stoop to anything to keep their heads above water: embezzlement, drug-running, money laundering, weapons smuggling, even murder. They’re doing deals with crime bosses, foreign spies, terrorists and the Feds, losing themselves and their souls in real and simulated conspiracies, hiding out in underground bunkers and on the Dark Web, in the vast reaches of cyberspace where commercialism hasn’t yet penetrated.
Like
a spider in its web, geek billionaire Gabriel Ice lies at the heart
of these plots and counter-plots, pulling strings and making plans.
All Maxine’s contacts — video-pirate- turned-film-maker Reg
Despard, sleazy venture capitalist Rocky Slagiatt, Russian agent Igor
Dashkov, crooked accountant Lester Traipse, neo-con operative
Nicholas Windust, even Maxi’s best friend Heidi — are somehow
linked to Ice and his paradoxically profitable company
hashslingrz.com. At the same time, Maxine appears to be a nexus
herself, as these varied characters explode into her life, dragging
her on midnight boat trips to vast harborside landfills, pulling her
into drunken and drug-infused parties, convincing her to take a turn
on the stage at a strip club. Mysterious USB memory sticks and DVDs
are delivered to her, full of classified dossiers and videos taken by
hidden cameras. As she struggles to make sense of what’s going on,
threats pile up, people around her die or disappear, and finally, two
planes barrel into the World Trade Center, turning it to a cloud a
toxic dust.
I
realize that as a summary, the above paragraphs seem pretty incoherent. I’m trying to capture the delirious, frantic, nearly
overwhelming complexity of Bleeding Edge. This
brilliant, funny, frightening book is one of the best things I’ve
read in a long time, but it’s almost impossible to describe. What
is it “about”? The raw wound in the American psyche ripped open
by 9/11? The vanishing of the beloved and familiar in New York, and
by extension, everywhere? The co-opting of the Internet and every
other type of media? The gutted dream of freedom, personal
responsibility, even personal agency? The nature of reality?
All
of the above. Bleeding Edge
casts a gritty, ironic spotlight on our times (and despite the
supposedly historical references, the book is definitely a commentary
on our times,
not the early years of the century). Yet
it has touches of magical realism, as Maxine catches
glimpses of the dead and experiences the occasional revelation. It’s
also hilarious, with acerbic dialogue and perfectly-pitched cultural
nuance.
Maxine
herself is a delight, a
tough, smart, compassionate,
sentimental Yenta who’s also a sexy MILF. Though disturbed by the
chaos around her, visited by dark, twisted dreams whose meaning eludes her, she somehow remains centered. She takes shopping to the
level of an art, knows where to find the best bagels, mothers her two
sons without smothering them. At the same time, she packs a revolver
in her handbag and hardly thinks twice about kicking off her
shoes to satisfy a foot fetishist.
Let
me warn you; once you begin
reading this book, you’re committed. One review on Amazon commented
that Pynchon demands your full attention. I wholeheartedly agree. The
sheer number of characters means you’re likely to forget who’s
who if you take a break to sample something else. I put the novel down
for a few weeks and found I needed to start from the beginning. The
book is not exactly difficult (though Pynchon has that reputation),
but it’s so rich it may spoil your appetite for other fiction.
How
can I summarize a rollicking, provocative, pyrotechnic masterpiece
like Bleeding Edge? I
can’t. All
I can do is urge you to read it.
Wow...I've heard of the author, not sure I've read him though. Sounds like a roller coaster ride for sure. I'm gonna check out my local Indie used bookstore later today to see if they have it.I like reading books out of the genres I tend to write in. It makes me a smarter writer. Thanks Lisabet!
ReplyDeletePychon's been around a long time. I couldn't get into "V" and quit halfway through "Mason Dixon", but I loved "Inherent Vice", the last thing I read by him. This one, though, is even better - much more serious themes, but equally funny.
DeleteSounds like Pynchon's first book, V, but with a shade less chaos. I read V back in the sixties, or maybe early 70s, and loved it. I've never liked any of his books I tried after that as much, but clearly I missed this one.
ReplyDeleteI think Pynchon has become far more accessible over time. I really struggled with "V". Read "The Crying of Lot 49" but really didn't understand it. More recently, though, his work has become somewhat more coherent, though no less absurd or imaginative.
DeleteI’ve never read Pynchon, but this sounds like a good read: complicated but comprehensible.
ReplyDelete