Friday, October 11, 2019

Ode to a Too Virginal Pen

The name on the barrel is “Ruth Schuldt”.

Ruth Schuldt.  It sounds German, maybe Jewish.  A distinctly mundane name, nothing exotic, maybe from Pennsylvania, or somewhere in the Midwest.  It conjures the image of a farmer’s wife, a woman with soft hair, a tired face and calloused hands.  A small farmhouse on a hot August night, where she lies next to her husband of years, long before air conditioning.  Waiting for sleep to come, trying not to think, laying almost nude with the moonlight on the dark nipples of her sweating weighty breasts, wondering if this is the night it may finally rain.  Please God.  Rain.  The wind blows across dried barley tufts swaying in waves in the hot moonlight.

This is a shiny pen, not much used.  She didn’t write much with it, this Ruth Schuldt.  I would date this pen back to about the 1930s or so.  Dust Bowl days.  Around the depression. This pen is very bright to have come from so long ago.  Maybe it was a graduation gift to a school girl, a pen she’s kept in a drawer from better times, nothing to write, nothing to say, but Lord will it rain tonight?

Is she still alive?  Like one of those Playboy Playmates from the early 1960s, fresh skinned, young, with puffy nipples, about a mouthful, at the height of her sexual glory.  Now a grandmother on social security with one or two divorces behind.  “But wasn’t I a dish back then?”

Hi there Ruth Schuldt.  I have your pen.  A Schaeffer Junior fountain pen, made in Fort Madison Iowa, back when we made things.  Lever fill.  I fixed it up.  It works really good now.  I like your pen a lot.  I read the repair book, which cost me a good seventy bucks, Christ, don’t tell my wife,  and did a real good job on this lovely little samurai sword.  Tuned the golden nib like a fine old Martin guitar.  Did you miss it?

Maybe if I had known you I would have loved you.  If you had known me, you might have had an easier life of it.  On sweaty nights like this one, I would have whispered in your ear to see if you were awake, would have run my hands over you, gently rolled on top of you and filled you up with strong healthy babies.  I would have licked you first, always.  Salty.  I’ll bet you were salty way down there, Ruth Schuldt.  Were you a salty woman down there, Ruth Schuldt?  On hot sweaty nights?

Pens like these outlive their owners.  They’re from another time when things were not so easily disposable.  Things.   People.  Lovers.  You repaired things. You repaired love, if you could.  If something broke, other than a heart, you took it to this guy on the corner, he gave you a yellow ticket, you came back in a week and your gadget worked.  When I was a little kid, the TV had vacuum tubes with mysterious plates of stamped metal arranged inside, like science fiction snow globes.  When it conked out, a guy in a uniform with a big black peddlers case of tools and tubes pulled up in a van, unscrewed the back and did his magic. He gave me the blackened tubes.  I pretended they were rocket ships, running around the yard and holding them over my head making whooshing noises.  If they broke they let off a strange smelling gas that made me dizzy.

This pen has soul.  Character, it had a previous incarnation, a lonesome history, there is hard evidence it was somebody’s darling before it was mine.  Or maybe it was never anyone’s darling.  Maybe it was partnered with a dull woman who had no love of words or the stroke of black on white linen paper.  Maybe it was loved, but it doesn’t look loved to me.  It’s too perfect.  Things that are well loved are usually damaged and repaired, often badly.  This is a pen that has not been gripped fiercely, never been thrown across the room.  Were you loved Ruth Schuldt? I don’t want to believe you were never opened up, parted, uncapped and bared to the naked golden nib, never stuffed and filled with the dark wet of life.

Come to me, little black pen.  Let me uncap you. So.  Mine. 


  1. Garce, only you could contemplate a second-hand fountain pen and create such a lusciously erotic meditation. Beautiful!

    Here in Asia, people still repair things. One of the reasons I love being here.

  2. Hi Lisabet! I'm back I'm back. Trying again.

    The fountain pen is real, and these represent actual speculations. So many of these old pens come into my hands with evidence of a story, some past incarnation clinging to them like a ghost.

    I love that they repair things in Asia. This is a loss in our culture. Everything is too impermanent. Old technology like film cameras and pocket watches and fountain pens and so on, they have a special physical beauty and hidden complexity. They were made to last a lifetime and accumulate memories, dents and scratches, flaws like reliable old friends who bear witness to your life. They have character.


  3. Garce, only you could write this piece. I'm glad the pen in your vignette exists in the real world, though I'm not sure why it matters. I've seen venerable pens like the one you describe, and you're right. There aren't many tools of that nature that are still loved and used in North America.

  4. Hi Jean! They are from a different era, when you could keep things around. I have a pen in my pocket right now that was made and sold during the great depression. A pen almost 90 years old that still writes like a charm. That has to be beautiful in it's way.


Note: Only a member of this blog may post a comment.