Sunday, February 10, 2019

Erotica, Unlimited

Sacchi Green

Excerpt time! My favorite!

I wanted to share something that matched our current theme of “limits,” but on further consideration I think I’ve already use my most limit-stretching pieces here over the years. Like the one in “The Red Tent” where one character is blindfolded with wrists and ankles tied to the tent posts at the corners, while the other tells her that the cold steel being inserted where she’s warmest is an ice-climbing screw with sharp edges along the spirals cut into its tip. Edge play involves limits, right?

Since I’ve already done that excerpt, I’ll take another tack entirely, with the same characters as they appear in a subsequent story, “Bright Angel.” I’ve written three stories about them, so far, and the third one, “Meltdown,” is included in my second collection Wild Rides: Erotic Adventures appearing in March, so yeah, my motive is a bit on the promotional side.

“Bright Angel” has plenty of kinky scenes, but my only excuse for connecting it with “limits” is what a young man, a beginning writer, said to me after a public  reading. “I didn’t know you could do that with erotica!” I forget what else he said, and I’m not quite clear what he meant, but my guess is that he’d only just then realized how unlimited the possibilities are.

So here goes, not quite from the beginning, and not quite to the end.


Bright Angel
Sacchi Green

"Hey Roby," Maura said, without turning her head, "Too bad you don't have the balls to fuck me right here.”
Oh yeah. I still knew exactly who she was. "If you'd had the foresight to wear a skirt," I told her, "You'd be bent over that railing right now praying you could hold on long enough to ride my fist to glory." I pressed closer and reached around to unzip the fly of her elegantly cut jeans. "You could still drop your trousers and make all these amateur photographers rich on sales to the tabloids. Or you can let it simmer a while, and I'll fuck you somewhere even better."
I could see out of the corner of my eye that we'd begun to distract a few tourists, most, of course, armed with cameras. Maura, even in scarf and sunglasses and denim, has the charisma of someone whose face could stare out at you with seductive arrogance from the pages of a fashion magazine. Whose face has, in fact, done exactly that, usually with the divinely sensuous participation of her body. More often than not the eye behind the camera had been mine, back before she moved on from the pinnacle of the modeling scene to her virgin attempt at acting.
"Don't they say that no publicity is bad publicity?" Maura turned toward me. I reached out to untie her scarf and remove her sunglasses, tucking them away in the pocket of my leather jacket. The old challenge was in her eyes. Push me, it said. Force me to the edge. Make me feel.
"So you don't think your acting can stand on its own," I asked, wrapping strands of her windblown hair tightly around my fingers, "without the scandal of getting thrown out of a National Park before the movie even opens?"
She caught at my hands. I released her hair. "Maybe I'll give you a chance to show me somewhere you think is even better," she said, and headed back toward the car. I waited just long enough to appreciate the elegant undulation of her hips in tight jeans before I caught up.
Maura wasn't primarily an exhibitionist, in spite of her place in the public eye. Or possibly because of it. Her craving for danger was more complex than that. There had been times, once I’d come to understand what my weathered skin and scarred body said to her, when she had begged me to mark the face the world saw so that it would become her own again. What she thought she wanted from me had nothing to do with tenderness. Still, whether she was aware of it or not, she needed something else from me, as well. Push me right up to the edge, her fierce eyes demanded, while a tiny tremor at the corner of her soft lips added, but don't let me fall.
While I checked in at Bright Angel Lodge, Maura watched the tourists signing up to ride down the nearby Bright Angel Trail tomorrow morning. Even in April, well before the high season, there was heavy traffic along the route. This late in the afternoon we wouldn't have had long to wait to see the mule train returning from the river at the bottom of the canyon, four-fifths of a mile straight down and eight miles of switch-backing trail below, but I had no intention of waiting.
Our cabin out behind the Lodge perched close to the edge, with just room for a narrow path and a wind-gnarled pinyon pine between its wall and the Grand Canyon's rim. Even a year ahead of time it had taken luck and the pulling of a few strings to get the reservation.
While I brought in the luggage, two-thirds of it hers, Maura stood looking outward, one hand tightly gripping a pinyon branch. The drop here was really not that abrupt at first. One could conceivably survive a slide down over a series of shallow shelves to Bright Angel Trail below.
"Are we going down there?" she asked. "Not on that trail," I told her, "and definitely not on mules. Not all the way to the river, either."
"Oh, right, I'd forgotten about your poor knees." Her subtly mocking tone was just another variation on the game of challenge we played. I knew my old climbing injuries held a certain fascination for her, and she knew that my body still had more strength and stamina than hers would ever achieve from gyms and personal trainers.  "You'll get all you can handle," I told her. "Trust me."
"I'm more worried about how much you can still handle." Maura sauntered back to the cabin and stepped inside. I followed her eloquent butt, then stood in the doorway for a moment to watch her explore the interior.  The furnishings were of comfortably updated 1930s craft design, highlighting natural wood tones and artistically simple lines. The stone fireplace incorporated specimens of all the different rock strata revealed by the river's carving of the canyon, from pre-Cambrian black Vishnu Schist to the Kaibab Limestone of recent millennia. The platform bed was modern, wide, and inviting. Maura prodded the mattress with a manicured finger, sat on the edge, then lay back. She eyed me speculatively.
"You must need to rest a while after your trip," I said with exaggerated solicitude. "Go ahead, take it easy. I understand." I began to unpack, hanging things in the closet, watching for her next move. She got up and started to unbutton her shirt. Not a bad idea. The day was getting hot. So was I, but I wasn't ready to take her deceptive bait. Maura is never that easy.
My own bait was more subtle. I moved into the living room, pulled open the curtains of the window beside the fireplace, and crossed to the far side to set my cameras and equipment out on a table. Maura followed.  I didn't let her catch me watching, but she knew I could see her in the mirror as she shed her jacket and peeled off a tank top damp with sweat. She hadn't bothered with a bra. Then, to enhance the temptation, she turned around to present a rear view while wriggling out of her jeans. Her lovely ass-cheeks paused in mid-wriggle as she saw the view presented by the wide window.  The vista, tinted gold and copper by the late afternoon sun, was breathtaking. Maura gripped her loosened jeans tightly and edged past chairs and coffee table to gaze out, spellbound. It was the same scene she had surveyed from the rim outside, but somehow intensified, made more personal, more deceptively comprehensible, by the framing effect of the window. From inside it looked as though the cabin extended right out over the shining void.
I waited five seconds for the mesmerizing effect of space and light and color to take hold, and then I was on her, pushing her hard against the log wall and windowsill. I had her own silk scarf tight across her mouth and her pants and foolish thong undies down around her ankles before she could do more than gasp.
She could easily have escaped, even hobbled like that, although she despised looking ridiculous. While my weight kept her pressed into the wall, her hands were free, gripping the wooden windowsill. Now and then people strolled by just outside on the pathway; if she rapped on the window, they'd turn to look. She knew how to make me let her go. But gagging was a special treat she wouldn't risk losing, a promise that she was going to be driven to extremities, permission to let it all out without reserve. I wouldn't always humor her that far. More than once she had cursed at me and demanded a gag. More often than not I had refused.
I gathered her thick chestnut hair in my fist and yanked her head back. "Surprise, my knees aren't all that decrepit yet," I hissed into her ear, and brought my right one hard up against her ass. She jerked, but spread her legs to let me thrust between her thighs and nudge into her crotch.  "You wonder how the river carves a canyon through rock?" I asked. "You think you're stone? Haven't I cut my petroglyphs into you?" My other hand worked its way around to her belly and slid down to her shaved pubic mound. The scars I'd given her, where even bikini photo spreads wouldn't reveal them, were too shallow for my fingertips to find like this, but I knew they were there; four tiny, curving lines forming a delicate circle like a secret mandala, cut by the business end of an ice-climbing screw.  "I suppose you think the water always flows gently, smoothly, taking forever to wear away resistance." My fingers moved lower, stroking gently, too gently, over her clit and lush outer lips. "Working down through layer after layer, " I went on, going deeper, sliding back and forth in her growing slickness, keeping it up slowly, slowly, as the silk gag muffled her accelerating whimpers of demand. When she arched into my touch, desperate for more, harder, faster, I drew my fingers away and approached from the other side, starting with long strokes down between her buttocks and into the tender strata of her soaking crotch.
"But sometimes storms batter at the rocks, and spring floods from mountain snowmelt surge through the ravines." I was really getting into it now. "The water pounds, thrashes, filled with sharp silt and uprooted trees." I raised my hand suddenly to the nape of her neck, still holding her hair roughly back. The scent of her juices on my fingers roused my own. With my fingernails, short but strong, I scraped a line down the valley of her spine to its base. A shiver passed over her skin. I veered first to one side, then the other, tracing the delectable swell of her ass, leaving curving pink grooves just shallow enough to fall short of drawing blood. Her gluteal muscles flexed, and her muted voice rose in pitch.
A pair of college-boy jocks passed by outside; even through the gag she could have made enough noise to attract their attention. I felt a shudder wrack her body. She wanted so intensely for them to see...but would I pull back, drop her, rather than risk a scandal that might, at the least, distort her career?  
I don't know, myself, what I would have done, but they moved on past. My teeth fastened onto Maura's right shoulder, and her taste filled my mouth. I had no more words. Moans and incoherent curses vibrated from her body through mine as she writhed toward my touch. I spread my fingers then and slapped hard, again and again, overlaying the scrapes on her buttocks with red hand prints like the marks on the walls of ancient Anasazi cliff dwellings far below in the Canyon.
Suddenly Maura lurched backward, pushing off from the windowsill, nearly toppling me. I lifted her just enough to swing her around and then dropped her hard onto the Navajo rug in front of the fireplace. In the seconds it took for me to get a latex glove from my pocket onto my hand she had torn off her gag and kicked her pants free of her ankles, and now she crouched, long hair falling forward to veil her face, her butt lifted toward me and her swollen labia exposed.
"Do it!" she snarled, so ready that there was no need for lube. I thrust into her, slid out, thrust again, and then she was pumping herself onto me, heaving, panting, her cries rising higher as my other hand pinched her hardened nipples. When the spasms struck, tightening her cunt around my hand and wrist like a trap, I supported her until her grip finally loosened and I could withdraw, gently, holding her wide open for a few seconds and admiring her glistening folds. "Dusky rose," I said softly, "Like the sandstone layers of the canyon wall at dawn."
Maura whispered something I could barely hear. I leaned closer. "Was this the 'better place' you had in mind?"
"No," I said honestly, not sure whether she was working up to another challenge. "This was just an opportunity seized. You'll know when you get there."
And she did.  It wasn't along the rim trail or at any of the famous points where cameras clustered, not even Pima Point at sunset when the river winding far below to the west turned briefly into a ribbon of gold. It wasn't the moonlit vista of the canyon as we leaned together against a spreading branch of the pinyon pine outside our own cabin. It wasn't anyplace that easy.
We were up at dawn the next morning, breakfasting on the Bright Angel Lodge terrace.
"Why 'Bright Angel?'" Maura asked.  I told her about Major John Wesley Powell's exploration of the Colorado river, and the story that after his men named one muddy incoming stream the Dirty Devil, the Major had compensated by dubbing the first clear creek they came to Bright Angel, flowing down from the north to join the river across from what later became Bright Angel Trail. I thought, watching Maura's beautiful face, as luminescent in its own way as the morning light suffusing the mist rising from far below, that he must also have been thinking of Lucifer before the Fall, Milton's "angel bright" of Paradise Lost.
Or, just possibly, he had known someone like Maura.

What follows, part way down the sides of the Grand Canyon, takes “edge play” literally, along with hyper-exhibitionism. If you want to read more, in a day or two I’ll post the whole story over on my blog, Or you could find it in my first collection, from way back in 2011, A Ride to Remember, a Lambda Finalist. And, as I said upstream, yet another Maura/Robie story will appear in my new collection coming out in March, from Dirt Road Books. Wouldn’t you like to see how many more ways I’ve explored the unlimited possibilities of erotica?



  1. I love the way you weave the setting into the sex, Sacchi!

  2. That setting gives one a whole lot to work with. I hadn't figured out all the ways it could work when I began writing, but they evolved as the story unfolded, kind of like, to really stretch a metaphor, the layers of stone in the Gand Canyon.

  3. I remember "Bright Angel" (clever reference to a place and a woman), but I didn't know you've written three stories about the same characters. Congratulations on your new collection.


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